Franco Zeffirelli’s film adaptation of Act I Scene V from “Romeo and Juliet” is a better adaptation than the 1996 version because it uses intentional cinematography and direction to convey specific emotions and meanings. In the notes written during the film, it is observed that Baz Luhrmann’s adaptation uses “multiple dynamic long shots,” whereas Zeffirelli uses “static shots throughout the scene, only using a few dynamic shots.” These static shots creates emotional tension that is built up, then released in a series of dynamic shots. These dynamic shots feels intense, showing the nature of the emotion. This build up and release also gives the viewer a closer connection to the character, as it shows his perspective both physically and emotionally. Baz’s, however, creates an …show more content…
Also, during the beginning, “Zeffirelli only shows Juliet from a distance in a crowd, centering her in the shot.” This conveys Romeo’s perspective and immediate love, staring at her and ignoring everyone else in the crowd. This intense focus shows that Romeo, despite just seeing her, is not willing to fall in love with anyone else. The camera mirrors this, with the camera “never looking away from [Juliet].” It also makes their first meet more intense, as it is the first unobstructed close up on Juliet. Luhrmann attempts to do this by “creating a barrier between the two actors”, in the form of a “fish tank” and Zeffirelli does this “by placing actors in between them and finally meeting at the end.” Baz, however, does not convey the situation in the same way as Zeffirelli does; by blocking the scene, Zeffirelli both figuratively and literally creates obstacles (which in this case are people) for the two lovers, foreshadowing the future events. Zeffirelli’s use of static shots also gives it a play-like feel, compared to the constant barrage of dynamic shots in Luhrmann’s scene. This play-like feel gives an intentionally linear atmosphere to the film, giving the emotions implied
Camera angles are used in the film to guide the audience’s focus. Zeffirelli uses limited camera movement, disengaging the audience’s attention, while Luhrmann uses a variety of camera angles to great effect. Close-ups are commonly used throughout the scene to emphasise the character’s emotion. When Romeo attempts to make peace with Tybalt, close up shots are used to emphasise the significance of Romeo’s words. Tybalt rejects his proposal and beats him to the ground. A close up shot is combined with a high angle to further emphasise Romeo’s
In the Franco Zefferelli adaptation, proceeding the extravagant Capulet party, Romeo walks down a dark stone path alone with his very boisterous friends trailing closely behind him. They sound drunken and unruly so Romeo seeks refuge from them by climbing rocks into a nearby forest. He pauses in the darkness to listen to his confidants joke about how fantastic a lover Romeo is, and he smiles in amusement at the contents of their commotion. Traveling deeper into the foliage, Romeo sees the light pouring from Juliet's window and continues towards it in curiosity. He walks slowly in the darkness until he clearly sees the illuminated palace in which Juliet resides, finding his love leaning on the balcony wall. Juliet wear a white gown which makes her appear very angelic and virginal. Her hair is soft, her eyes sparkle, and her innocence is undeniable. Romeo moves slowly and quietly through the bushes trying to get a better look at her, and, doubting his presence there at that time, he pauses and leans his head against a tree, trying to remain anonymous.
This slide shows Romeo and Juliet at the Capulet’s banquet or gathering. Romeo wears a mask to prevent being seen, for Montagues were not allowed, or even invited to this gathering. Romeo went to this gathering only for the sole purpose of meeting Rosaline again, which was Romeo’s first crush. But halfway through this “party”, Romeo saw Juliet, in which he stated he never saw true beauty until this night. He compares her to many things, such as a bright torch, a rich jewel, beauty too rich for earth, and a snowy dove among crows. This is truly true love at first sight, not founded on lust, for he shows true loyalty to Juliet later in the play.
The pace in which the The film goes very fast and it changes from one location to the next in a sequence of images, which occurs a lot during this recent film. In Franco Zeffirelli’s adaptation of the film, there are very similar. settings as they are both set in Verona but they have a different timescale and time period in which the film was produced. In the beginning of Act two Scene ii (the balcony scene), Romeo.... ...
