Selena Quintanilla Analysis

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Music offers a soundtrack for life. It has the power to, "to elevate the mind, body and character of individuals and the spirit of the nation as a whole" (Suisman 19). Along with its profound effect on people, music is also derived from endless sources and contains an infinite number of messages and purposes within its given context. Musical genres are often created to standalone as their own entity, but songs are also sometimes intended to represent multiple influences and alternate styles. As exemplified through the examination of various musical genres, their origins and their historical implications, a persisting influence relates to either the stylistic inspiration from other cultures, ethnicities and musical styles or the blatant conflict …show more content…

Selena Quintanilla (symbolized through visual’s the rose) and Ricky Martin are both artists at the forefront of this process. Both iconic singers held a hybrid identity that represented their native roots alongside their place within America: Selena catered to Mexican Americans and Ricky Martin to Latin Americans. They both performed in multiple languages to appeal to many audiences and Martin has even explained that he doesn’t think of his music as Latin, but as a combination of many genres (Martin). He also perfectly articulates that, “Music can transcend borders and breakdown barriers between people and cultures,” which is exactly what both Selena and Martin do by connecting multiple demographics with their music (Martin 120). A modern day exchange between cultures is no better seen than in Beyoncé’s “Run the World (Girls)” music video, in which, “Beyoncé’s sampling from artists and cultures of the global south permeates [the] video” (Miller 1). Isaac Miller, in his article about the music video, highlights Beyoncé’s use of original choreography from a YouTube video of Mozambique’s Tofo Tofo dancers. In contrast to the Elvis example explained above, Beyoncé (symbolized through the visual’s ‘Queen Bee’ motif above the record) doesn’t appropriate their work as her own, but rather took the time to learn the dance from the native Mozambique dancers and featured two of them in her video (Miller). Beyoncé’s music video supports the claim that, “global hip hop culture has never been as expansive, diverse, and vibrant as it is today,” through her interest in traditional African culture and the influence it produced in her final product (Miller). This epitomizes the process of exchange between varying cultures in an effort to produce a single final product that uses and references each contrasting set of

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