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Robert frost poetry analysis
What examples of figurative language does Frost use in "The Road Not Taken"? How do these help shape the deeper meaning of the poem
What is the main metaphor of the road not taken
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Robert Lee Frost was a famous American poet who was always acknowledged for his vivid and unique writing style, which contributed tremendously into him becoming one of the greatest poets of the twentieth century. Throughout his life, Frost has written many amazing poems but like the majority of poets at that time, many of his poems from his early writings went unnoticed. He was known for following a very well organized structure for his writing, a great example for this would be: “The Road Not Taken” and “Stopping by Woods on a Snowy Evening”, which are two of Frost’s greatest pieces as they bring to the table all of his writing characteristics, ranging from the dominant figurative language that makes the poem vivid, to his flexible idealistic …show more content…
The diction is descriptive and illustrates the disparities and the images of the two roads. The storyteller has to make a choice between two roads, he considers the pros and cons of each one of them, regretting the fact that he cannot travel both of them simultaneously. In the end, he decides that the second one may be better because it’s been only taken by a few. Nonetheless, the narrator explains that he will recall this cherished incident in the future, and states that the decision he made will have a huge impact on his life. After reading the poem, the reader is confronted with the choice of either conforming to society or defying it like Frost did by taking a less stable profession. Nonetheless, there are numerous ways to interpret the concept of “The Road Not Taken”. First of all, it is liable to say that the narrator in the poem was essentially Frost. This can be concluded since the narrator decided to take the path “less traveled by” and for the use of various …show more content…
The poem is composed of four stanzas containing five lines each, these are known as quintains. The rhyme structure is ABAAB which means in each quintain there is only two end rhymes. The rhyme pattern is a bit different from the norm, which is quite similar to the speaker in this poem, who decides his own pathway. Several rhetorical devices can be found in the poem. One of the rhetorical figures used is methaphor. In the beginning of the poem, the narrator states that the color of the woods is yellow, so we can assume that it 's autumn (Verse 1: Two roads diverged in a yellow wood) but the metaphorical meaning behind the poem occurring in the autumn could be that the speaker is embracing this decision in the fall of his life, when he 's starting to grow old. Throughout the whole poem, personification can only be found in 2 verses (Verse 7: And having perhaps the better claim / Verse 8: because it was grassy and wanted wear.) In this case, it seems like the narrator is describing the road as having an opinion and a desire as if the claim was made by the road, and therefore he is giving human characteristics to the roadway. The autumn imagery continues until the end of the poem, when it’s morning (Verse 11: And both that morning equally lay Verse12: In leaves no step had trodden black.) the narrator says that the leaves have recently
The central image that Frost presents, which is the path, provides a clear picture that the reader can focus on in order to reveal something about the poem. The “two roads diverged in a yellow wood'; vividly portray the fact that it is always difficult to make a decision because it is impossible not to wonder about the opportunity that will be missed out on. There is a strong sense of regret before the choice is even made and it lies in the knowledge that in one lifetime, it is impossible to travel down every path that one encounters. In an attempt to make a decision, the traveler "looks down one as far as I could." The road that will be chosen leads to the unknown, as does any choice in life. As much as he may strain his eyes to see how far the road stretches, eventually it surpasses his vision and he can never see where it is going to lead. It is the path that he chooses that sets him off on his journey and determines where he is going and what he will encounter.
The imagery created in The Road Not Taken, helps the author depict a internal and physical conflict of a decision that will change his path forever. The imagery used in the poem is when Frost states, “And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there, Had worn them really about the same,” (Line 7-10 Frost) The imagery used by the author creates a mental image for the reader to see the important differences of the description of the path, the safe route looking more pleasant and comfortable for him to walk, while the other is dark and abandoned, giving it more of a risk. Seeing both and describing their appearance, it has an influence on the author but also the reader. Frost not only applies his own life between making an important decision to stay safe or take a risk, but this mental image is also allowed to be applied to the readers. Frost makes the decision to take the risky route, which is also relevant still to our society. Frost explains the risky road was well worth it because of the positive energy he receives. Creating this image, he wants the reader to understand it is well worth it to take a risk in your life because they might feel the same energy Frost
In this poem, Frost illustrates that every person has his own opinion. He states “Then took the other, just as fair, and having perhaps the better claim” (line 6-7). What make it better was “it was grassy and wanted wear” (line 8). It was something that was obviously not for everyone because it seems that the other people take the more popular one. “And both that morning equally lay/ In leaves no step had trodden black” (line 11). No one had yet to pass by on this road since the leaves have fallen. “I kept the first for another day” (line 13). The desire to travel down both paths is expressed and is not unusual, but “knowing how way leads onto way” (line 14). The speaker of this poem realizes that the decision is not just a temporary one, and he “doubted if I should ever come back”
The Road Not Taken consists of four stanzas of five lines. The rhyme scheme is ABAAB. There are four stressed syllables per line, all lines start with capital letter and proper grammar. From the very first line of the poem, the narrator introduces the reader to the split in the road “two roads diverged in a yellow wood” meaning that the season in the forest is autumn and “roads diverged” is a metaphor for choice. The choice the poet had to make between the
As the speaker of this poem talks about, for every road or path we take, there is a road or path we do not take. If you go through the wrong road or not, the roads we take can end up making big changes in our lives. But of course, there would always be the other road and we will forever wonder what would’ve been of use if we have chosen that road. For example, lines 13-15 The speaker wants to be able to take both roads, but realizes that the nature of these roads is such that he probably will never be able to come back to this place.
