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Rite of passage sharon olds analysis
Rite of passage as the
Rite of passage sharon olds analysis
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Rite of Passage
"Greasy Lake" by T.C. Boyle is a tale of one young man's quest for the "rich scent of possibility on the breeze." It was a time in a man's life when there was an almost palpable sense of destiny, as if something was about to happen, like a rite of passage that will thrust him into adulthood or cement his "badness" forever. The story opens with our narrator on a night of debauchery with his friends drinking, eating, and cruising the streets as he had done so many times in the past. What he found on that night of violence and mayhem would force him to look at himself hard. This is a story of one man's journey from boyhood to maturity.
The story is short and relies on a simple plot, involving violence and a series of climaxes to sustain the intensity of emotion right up to the end. The events that take place herd the narrator to an epiphany that he doesn't necessarily want, but knows is inevitable anyway. First the barhopping and partying symbolize the fruitless search, for that special something, but instead leads him to his last resort, Greasy Lake. Next, a simple case of mistaken identity will spiral out of control into an act of desperation with a tire iron followed by an attempted rape. As he runs for his life into the lake the tension mounts to a fevered pitch when he comes face to face with a dead body in the lake. .".. Stumbled back in horror and revulsion, my mind yanked in six different directions (I was nineteen, a mere child, an infant, and here in the space of minutes I'd struck down one greasy character and blundered into the water- logged carcass of a second."(149) Here, the narrator has his epiphany, that he isn't a "bad character" after all. As he ponders these things the thugs take their frust...
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...sh world of the delivery room. He leaves you with the impression that's he's not happy with this process of growing-up and resents it as shown by the tail-between-his-legs posture as he and his mother's car limp together out of the parking lot.
The final events that occur are just a slap in the face when the party girls show up and offer them the good time they thought they were searching for the night before. Such irony. When all is said and done, growing up and realizing you are not the invincible tough guy you think you are and maybe being "bad" isn't what it's cracked up to be. Now is the time to head home, face the music, and try to live down the events at Greasy Lake.
T.C. Boyle. "Greasy Lake" Classic and Contemporary.
th ed. Ed. Charles Bohmer and Lynn Grant.UpperSaddleRiver, NJ: PrenticeHall,
1010-1016
The narrator character went from being a rebel or bad guy to having a conscience. Each series of events in Greasy Lake reassured him that he wasn’t a bad ass after all. Thinking about crying, vomiting, and wanting to crawl into the bed when the girl asked to party ultimately showed he changed for the better.
He changed what he thought about this rebellion he was a part of and decided he did not want to be involved with it anymore. Their personalities showed how they were frauds in their lives. In “Greasy Lake,” T. Coraghessan Boyle uses the lake, the keys, and the car as symbols to develop the theme of corruption in youth.
The narrator in “Greasy Lake” does not know what bad means until his own “badness” is put to the test in the real world. From his experience, Sammy learns that he will...
The narrator and his friends in “Greasy Lake” tries to make themselves look like rebels. They wanted to appear to be bad to everyone around them. Boyle writes “We were all dangerous characters then. We wore torn up leather jackets, slouched around with toothpicks in our mouths, sniffed glue and ether and what somebody claimed was cocaine” (529). The narrator and his friends also did many other things to produce the effect of being cool and intimidating. In the end of the story the narrator and his friends have the chance to keep up their false bad guy image; however they decides to choose a higher road.
In 'Greasy Lake,' the dualism of the characters' nature is ever-present. They are self-proclaimed bad guys who 'cultivated decadence like a taste' (79). As the story progresses, however, it is revealed that just the opposite is true. While they are essentially caricatures of themselves, it is this dynamic that drives the story. Their tough exterior is just that, an exterior veneer that permeates their actions as 'dangerous characters.' The narrator is somewhat detached from the younger self of his story. It is an ironic detachment'a parody of his moral ignorance. He recalls the 'bad? antics of his youth: driving their 'parents' whining station wagons,' but doing so as bad as humanly possible, of course. He mocks both himself and his friends in his retrospection of their experience in Greasy Lake, the consummate locale of 'bad.' To the boys, the lake serves as a kind of haven for bad characters such as themselves. Truly, however, the lake is an extension of the dynamic between who the boys are and who they parade around as. It is here where the previous and false understanding about their world is shattered, and they are thrust into a moralistic reformation. Ultimately, the dichotomous nature of the protagonist is resolved by his visit to the lake, and perhaps, the lake itself.
