Salman Rushdie is a meta-fiction writer, composing Midnight’s Children in a way that systematically draws attention to the fact that it’s a fictitious concoction questioning the relationship between fiction and reality. In Midnight’s Children, Rushdie uses historical events as reference points in the lives of his characters. Saleem Sinai’s life, and the lives of his familial predecessors, is defined by historical events. Beyond using historical events to denote the lives of his characters, Rushdie uses magical realism as a post-colonial device. He uses pastiche to keep the reader’s interest trained on the stories, referencing The Arabian Nights, among other works. Rushdie employs parody throughout the novel, molding history to his tastes, and states himself that “sometimes legends make reality, and become more useful than the facts.” Rushdie, in “Mercurochrome,” the second chapter in the first book, depicts the Jallianwala Bagh massacre of 1919 through the eyes of Aadam Aziz, Saleem Sinai’s grandfather, using all three literary methods of magical realism, pastiche and parody. By telling the story of the Jallianwala Bagh massacre through Aadam’s eyes, instead of just retelling the British version, Rushdie manages to change the significance of the massacre from an Indian rebellion that needed to be dispersed to a horrific historical event that cannot be forgotten for the sake of ensuring that there is no repetition.
Rushdie uses magical realism as a post-colonial device to emphasize the relationship between the time following the establishment of independence in India and Saleem Sinai’s fantastical tie to it. This self-alluding narrative references indigenous Indian culture, particularly the story of the Arabian Nights. Magical rea...
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...01): 2681-2688. Print.
Richard, Sir, Richard Burton, and A.S. Byatt. The Arabian Nights: Tales From a Thousand and One Nights. 1st Modern ed. Random House, Inc., 2001. Print.
Rushdie, Salman. Midnight's Children: A Novel. New York: Random House Inc., 1980. Print.
“Amritsar Massacre Jallian Wala Bagh." Amritsar. http://www.amritsar.com, n.d. Web. 23 Apr. 2011. .
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"Salman Rushdie Quotes - Quotations and Famous Quotes by Salman Rushdie." Famous Quotes, Quotations and Proverbs in Proverbia.net. Web. 26 Apr. 2011. .
"Satire - Definition and Examples | Literary Devices." Literary Devices. N.p., n.d. Web. 21 Mar.
1. Define 'satire' and provide one example of personal or social satire that yoou have encountered. You may use any source for your example:TV, media, news editorials, movies, comedy, etc.
Joyce, James. “Araby”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 427 - 431.
Snart, Jason. "In Aid Of Teaching James Joyce's "Araby." Eureka Studies In Teaching Short Fiction 9.2 (2009): 89-101. Literary Reference Center Plus. Web. 5 Mar. 2014.
McLynn, Frank. Of No Country - an Anthology of the Works of Sir Richard Burton. MacDonald and Co. Ltd. London; 1990.
There is always a problem of historical inaccuracies in fiction. When certain historical events become a part of the narrative (especially when these events are controversial), it is important to understand what they mean in the author’s conception of history and reality in general. Far more important is to understand their place in this conception when we see that the author’s depiction of facts is unusual and what he does seems to be not the reflection of existing reality but the deconstruction of a different one. Terrorism, civil war, separatism – it is hard to remember the themes that would be more complicated and controversial in the modern world, because questions like these never have a certain answer. Michael Ondaatje’s Anil’s Ghost is a good example of a novel that deals with the most important problems of contemporary history.
Joyce, James. “Araby.” The Norton Introduction to Literature, Shorter Eighth Edition. Eds. Jerome Beaty, Alison Booth, J. Paul Hunter, and Kelly J. Mays. New York: W.W.Norton.
Critics have already begun a heated debate over the success of the book that has addressed both its strengths and weaknesses. The debate may rage for a few years but it will eventually fizzle out as the success of the novel sustains. The characters, plot, emotional appeal, and easily relatable situations are too strong for this book to crumble. The internal characteristics have provided a strong base to withstand the petty attacks on underdeveloped metaphors and transparent descriptions. The novel does not need confrontations with the Middle East to remain a staple in modern reading, it can hold its own based on its life lessons that anyone can use.
