In the short story entitled "Miss Brill," written by Katherine Mansfield, the reader spends a routine Sunday with Miss Brill, whose character is revealed through her thoughts about others as she observes a crowd of strangers and soaks up the atmosphere while sitting at a bench in the park. Miss Brill seems to enjoy her routine of sitting in the park and listening to the band play, but most of all she savors the ability to eavesdrop into other people's lives by listening "as though she didn't listen" (Mansfield 259) to their conversations and observing their every move. Through these senses, Miss Brill tries to create an alternate reality for herself to relieve her feelings of loneliness; although, she is forced into a self-realization, but remains the same, for the imposter is not who she truly is.
The short story gives the reader an everyday experience of Miss Brill's character and her life approach to searching for a sense of identity and a longing for human companionship. Miss Brill's pastime of eavesdropping and observing strangers is an attempt to compensate for the emptiness in her own life. By her being able to listen to other's conversations, she feels as if she is included into other people's lives. It seems as if Miss Brill is so used to this sense of security that if her daily routine were to change, her whole life would shatter before her. The weekly outing gives Miss Brill the opportunity to somewhat be in the company of others and, for a moment in time, leave behind her feelings of isolation when she's in her "room like cupboard" (Mansfield 261). She takes in every advantage of feeling connected to these individuals in order to achieve a sense a belonging.
Miss Brill, mentally seated in the shadow...
... middle of paper ...
...down. She is now forced to realize that she is not important, like she had hoped she was, to the crowd around her.
Not keeping with her Sunday routine of getting a slice of honey cake at the bakery on her way home, because of the hurtful words she became associated with, she solely returns to her "room like cupboard." Arriving at home she removed her beloved fur, and once it was put back into its place with the lid seated firmly, she "thought she heard something crying" (Mansfield 261), unaware that it was indeed herself crying due to a revelation and the self-realization of living her daily life as an imposter. Although Miss Brill has sensed self-realization, she will remain static throughout the entirety of her life; acting out her Sunday routine of eavesdropping into others lives, for it is the only way she can compensate for her void called loneliness.
All in all, Miss Brill is a character in her own perception of watching other people’s lives, but a lonely woman in reality. Through the actions of Miss Brill using her fur scarf as an inanimate object to become her friend, to watching the woman rejecting the flowers from the little boy, Miss Brill has created her own fantasy world of actors and actresses getting on and off the stage, making her not wanting to discover the woman who she is right now. As Miss Brill hears the teasing of the young couple and wakes up from her fantasy world and imagination, she has finally understood how the world is not perceived as she wanted it to be.
Miss. Brill is an older woman who is depicted as lonely because she sits by herself in the park and listens in on other people's conversations. Mansfield says, “This was disappointing, for Miss. Brill always looked forward to the conversation. She had become really quite expert, she thought, at listening as though she
...sion of Steinbeck's short story, Steinbeck has her fall right back into the rut she so despised. She comes back to reality and "turned up her coat collar so he could not see that she was crying weakly-like an old woman."
As a result, women were stuck at home, usually alone, until their husbands got home. In the story, Jane is at home staring at the wallpaper in her room. The wallpaper’s color is described by Jane as being “repellent, almost revolting” (3) and the pattern is “torturing” and “like a bad dream” (10). The description of the wallpaper represents Jane’s and all women’s thoughts about the ideologies and rules upheld by men prior to the First World War. It is made evident that this wallpaper represents the screen made up of men’s ideologies at the time caging in women. Jane is subconsciously repelled by this screen and represents her discovering continuously figuring out what she wants. Metaphorically, Jane is trapped in that room by a culture established by men. Furthermore, Jane compares the wallpaper’s pattern to bars putting further emphasis on her feelings of being trapped and helpless. Later in the narrative, she catches Jennie staring at the wallpaper’s pattern and then decides to study the pattern and determine what it means herself. Her study of the pattern is representative of her trying to analyze the situation in which she’s in. By studying the pattern, she progressively discovers herself, especially when she sees the woman behind the
Miss Hancock, her personality and beliefs were contrasted entirely by her character foil, Charlotte’s mother, “this civilized, this clean, this disciplined woman.” All through Charlotte’s life, her mother dictated her every move. A “small child [was] a terrible test to that cool and orderly spirit.” Her mother was “lovely to look at, with her dark-blond hair, her flawless figure, her smooth hands. She never acted frazzled or rushed or angry, and her forehead was unmarked by age lines or worry. Even her appearance differed greatly to Miss Hancock, who she described as,” overdone, too much enthusiasm. Flamboyant. Orange hair.” The discrepancy between the characters couldn’t escape Charlotte’s writing, her metaphors. Her seemingly perfect mother was “a flawless, modern building, created of glass and the smoothest of pale concrete. Inside are business offices furnished with beige carpets and gleaming chromium. In every room there are machines – computers, typewriters, intricate copiers. They are buzzing and clicking way, absorbing and spitting out information with the speed of sound. Downstairs, at ground level, people walk in and out, tracking mud and dirt over the steel-grey tiles, marring the cool perfection of the building. There are no comfortable chairs in the lobby.” By description, her mother is fully based on ideals and manners, aloof, running her life with “sure and perfect control.” Miss
The novel Jane Eyre, by Charlotte Bronte consists of continuous journey through Jane’s life towards her final happiness and freedom. Jane’s physical journeys contribute significantly to plot development and to the idea that the novel is a journey through Jane’s life. Each journey causes her to experience new emotions and an eventual change of some kind. These actual journeys help Jane on her four figurative journeys, as each one allows her to reflect and grow.