Many people think that society has changed so much over the years. That the way that children act, has taken a turn for the worst, but in reality children are learning from their ancestors. Children are lying to their parents, they are sneaking out at night to be with a boy that is “the one”, children are going back into the age of Shakespeare. In the play “Romeo and Juliet” which was written by William Shakespeare in 1597, there are two teenagers, Romeo and Juliet, who fall in love with each other. These two teenagers try to do everything that they can to live the rest of their lives together, except their families despise each other, so there is no way that they can live the rest of their lives together. So, many people believe that the way that our children are growing up today is taking away the fun parts of their childhood. However in this play Juliet did many of the things that teenagers are trying to do now. Children and sometimes adults now need to realize how your actions not only affect you but also the people around you, you also need to think about the consequences of the actions you make. At first Juliet falls in love at first sight with Romeo, then she takes a potion, which causes her family to think she is dead, and then how Friar Lawrence helps Juliet with the scheming, which shows how adults have to think about others as well.
The environment surrounding the star-crossed lovers in the tragedy of Romeo and Juliet can influence audiences who may interpret the scenes in different ways. The audience can be greatly affected in their interpretation of the story by the mise-en-scene, costuming, and the hidden symbolic meaning. This great piece of literature was edited in two unique and intriguing forms, one Zeferelli directed which was filmed in 1968, and the modern version produced in 1996. The different scenes throughout the length of the party were the most influential to me in that I saw how different these movies were directed, and the different meaning I experienced from watching these movies. Focusing on the environment of the scenes and the costuming helped me in my interpretation, because I found hidden symbolism in these two qualities.
Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending a delicate
Good morning/afternoon Ms Pritchard and 10B English, today I will be exploring two of the same scenes from different film versions of Romeo and Juliet. Each film was directed by different but equally professional directors to allow the audience to understand the tragedy of Romeo and Juliet. The scene I am going to analyse is the party scene when Romeo and Juliet meet for the first time. The first film being discussed was directed by Baz Luhrman in 1996; an Australian director who loves to spice up his films to keep the audience on their feet. The second film was directed by Carlo Carlei in 2013; an Italian master mind of directing who prefers to stay true to his films and become one with the audience and the story being told. Both directors
Chloe Fleming investigates Baz Luhrmann’s capability in embodying Shakespeare’s Romeo and Juliet in his own modern film adaptation and praises the hell out of it.
Baz Luhrmann’s Romeo and Juliet is a film that converts Shakespeare’s famous play into a present-day setting. The film transforms the original texts into modern notions, whilst still employing Shakespearean language. Compared to Franco Zeffirelli’s adaptation of Romeo and Juliet, Luhrmann’s picture is easier for a teenage audience to understand and relate to because of his modernisations. Despite the passing of four centuries Shakespeare’s themes of love, hate, violence, family and mortality remain the same regardless of the setting.
Translated across many forms of media, William Shakespeare’s Romeo and Juliet has long gripped the hearts of audiences around the world. Its many adaptations have made it readily available in a range of forms. Baz Lurhmann’s William Shakespeare’s Romeo + Juliet is one example of film bringing the story of Romeo and Juliet to a new generation. Originally met with hesitation, Lurhmann’s film was deemed a pop culture remake of the classic story. The trailer released for the film followed suit, flashing images of violence, guns, and heart-throb Leonardo DeCaprio, in order to grab the attention of the audience. In most cases, people do not realize that behind these scenes lies subliminally transmitted emotion. Through the instrumentation
Luhrmann’s variation of the film is more suited to a teenage audience than Zeffirelli’s, due to the vibrant settings and modern sets utilised throughout the film. Several of these sets include the beach, high rise buildings and petrol stations. These factors are used to tempt a younger audience. Zeffirelli’s Romeo and Juliet, however, takes place in a medieval Italian city. Although the original play was based and performed in this locat...
Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.
‘Romeo and Juliet’ is a tragic play about two star crossed lovers written by Shakespeare in 1595. The play is a timeless teenage tradgedy. “The play champions the 16th Century belief that true love always strikes at first sight,” (Lamb 1993: Introduction) and even in modern times an audience still want to believe in such a thing as love at first sight. Act II Scene II the balcony scene displays that romantic notion perfectly.
How Baz Luhrmann Uses Props, Iconography, Costumes, and Settings to Create His Own Version of William Shakespeare's Romeo and Juliet William Shakespeare’s best loved tragedy, Romeo and Juliet, has been portrayed in theatres and on film in many different ways. But none have been quite like Baz Luhrmann’s imaginative and unconventional adaptation. He has brought aspects of the plays Elizabethan origins and transfused them with a modern day background and created, what can only be described as a masterpiece. I believe that his use of Props, iconography costumes and the settings he has chosen has helped him to make this film such a great success. The settings of each scene have been specifically chosen to create a desired affect.