Salsa Dancing Robert and his wife, Lucy, decide to take dance classes at a local Salsa dance club. They used to go to ballroom dance classes at the same club some years ago. Because Salsa dancing has become so popular, they book the classes in advance. On the back of the receipt a printed clause says “For terms and conditions please see notices in the club”. On the inside of the club door a large notice is pinned up. The notice reads, “The club will not accept responsibility for any loss suffered by customers”. At their first dance class, the dance instructor, Paul, who also owns the club, demonstrates an energetic step and falls over, knocking Robert to the ground. Robert’s arm is broken and his Rolex watch is damaged beyond repair. When Lucy goes to the cloakroom to get her coat, she finds her coat has been stolen. Advise Robert and Lucy as to any contractual claim they may have. I will begin by looking at the contractual claim Lucy has in respect to the loss of her coat. Lucy’s claim could be based most suitably on the area of Contract law known as incorporation, and perhaps negligence. Dealing first with incorporation. For a clause to form part of a contract it must be effectively incorporated into it. The basic rule of incorporation is that there has to be sufficient notice of the terms before a contract is completed or they will not form part of it. The contract between Lucy and the club was concluded when she accepted the offer of dance lessons, paid her money, and received her receipt. It was at that moment the terms and conditions of the contract were decided and became ... ... middle of paper ... ...t by reference to any contract term or to a notice given to persons generally or to particular persons exclude or restrict his liability for death or personal injury resulting from negligence." Robert's broken arm was caused by negligence on the part of the dance instructor; therefore the club is liable irrespective of any exclusion clause it might have put up. Robert is in a strong position to claim against the club using both negligence and construction, with both being equally weighted arguments. Although he is in a less strong position to claim for the damage to his watch because it can be argued having danced previously he was aware of the dangers of wearing breakable jewelery whilst doing such an energetic sport. However, if he were to claim for his watch also he would be best also claiming based on negligence.
The three groups: the professional players, the blue-collar players, and the teenagers, have forever transformed the atmosphere of the pool hall. While many stereotypes exist concerning what a pool hall is, many are not true. It is not full of "motorcycle people," nor is it a drunken scene as depicted in movies. It is a place of social construct, such as everything in society.
The nightclub, is an aged small wood structure in Rhode Island. The club is reported to have a capacity of 182 people. On February 20th 2003, more then 400 fans packed into the small club to see a band. Although there are discrepancies between reports of how many people were in attendance, it is obvious that the number is well over twice the club's capacity.
Eleanor Powell was born on November 21st, 1912 in Springfield, Massachusetts. At the age of two, her father abandoned her family, leaving her mother working hard to make ends meet. Her mother had told her that her father had died. At twenty three years of age, her father had re-introduced himself to her.
The story of Olaudah Equiano and his people went through a lot throughout the time of the 18th Century. Africans faced, “the part of Africa, known by the name of Guinea, to which the trade for slaves is carried on, extends along the coast above 3400 miles, from the Senegal to Angola, and includes a variety of kingdoms.” This is where it first started the business of slavery and selling and buying slaves for them to work for their owners. During this time men and women had to face different types of punishment from adultery and other types of reasons to put them to death, execution, but if the woman had a baby they were often spared to stay with their child. African’s displayed there different types of traditions through weddings, friends, public
The history of famous flamenco dancers are known to be influence to others dancers today. Carmen Amaya was a gypsy dancer that developed to be marvelous female flamenco dancer in the twentieth century (Flamenco - Carmen Amaya). She was born in Somorrostro in Barcelona in November 2, 1913 which she lived in a desolate gypsy neighborhood (Flamenco - Carmen Amaya). At the age of four, Carmen started dancing in taverns and bars with her father. She was also inspired and influence by her family who were gypsy flamenco performers like her grandfather that was a dancer as well as her father and her aunt was a guitarist (Flamenco - Carmen Amaya). Carmen went to Paris at the age of eight in 1929 which she, her cousin María, and her aunt, “La Faraona” was hired to perform there. They
Gina Valdes was born in Los Angeles, California and grew up on both sides of the U.S.A-Mexico border. Growing up on both sides of the border greatly influenced her life and her writing, since she was able to experience both traditions and customs at first hand. Crossing borders and identity are both reoccurring themes that Gina decides to interpret in her writings. The English and Spanish languages as well as both cultures weave through her life. Valdes received degrees from the English and Spanish departments at the University of California, San Diego. She has also taught both languages at various universities such as at the University of California, San Diego and San Diego State University. Gina Valdes is the author of two bilingual poetry collections Puentes y Fronteras (Bridges and Borders) and Comiendo Lumbre (Eating Fire) both are from the Bilingual Press. English con Salsa is a poem from one of her poetry collections where she uses all the techniques and themes she is best known for.