As she spends more and more time isolated in her bedroom, with nothing else to occupy her mind, she gradually become fixated on the dreadful patterns of the paper and instantly foresee something else: the narrator eventually see a “strange, provoking, formless sort of figure, that seems to skulk about behind that silly and conspicuous design”(77). The narrator’s bedroom being a prison becomes more literal as from figurative when the loneliness and social negation intensifies her need for an escape from the pre-set nature of conduct created specifically for her (a mentally depressed and unwell women) by the people in her life especially by John. Throughout the story, the narrator’s psychological breakdown goes from a typical depressed mind and lacked awareness of identity, to a complete madness and reversed sense of self-esteem. She gradually changes the place she has in the physical world and fights back the social rejection she is facing by turning away from reality in exchange for a world where she has total control and can act according to her own will. The author uses the yellow wallpaper as a symbol for representing the phases of the narrator’s gradual deteriorating
Miss Brill’s loneliness causes her to listen in on conversations. This is her only means of achieving a sense of companionship. She feels that for a moment she is “sitting in other people’s lives just for a minute” (98). Aside from that, she is part of no one’s life.
Miss Brill is a story about an old woman who lacks companionship and self-awareness. She lives by herself and goes through life in a repetitive manner. Each Sunday, Miss Brill ventures down to the park to watch and listen to the band play. She finds herself listening not only to the band, but also to strangers who walk together and converse before her. Her interest in the lives of those around her shows the reader that Miss Brill lacks companionship.
In this story the interpretation of Miss Brill's character is revealed through her observation of other people. The story starts out as Miss Brill with Miss Brill describing the sensation of her fur coat upon her skin and how it made her feel. The setting takes place on a bustling Sunday afternoon in the center of a town. Miss Brill has made it a routine for her to go out on these Sunday afternoons dressed up at her finest, and go people watching.
To make herself feel more encompassed in the external world, Miss Brill has an inflexibility of leaving her house with her fur and going to the park bench to watch the local band play. She also watches the society who roam the park, and eavesdrops on other people’s exchanges “She had become really quite expert, she thought, at listening as though she didn 't listen, at sitting in other people 's lives just for a minute while they talked round her” (Mansfield, 309). She alleged that by heeding she
While the Narrator is denied contact and forced to remain in the bedroom due to her husband’s insistence she begins to create a world within the hideous yellow wallpaper that covers the walls. She sees patterns and shapes, such as trapped creeping women, in the wallpaper. In the beginning of the short story, it is clear that the narrator desires social interaction and even believes that it would improve her mental condition.
Pride and Prejudice written by Jane Austen is centred on characters that either gain self awareness and knowledge or possess none at all. Happiness is found even when one has no understanding of selfhood but the most happy and satisfied people in the novel are those who have self knowledge. People that possess self knowledge understand their strengths and weaknesses and characters that gain self knowledge are able to decipher these characteristics and act upon them. As marriage was seen as a great achievement for women in their society, happiness in Pride and Prejudice relates to whether one is happy or unhappy in their marriage.
The story is written in a third person omniscient (although limited) point of view. Miss Brill also interprets the world around her in a similar fashion. She is her own narrator, watching people around her and filling in their thoughts to create stories to amuse herself. Compared to most people, Miss Brill's thinking is atypical. Generally, in viewing the world around him, a person will acknowledge his own presence and feelings. For example, if something is funny, a person will fleetingly think "I find that amusing." While that entire sentence may not consciously cross his mind, the fact that it is humorous is personally related. Miss Brill has no such pattern of thought. She has somehow managed to not include herself in her reactions; she is merely observing actions and words. In this manner, she most resembles the narrator of the story by simply watching and relaying the events around her.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...