In order to address the world’s excessive reliance on artificial light, Paul Bogard uses his skillful and persuasive writing techniques in his piece “Let There Be Dark”. In this article, Bogard talks about the consequences of losing light and the irreplaceable value of darkness. Bogard also talks about how darkness can benefit all forms of life and how heavy reliance on artificial light is slowly killing the much-needed darkness in our world. In order to persuade the reader about this issue of too much light, Bogard effectively builds his argument by using personal anecdotes, statistics, guilt, different research findings, and solutions to absorb the reader into this article.
To start off his essay, Bogard narrates a personal anecdote about himself and his family at Minnesota lake. In this short tale, Bogard talks about the level of darkness in the Minnesota woods and how “it was so dark that my hands disappeared before my eyes”. When using this short personal
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To get the audience engaged, Bogard uses very detailed statistics and facts to help convince the audience that the world contains all species that rely on all types of darkness. Bogard then goes on to list the different species of animals they rely the most on darkness, making the reader consider their involvement in artificial light. In this section of article, Bogard also talks about how “Ecological light pollution is like the bulldozer of the night, wrecking habitat and disrupting ecosystems several billion years in the making”. When using this sentence, Bogard really wants the reader to reconsider their use of artificial light and he also wants them to feel guilt for greatly affecting the environment in a negative way. Adding on to that, Bogard then goes on to state that “without darkness, Earth’s ecology would collapse” to brutally play with the audience’s emotion and
Truman Capote showcases his very distinct style of writing in his true crime novel, In Cold Blood. Capote intentionally frames ruthless murderer Perry Smith as a relatable, well-intentioned human throughout the whole novel, and employs various rhetorical devices to show us that Perry is not just a stone cold killer. Specifically, Capote uses diction comprised of complex words, interviews conducted by Capote personally in which he interacted with the suspects and their loved ones, and sentence structure that came off as very to the point, in order to illustrate Perry’s dynamic and unique personality, opposed to the one dimensional heartless murderer many made him out to be.
A good author writes with a specific purpose. Many of them are very opinionated and controversial, calling out certain groups of people, or presenting readers with seemingly outlandish ideas. George Orwell says that he writes “to push the world in a certain direction, to alter other people’s idea of the kind of society that they should strive after.” His purpose is to persuade his readers to better themselves as well as society based on what he deems the correct approach. Erik Larson wrote “The Devil in the White City” to shine light on the infamous Gilded Age of America and the stark contrast, yet inevitable relatedness, of pride and evil. The book follows the story or architect Daniel Burnham as he works on the World’s Columbian Exposition,
“He say Mr. Parris must be kill! Mr. Parris no goodly man, Mr. Parris mean man and no gentle man and he bid me rise out of bed and cut your throat!” (Miller 47).
From the time he decides to go to the woods at night, this peaceful panorama presented in his hometown changes. Evil images like "devil, lonely thick boughs, "1 add an obscure and negative side to the story.
...ould become unnecessary and meaningless "if only the darkness", like nothingness, "could be perfect and permanent" (116). Nothingness does preclude individual identity of any sort, however. Surrendering completely to nothingness would negate any possibility of authentic intimate human relations: the one source of meaning and happiness to Sylvie.
The realism movement of the late nineteenth century produced works in literature that were marked by reduced sentimentality and increased objectivity. The goal was to let details tell the story, and remove noticeable bias of the author through scientific and detailed descriptions. While this form of storytelling undoubtedly is most accurate, it creates difficulties for authors to incorporate their themes into the story. This resulted in an increase in symbolism in realist works. The objects and descriptions within the story are the author’s vehicle for displaying the values and themes of the work. Light and darkness are symbols commonly used in literature, and have held specific symbolic meanings for hundreds of years. Simply stated, light commonly symbolizes good, while darkness symbolizes its antithesis - evil. (Cooper) For centuries light vs. dark has been quite possibly the most common symbol in all literature. In Heart of Darkness, Joseph Conrad uses detail to create a feeling that transcends the literal text - most notably through his use of light and dark and the inversion of their traditional meanings. The end goal of this inversion is the establishment of the theme that not everything is as it seems. More specifically, Conrad uses detailed imagery of light and dark to show often times white men can be more savage than the natives.