Although he makes it out alive, the protagonist and his outlook on life are forever changed. Proximity to death is more than a recurring theme in “Greasy Lake”. Mortality is almost synonymous with growing up and the inevitable change from adolescence to adulthood. The older people get and the more life people have, the closer death is to everyone. After each incident, the narrator grows and finds himself one step closer to demise, barely able to escape from the vise of death.
The last night of their high school began with a borrowed Impala car. The audience experiences relationship woes, a sock hop, a mysterious blonde, and pranks on the cops. More importantly, as the movie goes on, daring street races, run-ins with greasers, vandalizing, and booming rock ‘n’ roll replace the happy atmosphere. The movie orchestrates many storylines and is full of fashionable nostalgia, music and vivacity of the night. The movie also crafted scenes with risky antics, using contemporary music to spectacularly enhance the tenor of the
The opening paragraph of “Greasy Lake” written by T. Coraghessan Boyle, displays the fact that the following passage is nothing but a mere recollection for the narrator. In this recollection, the unnamed narrator speaks about how life was like during the days of his youth. The narrator describes his youth in a very descriptive way displaying what actions surrounded his life and what he acted like. For example, in the opening sentence he said, “There was a time when courtesy and winning ways went out of style, when it was good to be bad, when you cultivated decadence like a taste. We were all dangerous characters then” (Boyle 569). This statement describes the societal norms of his generation and the type of behavior he was striving to model
Life does not always work out the way it should. Sometimes good loses, and the better man is the one begging. The Water is Wide is the story of injustice abounding. While the story may have been more appealing if Pat were able to stay on at Yamacraw Island, and I would certainly have enjoyed it more if the superintendent had been beaten, that story would have been a false picture of reality, worthy only of a children's bedtime collection. I...
The atmosphere Philip K. Dick immersed the reader into in his short story about what is to come of crime and the future is very fast paced. The story itself being fairly short in length is action packed and abundant with drama, mystery, and suspicion. The opening scene takes place at the Pre-Crime headquarters where John Anderton, the Pre-Crime director confronts Ed Witwer, who is an ambitious newcomer to Anderton’s agency. As in Spielberg’s film the two quickly bond in not such an affectionate way. However, when Anderton decides to show off the way his crime prevention scheme works he’s stunned upon realizing that he has been predestined by his own system to kill a man in the upcoming week. In both versions of the story the main character, Anderton, now embarks on a quest to find out exactly what is happening to him. Under the suspicion that he’s being fr...
The characters have fully changed by the time the girls in the Mustang show up at the end of the story. The narrator describes the girl as having to wave her arms to keep her balance as she was obviously not sober. She approached the three friends, asked them if they had seen an Al, and after examining the destroyed car asked, "hey, you guys look like some pretty bad characters - been fightin', huh"? She then proceeded to reach in her pocket, pulling out a handful of tablets wrapped in glassine wrappers. She then asked, "hey you want to party, you want to do some of these with me and Sarah"? After the nights events the three bad characters from the beginning of the story, just wanted to go home and cower in the covers.
There are many themes highlighted in the short story Greasy Lake, by T. Coraghessan Boyle. Some of these themes include being adventurous, violence, and being young and restless. However, there is a main message that stands out more than the others and is the most centered theme of the story. This is the theme of coming of age through the narrator’s journey to finding out what it means to be “bad,” and whether or not he wanted to make bad choices.
... friendships, and many other events within the walls of the saloon. However, the saloon itself remains the same, as do select occupants - which in turn offers a stark contrast to the actions inside of it and the wilderness it lies beside. So at the end of the day, when it all burns down to the ground, all that’s left to feel is confusion and discomfort - the place that occupies a majority of the movie becomes a place that you never quite understood; perhaps your empathy is better directed elsewhere.
Last but not least, O’Connor confirms that even a short story is a multi-layer compound that on the surface may deter even the most enthusiastic reader, but when handled with more care, it conveys universal truths by means of straightforward or violent situations. She herself wished her message to appeal to the readers who, if careful enough, “(…)will come to see it as something more than an account of a family murdered on the way to Florida.”
The rite of passage that is the most to me is leaving home which is demonstrated in the setting sun and the rolling world.