In his piece The Road Not Taken, Robert Frost utilizes metaphors and imagery to successfully convey the importance of taking the riskier, less common, and more exciting path in life. Throughout the piece, Frost provides the reader with several examples of metaphors that he uses in order to emphasize the different paths one must choose to take within their lifetime. In his poem, Frost is confronted by two paths, and urges every individual to take the one "less travelled by" (Frost 19). The paths symbolize different choices an individual must make in life. He dwells on his decision for a lengthy period of time as he compares each path, but reaches the conclusion that each path appears attractive to him in their own way. Changes that occur in life also appear captivating and exciting, but the only way to know what truly awaits one in the future, they must *create* the courage to trust one choice. The poet also recognizes that most changes are irreversible, and encourages the reader to make the most out of each choice, knowing that he, as well as everyone else, can
The first stanza introduced the reader to the decision the author would have to make. "Two roads diverged in a yellow wood" to me signified that the result of his decision would arise from the same origin to which in my own life, I can reflect on. And though he would like to have seen the outcome of both paths, he knew he could only choose one. And to help him decide, he would look down both choices and see only until the road took a bend.
The two roads in the poem relate to various paths one might be faced with in life. One path “bent in the undergrowth” (5) which means it had taken many times. However, the other path “was grassy and wanted wear” (8). This is the path in one’s life, which seems “unpopular” at the time. Not many people choose the path that is not typically chosen by others. This is what Frost is doing in his poem as he uses these solid metaphors: challenging his readers to “go against the flow” as the man did.
Robert Frost, (born March 26, 1874, San Francisco, California, U.S.—died January 29, 1963, Boston, Massachusetts), American poet who was much admired for his depictions of the rural life of New England, his command of American colloquial speech, and his realistic verse portraying ordinary people in everyday situations. Frost succeeded in lodging more than a few poems where, as he put it, they would be “hard to get rid of,” among them “The Road Not Taken” (published in 1915, with its meaning disputed ever since). He can be said to have lodged himself just as solidly in the affections of his fellow Americans. . A short outline of Robert Frost's poem on "The Road Not Taken" is literature that recounts a story about a traveler who communicates two roads in the woods. This extraordinary writing was composed during his mountain interlude. These two roads are not intertwined, however, that leads to two different directions and goals. Frost’s describes these roads as, "one street
Above all, 'The Road Not Taken'; can truly be interpreted through much symbolism as a clear-sighted representation of two fair choices. The two roads in the poem, although, 'diverging,'; lead in different directions. At the beginning they appear to be somewhat similar, but is apparent that miles away they will grow farther and farther away from each other. Similar to many choices faced in life. It is impossible to foresee the consequences of most major decisions we make and it is often necessary to make these decisions based on a little more than examining which choice 'wanted wear.'; In
In Robert Frost’s “The Road Not Taken”, Frost shows the everyday human struggle to make a choice that could change the course of one’s life. In his poem, a person has the choice to take one road or the other. One road is worn out from many people taking it, and the other is barely touched, for fewer have taken that road. Throughout the poem, the speaker learns that just because so many other people have done one thing, or walked one way, does not mean everyone has to. Sometimes you just have to go your own way.
In the poem “The Road Not Taken”, author Robert Frost uses the simple image of a road to represent a person’s journey through life. A well-established poet, Frost does a proficient job of transforming a seemingly common road to one of great importance, which along the way helps one identify who they really are. This poem is one of self-discovery. Frost incorporates strong elements of poetry such as theme, symbolism, rhyme scheme, diction, imagery, and tone to help create one of his most well known pieces about the human experience.
One of Robert Frost’s most well known poems is The Road Not Taken. Frost had mentioned numerous times that it was a “tricky- very tricky” poem (Grimes). This can be examined in the structure of the poem, the symbolism, and the diction. The simple language he uses in the poem reveals the common relevance of the poem to the people. People have to go about making choices each and every day of their lives. However, sometimes we come to a cross-road in our lives that can be life changing that is what the sentence structure reveals to us (Mcintyre). He uses common words but in a way that is unclear to the reader. For example the opening line of the poem is “two roads diverged in a yellow wood” (Frost, Robert. “1.”). The reader is not sure what is meant by yellow woods. It may mean the onset of fall or even the coming of spring. The season could relate to the speakers stage in life. It may mean this is their youth and they have to make a decision that will plan out the rest of their life, such as I am about what college to attend. Or is it indicating he has reached his mid-life, the fall, and is now presented with opportunity to change his...
The speaker communicates many things in the first stanza of the poem. The first line, ?Two roads diverged in a yellow wood,? uses imagery with the color yellow, the color of gold, to show that the speaker sees an opportunity ahead of him. The two roads symbolizes the choices and consequences he must choose. The next line, ?And sorry I could not travel both,? illustrates how difficult it is to make a choice. It is impossible not to wonder what could happen by choosing the other road and what he could be missing out on. ?And being one traveler long I stood,? shows how the speaker would like to be in two places at once. Unable to accomplish this, he takes a long time to decide on what he should do. Finally, the speaker describes studying the first option, looking as far into the future as he possibly could with the lines, ?And looked down one as far as I could to where it bent in the undergrowth.?
Perhaps one of the most well-known poems in modern America is a work by Robert Frost, The Road Not Taken. This poem consists of four stanzas that depict the story of the narrator traveling through the woods early in the morning and coming upon a fork in the path, where he milled about for a while before deciding upon one of the two paths, wishing he could take both, but knowing otherwise, seeing himself telling of this experience in the future.