Asking the right questions is indeed an art form . It is however an even bigger burden to try to answer from an analytical presepective these subjective questions which inspire answers and explanations to the ultimate “why” and “how” . As readers we are obligated to carry with us an open mind, an analytical eye and room for suggestive arguments when trying to dissect a piece of writing. Joseph Conrad's novella Heart of Darkness offers the perfect platform for interpretation. With a dozen shades of foggy gray's, the short story is begging for a set of eyes that can see it through. Without proceeding too far into the novella, one can draw out a great deal of analytical suggestions as to what the title itself implies. The word Darkness seems to be a consistent theme throughout the book. So much so, that the amount of weight it carries has given it a special place on the cover. Many critics have found common ground on deciphering the interpretation of the word .The concept of darkness could be respresenting evil. However, some significant subjective questions remain unaswered: Exaclty which character in the novella has fallen victim to this evil? Is it Conrad himself, Marlow, Kurtz or the natives? All of them? Are there different forms in which this evil can manifest itself? Is it talking about darkness in the literal or figurative sense? Would we be considered naïve if we thought evil could be contained or is darkness a necessary evil we all posses and an undeniable part of our reality?
“Goose Pond”, written by Thomas Williams seemingly is a novel about the tranquil rural life but intricately portrays the mind and state of a fifty-eight year old man who has just lost his wife. Having natural and peaceful aspects, the story itself is not about the simple rural life in the woods. It depicts how Robert Hurley began to deal and come to terms with his sudden loneliness and realization of his eventual death. Including both the realistic cruelty of life alone and the expectation readers would have from a novel—such like a Norman Rockwell painting; he keeps the readers indulged in the mind and heart of the lonesome Robert Hurley.
Light plays a very important role in the story. There is always a continuous movement in nature from darkness to light. Andy believes there is a clearly defined moment in which dark turns to light and expresses a desire to see this change. " There has to be just one moment when it all changes from dark to light…. She had missed it yesterday…today she would watch more closely" (354). In the story the darkness represents childhood and not being self-aware. Light, on the other hand, is a symbol for self-enlightenment that comes with maturity and adulthood. Contrary to what Andy thinks, there is no precise moment when it all changes. Just like life, it is a constant process. Not only the process of light is important in the story, but also the source. At the beginning of Andy's dream, she awakens and "sense[s] light, blue and pale, light where before there had been none. The moon must have come out, she thought" (359). Here the author is using a foreshadowing of sorts, but to understand it, one must have knowledge of mythology. Diana, the Roman goddess of the moon, was also the goddess of the hunt. This is fitting not only because the characters are hunting, but also because the moon plays a vital role in assisting Andy's transformatio...
longing, man will imagine that he is tired of the light and his small, familiar world.3 "No
Hunt, Jonathan. "In Darkness." The Horn Book Magazine Mar.-Apr. 2012: 111+. Academic OneFile. Web. 29 Apr. 2014
“The sky, without a speck, was a benign immensity of unstained light” (Conrad 2). By using wording such as “benign” and “unstained”, it paints a picture in one’s mind of a kindly, pure environment. Since the story begins here, it seems as though the tale has begun in the light, and accordingly, honesty, and as the day progresses will descend into darkness and thus falsehood. As Marlow begins to speak, he contemplates the history of the land around him. “Light came out of this river since-you say knights? Yes; but it is like a running blaze on a plain, like a flash of lightning in the clouds. We live in the flicker-may it last as long as the old earth keeps rolling! But darkness was here yesterday” (Conrad 3). He speaks of our world as a “flicker”, a twinkle in the “darkness” that was present before our civilization arose. T...
Darkness is a main element in gothic literature. In Dracula, the darkness is projected on everything including characters and even the events that take place are all under a blanket of darkness. The presence of darkness is a relation to evil and corruption. In the novel, darkness projects itself on people, places and things and often takes form in a dark, shadowy figure, the weather and even on to time, as i...
Darkness is a huge motif in The Heart of Darkness. Almost every other page is filled with some imagery relating to the dark or low visibility. It is well known in literature that darkness has negative connotations. The dark is associated with dirtiness, ignorance, and death. Being in the dark is not a good place to be, however, this is where Conrad places us.
The contrast between light and dark is very important when attempting to understand Conrad's thoughts and ideas about civilization and what it really is.