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Recommended: Film analysis
The opening scene of the film with the over voice of a man with and gritty, brisk and bold voice catches the audience’s attention and allows them to question themselves, their perspective and beliefs we encounter a security guard, who neatly parallels life, and the film, with a game of soccer and leaves the audience with their questions unanswered. It is believed that the distinctively visual elements of a text do present new perspectives on old ideas, but how? The German film “Run Lola Run” written by Tom Tywker, engages with the audience in order to open their minds to new ideas and perspectives. In the film the composer has used the forms and features in order to communicate the visual text. The text is created through visual organisation,
... success of a commercial film but having only created an art festival film. This fact leading him to having the advantage of throwing in every trick in the book and then the book, in other words it has allowed him to use a wide variety of visual techniques to help portray the roller-coaster ride that is ‘Run Lola Run’. An example is shown in the opening credits. where we are thrown a digital surprise, as a shot of a crowd turns into an aerial point of view leading to the crowed spelling out the name of the film. Another example is when Lola is running through the streets of Berlin and every time she stumbles into a bystander their futures are shown in an instant flash forward viewed in black and white. The message is that the smallest events can have enormous consequences, you know the saying a butterfly flaps its wings in Malaysia, causing a hurricane in Trinidad.
As Nichols explains, the relationship between form and content in a film expands the abstract ideas of a film into solid, concrete figures. Providing concrete representations of these otherwise intangible figments solidifies these ideas for the viewer. The director of Germany Year Zero tackles many abstract concepts and provides them with a physical representation. One strong concept throughout the film is uncertainty.
During the opening six minutes of Nicholas Roeg’s film Don’t Look Now, the viewer experiences a dynamic mixture of film techniques that form the first part of the narrative. Using metaphor and imagery, Roeg constructs a vivid and unique portrayal of his parallel storyline. The opening six minutes help set up a distinct stylistic premise. In contrast to a novel or play, the sequence in Don’t Look Now is only accessible through cinema because it allows the viewer to interact with the medium and follow along with the different camera angles. The cinematography and music also guide the viewer along, and help project the characters’ emotions onto the audience because they change frequently. The film techniques and choppy editing style used in Don’t Look Now convey a sense of control of the director over the audience and put us entirely at his mercy, because we have to experience time and space as he wants us to as opposed to in an entirely serial manner.
Phillips, W. (2002). Thinking about film . In Film an introduction (pp. 403-438). Boston : Bedford/St.Martin's .
Arnheim’s body of theory suggests that the necessity of human intervention to implement plot, tropes, and culturally legible symbols raises a film to a higher level than a mere copy of reality, and that this interpretation and expression of meaning is “a question of feeling” or intuition on the part of the filmmaker. (“Film Theory and Criticism” 283) One consequence of effective directorial intervention is that differences in speed, stops and starts, and what would otherwise be jarring gaps in continuity can be accepted by viewers, because if the essentials of reality are present, th...
Thomas Vinterberg’s The Celebration features a distinct style clearly defined by the rules of Dogme 95 and its accompanying manifesto. The Celebration, like other Dogme 95 films, makes extensive use of minimalist production values in its overall aesthetic. This bare-bones style lends a certain authenticity to the films; helping to focus a viewer’s attention onto the dialogue and action. Although it initially seems unusual, The Celebration’s particular style becomes a defining characteristic of the film.
The film Wendy and Lucy, directed by Kelly Reichardt, presents a sparse narrative. The film has been criticised for its lack of background story, and as a short film, much of the story is left to the viewer to infer from what is presented in the plot. However, Wendy and Lucy is able to depict the intimate relationship between Wendy and her dog as well as reflecting more broadly on the everyday, and commenting on the current economic state of the film’s setting in America. This essay will examine how film form contributes to the viewer’s awareness of the story in Wendy and Lucy and allows a deeper understanding of the themes presented. The aspects of mise-en-scene, shot and editing and sound in the film will be explored.
Berlin is the place that Thomas Tykwer where he filmed he fasts paced movie run Lola run in which it was entirely shot on scene and not in a studio. Berlin is a metropolitan city as we see, but most of the time it's not as crowded as we think. As we see the director emphasis on Manny calling Lola from the red pay phone to let her know that he lost the money on the train. In the movie run Lola run one of the most important scene is on the third take which takes place in the streets of Berlin, there are many more streets more scenes from the street of Berlin some very important scenes like Lola’s fathers office supermarket that Manni tries to rob. Also in the subway where he lost all the money and arrested. In all the scenarios the biggest contrast to Lola is the room that she's a very messy them lying next to each other.
their dependence, whether it is on technology or a cultural manipulation, and proceed towards discovering self-determination and having control of their own fate.
The post-modern society is seen to be one in which we are prevented from connecting to others as we are subjected to the whims of time. Time identifies their ‘destiny’ which serves to illustrate that we are imprisoned inside of a ‘game’ and that the only way to escape is by taking risks and ‘gambling’. The uses of jump cuts, visual symbolism, repetition and camera angles such as overhead shots depicted through the graphical artistry of M.C Escher and his lithograph ‘Relativity’ and by the German film director Tom Tykwer through his cinematic film ‘Run Lola Run’ gives the audience the sense of shock and adrenalin.
When watching the film Waking Life it is important for the viewer to notice the different elements and tactics which Linklater uses to get his point across. For example, tak...
Therefore, the distinctive visual techniques employed by the composer provide a vehicle for the respondent to understand the ideas and themes prompted by people and their experiences. Tykwer’s film, Run Lola Run demonstrates the effect of the distinctive visual in Lola’s exploration of the themes of chance and time, whilst Mackellar’s poem ‘My Country’ provides the audience with an evocative experience of the Australian environment.
For Vetrov, “the city was not a “text” to be “read” but a sight to be seen, A visual rather textual experience” (Strathausen 2003, 24). Vertov asserted that images should speak for themselves; he used the intellectual montage to encourage his audience to participate actively in the film, to “revolutionize” their “visual thinking”. He had never imposed a “pre existing meanings” of his filmic text, he wanted the viewers to be part of the decoding process of his film (Russel 2009,
Run Lola Run is a film set in Berlin , Germany. This film gives you the idea of running with Lola on her journey to come up with one hundred marks in twenty minutes to save her boyfriend Manni’s life. Tom Tykwer uses many film techniques that usually are not used in movies , making this film not like every other Hollywood movie. Techniques such as the use of flashback and flash forward , this giving the film an idea that just by one slightest move or event can change your move in different ways. Other techniques that made this film interesting and attention grabbing is the use of animation, cross- cutting, birds eye view and medium shot.
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.