Almost all high school boys spend every day of their four years in high school working towards a reputation of a strong, manly man. Quite a lot of teenage boys find crossing any line of manhood obnoxious and trivial even for the sake of humor and school spirit. Homecoming week is full of events that are life-long memories for any student who attempts to participate along his or her fellow classmates and friends. One of the most exhilarating occasions during Homecoming week is the Powderpuff game when girls play flag football and boys perform as their cheerleaders. Powderpuff is the one and only opportunity for the junior and senior boys in high school to act, dress, and dance absolutely inappropriately in front of basically the entire school for the three to five minutes during the halftime show of the game. Even the most uptight and seemingly tough guys of the junior and senior classes sprout out of their shells to essentially love the weeks they spend dedicating their free time and attention to perfecting their powderpuff dance routine. After all is said and done, there is no possible way that any of the boys can possibly walk away from the powderpuff game feeling as if they did not have an excellent experience, but the process of cherishing their memories is not only stressful but tests the limits of sanity of not only the boys but the girls that take the time to teach the dance routine. An unbelievable amount of effort is put into producing a seemingly faultless routine which includes recruiting the boys who want to dance, picking songs for the music collaboration, making up the dance moves, teaching the boys the routine, perfecting every trick and step, decorating outfits and costumes, and treasuring every second that one spe...
The Indian Classical Kathak dance and the Spanish Flamenco have striking similarities even though the location and culture of their origins greatly differ.
El danze de los viejetos / dance of the old men People do not take into account the impact that colonialism had on Mexico and Mexico’s culture of dance and music. The merging of Indigenous tradition and European culture left a strange mark in Mexico, where both those diverse cultures were combined into its own Mexican identity. There is no bigger example of this than the traditional Mexican dance, of the state of Michoacán el danze de los viejetos or in English the dance of the old men. What the dance used to represent pre and post the conquering by Spain is radically different, since Mexico itself changed through colonization.
" 'How can I join such a club?' I icily asked. 'Look at what the
Contact improvisation is a modern dance form where two people move while maintaining a connection. It originated from portions of Steve Paxton’s movement studies, which he began in 1972 at Oberlin College. As with every major event that happens in the world, the introduction and investigation of contact improvisation affected everyone in society one way or another.
Hate doing crunches? Do they strain your back and neck muscles? Try belly dancing, it gives you better benefits than the average crunch with less pain. In addition to the physical and emotional benefits, belly dancing also has an impact on child birth and ones creativity in an entertaining manner. The physical benefits of belly dancing are, being able to become healthier, and in better shape. Being out of shape can also affect a person’s emotional-state. Participating in belly dancing can benefit ones self-esteem, and help their emotional well-being. Ones emotional-state can take a toll for the worst or the best when trying to become pregnant. Belly dancing is said to help the chances of a woman trying to become pregnant. Belly dancing also helps the birthing process, and can also help your pelvic muscles after pregnancy. Being pregnant can affect ones choice in attire. Belly dance allows one to become creative through the choreography and also their attire. Belly dancers bring out the most of their creativity while performing on stage. Belly dancing is very beneficial to ones physical and emotional state and could also help with the birth process; therefore it should be applied as a creative and entertaining form of daily exercise.
Belly dancing is thought to date back into the third millennium BCE in the Middle East, with evidence of solo improvised dance seen in Egyptian paintings, figurines, and tombs (Shay & Sellers-Young, 2005: 3). There are now several different versions of this dance in the Middle East, for example, the shikhat in Morocco, the ciftetelli in Turkey, and the raqs sharqi in Egypt (Shay & Sellers-Young, 2005: 2). While these dances are similar in movements, the dance’s meanings differ in each culture. Here in the United States, we adopted and renamed belly dance in the late 1890’s from the Middle East, but based our understandings of the dance off of mistaken notions we assumed to be true in those countries. The meanings of belly dance in the United States have been shaped by orientalist views, and therefore are misrepresentative of the true connotations. Several contradictions exist between what Americans see belly dance as and what is actually true in the Middle Eastern culture, such as the implications of the dance, the dress and context of the dance, who actually dances, and spiritual significance.
Hip hop dance was important to African American culture because it allowed them to create their own culture, their own music their own style. When watching Flex is Kings, there are many young men in a video demonstrating what hip hop dance culture has evolved to in the 21st century. They are a contemporary urban dance movement. One can see the emotion and the “seriousness” in their movements. Hip hop dance is these people’s lives’(“Flex Is Kings”). Flex is a type of street dance, sometimes is called “bone breaking” due to their moves looking like a person either has no bones or that they are literally breaking them to create the skin cringing dances they create(“Flexing”). Dancers such as Storyboard P have mastered the art of flexing. He mentions in one of his interviews that when dancing one is revealing who they are (“Storyboard P”). African American people lean on this particular art form to elaborate how, as a race we have been able to display our culture to mainstream America. Mainstream is basically a majority of people (Mainstream).
arrived with a big box with no labels or printings on the outside of the