Written by Tayeb Salih, the novel ‘Season of Migration to the North’ as described by The Observer “is an Arabian Nights in reverse, enclosing a pithy moral about international misconceptions and delusions.” The novel is set both in England and the Sudan, showing the stark social differences within these two locations. In this essay, I will evaluate the reasons supporting and opposing Mahjoub’s statement as defined in ‘Season of Migration to the North’.
In the first line of the novel (and once more later in the book: "dear sirs" page 62), the narrator introduces the reader to a male-dominated world by suggesting his audience is masculine;
"It was, gentlemen, after a long absence—seven years, to be exact, during which time I was studying in Europe—that I returned to my people.”
Despite the subtlety of the word “gentlemen”, this, I believe is purposefully done, to immediately show the reader the extent to which village life is dominated entirely by the male. Its subtlety reflects the idea that male dominance has become just a normal part of life, to the point where it can almost be looked over.
The death of Mustafa Sa’eed meant that his widow was placed in the care of the narrator,
“You’re the bride’s guardian.”
This suggests that even as a widow, a woman was not free to do as she pleased, with regards to who she was to wed. The fact that a widow was being dictated to, showed that the village society was more patriarchal than that of the society that existe...
This story represents the suffering induced by the isolation. In the time period on which this history was reflected, it was socially tolerable for wives to be
Women were auctioned off as “merchandise” to the best suitor they could get in town. Beauty, though important, was not as important as the dowry the woman possessed, because it was the dowry the family provided that could exalt a man’s societal status to all new heights. Once married, women were expected to have son’s for their husbands in order to take over the family business. A barren woman was not an option and could have easily been rushed to the nearest convent to take her vows of a nun, for no honor could be brought otherwise. No woman could run from the societal and legal pressures placed upon them. Rather than run, some chose to accept their place, but, like Lusanna, some chose to fight the status quo for rights they believed they
Through the use of symbolism, and characterization that involves an instance of imagery, the author advocates this notion through the newlywed’s decision of neglecting her personal feminine taste to make her husband’s preferences her own, and embracing her title of submissive partner by kissing the hand. Also, the choice of words to describe each partner differs tremendously, as the author seems to give more importance to the man by making him appear handsome, and particularly strong. On the contrary, the young woman appears to be weak and minor, which supports this idea of submissive women in a couple through the perception of the woman being way behind her husband. This story demonstrates a great symbolic significance when it comes to the hand, which can lead to other important ideas surrounding the message the author is trying to
The movement for female right is one of the important social issue and it is ongoing reaction against the traditional male definition of woman. In most civilizations there was very unequal treatment between women and men with the expectation being that women should simply stay in the house and let the men support them. A Doll's House by Henrik Ibsen, and Trifles, by Susan Glaspell, are two well-known plays that give rise to discussions over male-female relationships. In both stories, they illustrate the similar perspectives on how men repress women in their marriages; men consider that women should obey them and their respective on their wives is oppressed showing the problems in two marriages that described in two plays. Therefore, in this essay, I will compare two similar but contrast stories; A Doll's House and Trifles, focusing on how they describe the problems in marriage related to women as victims of suppressed right.
Domestic violence can come in various forms such as physical, mental, and verbal abuse. In the novel the most vulnerable victims to go through this experience was the women and children. The mother, Beatrice, first- hand experience this abuse from her husband and endures it in silence. In this type of culture the women become part of their husbands, their identities in society are their husbands (Fwangyil, 262). Beatrice undergoes several miscarriages at the hands of her husband. For example, one evening the children witnessed their mother hanging over their father’s shoulders and “trickle[s] of blood, which trailed away” (Adichie, 33). Even through all the abuse and miscarriage’s, she continues to defend her husband to the end. Women during
This source provided the unique perspective of what was thought to be the perfect household, with a man who worked and a wife who cooked and cleaned. However, it also showed how a woman could also do what a man can do, and in some cases they could do it even better. This work is appropriate to use in this essay because it shows how men talked down to their wives as if they were children. This work shows the gradual progression of woman equality and how a woman is able to make her own decisions without her husband’s input.