Faris, Wendy B. Ordinary Enchantments: Magical Realism and the Remystification of Narrative. Nashville: Vanderbilt UP, 2004. 24 Sept. 2012. Web. 15 Mar. 2014. 21
There are many stories that follow Joseph Campbell's Hero's Journey, and tells the tale of a Heroic character. These fables introduces us to heroes that begin their journey in an ordinary place, then receive a call to enter an unknown world full of bizarre powers and peculiar events. These heroes often display great traits, such as bravery or intelligence, that defines their character. One of these heroic's tales is Haroun and the Sea of Stories, telling the adventures of a young man named Haroun. This essay will prove that Haroun from Haroun and the Sea of Stories by Salman Rushdie is a hero, because he possess heroic qualities. Haroun shows his heroic qualities by overcoming obstacles, helping his friends, and having good intentions.
A mind provoking essay that embodies the fear and concerns of this new entertainment era, author Salman Rushdie highlights the defects within our society, the vain and egotistical side, using personal anecdotes, logos, and pathos to further illustrate his point.
To preserve the storytelling style of the epic's author(s), I plan to employ a narrator to guide the action. A recognizable, intelligent, regal, and yet not overpowering voice should be chosen. This voice should give an air of importance to the narration without being so enthralling that the action is missed. I plan to seek out such Englishmen as Patrick Stewart, Sir Ian Mckellan, Sir Anthony Hopkins, and John Geilgud, and to offer them the opportunity of auditioning for this essential role. The selected actor's voice will begin and end the film, while covering breaks in the action and explaining confusing sections of the story.
When discussing the controversial authors of Indian literature, one name should come to mind before any other. Salman Rushdie, who is best known for writing the book “Midnights Children.” The first two chapters of “Midnights Children” are known as “The Perforated Sheet”. In “The Perforated Sheet” Rushdie utilizes magic realism as a literary device to link significant events and their effects on the lives of Saleem’s family to a changing India. In fact, it is in the beginning of the story that the reader is first exposed to Rushdie’s use of magic realism when being introduced to Saleem. “On the stroke of midnight/clocks joined palms” and “the instant of India’s arrival at independence. I tumbled forth into the world”(1711). Rushdie’s description of the clocks “joining palms” and explanation of India’s newfound independence is meant to make the reader understand the significance of Saleem’s birth. The supernatural action of the clocks joining palms is meant to instill wonder, while independence accentuates the significance of the beginning of a new era. Rushdie also utilizes magic realism as an unnatural narrative several times within the story to show the cultural significance of events that take place in the story in an abnormal way.
When Rape of Sita was first published it was immediately attacked because of the title linking the Hindu goddess Sita, who symbolized chastity, to the word “rape.” Even though Collen’s novel does focus around political struggles, literature is not politics. However, literature is able to be a form of social action. What is literature is it doesn’t post those crucial questions that get humans thinking? Collen believes in reflecting on concrete situations and posing moral dilemmas in literature. For her it is a way to share experiences towards the “other” (Williams 201). The Rape of Sita is a part of a postmodern turn to ethics. Where it uses language to make political comments suggesting a new perspective on history. Williams examines how The Rape of Sita calls for that change in attitudes through its narrative structure and symbolism. Which in turns allows for the story of rape to be told differently.
In his short story, “The Prophet’s Hair,” Salman Rushdie make use of magic realism, symbolization and situational irony to comment on class, religion, and the fragility of human life. The story is brimming with ironic outcomes that add to the lighthearted and slightly fantastic tone. Rushdie’s use of the genre magic realism capitalizes on the absurdity of each situation but makes the events relevant to readers’ lives. In addition, the irony in the story serves as a way to further deepen Rushdie’s commentary on class and religion. Finally, his use of symbolization focuses on the concept of glass, and just how easily it can be broken.