...show us that the choices for women in marriage were both limited and limiting in their scope and consequences. As can be seen, it came down to a choice between honoring the private will of the self, versus, honoring the traditions and requirements of society as a whole. Women were subject to the conditions set down by the man of the house and because of the social inequality of women as a gender class; few fought the rope that tied them down to house, hearth, and husband, despite these dysfunctions. They simply resigned themselves to not having a choice.
...ation of men and women to the reader; we accept the cliché’s and gender-roles as the collective standard.
Lady Chudleighs’s “To the Ladies” exhibits a remorseful stance on the concept of joining holy matrimony. Chudleigh’s usage of metaphoric context and condescending tone discloses her negative attitude towards the roles of a wife once she is married. It is evident that Mary Chudleigh represents the speaker of the poem and her writing serves a purpose to warn single women not go get married and a regretful choice to women who are.
Joyce, James. “Araby.” The Norton Introduction to Literature, Shorter Eighth Edition. Eds. Jerome Beaty, Alison Booth, J. Paul Hunter, and Kelly J. Mays. New York: W.W.Norton.
Immediately, the narrator stereotypes the couple by saying “they looked unmistakably married” (1). The couple symbolizes a relationship. Because marriage is the deepest human relationship, Brush chose a married couple to underscore her message and strengthen the story. The husband’s words weaken their relationship. When the man rejects his wife’s gift with “punishing…quick, curt, and unkind” (19) words, he is being selfish. Selfishness is a matter of taking, just as love is a matter of giving. He has taken her emotional energy, and she is left “crying quietly and heartbrokenly” (21). Using unkind words, the husband drains his wife of emotional strength and damages their relationship.
Tayeb Salih’s Season of Migration to the North explores the intrinsic violent nature of humans through the scope of life in England and life in Sudan. Salih uses both experiences in a European country and a postcolonial country in his work as a means to reject a misconception of violence in regards to the postcolonial world. Violence, despite being a physical exertion of force is caused by something; whether it be violence during wartime or a violence that stems from desire. Season of Migration to the North seems to focus primarily on violence that stems from desire in particular, a sexual desire. This sexual desire is produced by colonial influences however, is not culturally subjective in that it is found in both England and Sudan. Salih does address misogyny in Sudan based in tradition and cultural practices.
In Tayeb Salih’s Season of Migration to the North, readers are introduced to an unnamed narrator who has after studying poetry in Britain finally decided to return to Wad Hamid, his hometown. From the book readers learn about his excitement to finally contribute to his country, which has recently gone through post colonialism. After meeting the old faces, he notices Mustafa Sa’eed, someone new. The unnamed narrator bonds with Mustafa, as both of them are from England. Mustafa tells him stories about his life in London, and the string of European women and his unrelenting relationships with them that led him to return his native land; he also talks about his successful career in economics. However, after confiding in the narrator Mustafa mysteriously disappears, asking the narrator to look after his wife. The narrator then describes his journey in a land between Europe and Africa where everything is unsettled and violent, there is confusion between tradition and innovation, holiness and defilement, and man and woman, from which no one will escape, unaltered or unharmed. Therefore, Sea...
Not attempting to hide, Mrs. Mallard knows that she will weep at her husbands funeral, however she can’t help this sudden feeling of seeing, “beyond [the] bitter moment [of] procession of years to come that would belong to her absolutely” (Chopin, 16). In an unloving marriage of this time, women were trapped in their roles until they were freed by the death of their husbands. Although Mrs. Mallard claims that her husband was kind and loving, she can’t help the sudden spark of joy of her new freedom. This is her view on the release of her oppression from her roles of being a dutiful wife to her husband. Altogether, Mrs. Mallard claims that, “there would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (Chopin, 16). This is the most important of Mrs. Mallard’s thoughts, as she never officially states a specific way when her husband oppressed her. However, the audience can clearly suggest that this is a hint towards marriage in general that it suffocates both men and women. Marriage is an equal partnership in which compromise and communication become the dominant ideals to make the marriage better. It is suggested that Mrs. Mallard also oppressed her husband just as much as he did to her when she sinks into the armchair and is, “pressed down by a physical exhaustion
In chapter two, the narrator goes to the British Museum in search of answers. During research, she uncovers that women are common topics of literature. However, none of the literature written about them is penned by women. When she reveals her findings for the definition of woman, she uses words such as weak, inferior, vane, and etc. that define woman. I think the narrator uses these words to emphasize the way men perceive women as being the weaker sex.