In the poem ‘Requiem for the Croppies’, Seamus Heaney uses many language techniques to convey the struggle of the people of Ireland during the rebellion against the controlling forces of the English invasion. Throughout this poem, Heaney shows the struggle of the Irishmen during the rebellion through the use of poetic language techniques like alliteration, repetition and personification.
In Heaney’s poem, ‘Requiem for the Croppies’ alliteration is used to show the struggle of Irishmen, during the rebellion. Some examples of these are “reins and rider” and “shaking scythes” which speeds up the pace of the poem, showing the quick movement of the Irishmen around their own country as they try to stay a safe distance from the British attackers.
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An example of this is “The hillside blushed, soaked in our broken wave” which gives the hillside of Vinegar Hill the ability to feel embarrassed therefore it blushes. The poet uses this to show the embarrassment of the countries people at how they were unable to gain control over their own land. However, this could also be interpreted as the hillside being soaked in the blood of the Irishmen after defeat, hence the hillside being a blushed colour. This idea is supported by the second part of that line “soaked in our broken wave.” This segment of the line is a metaphor as it compares the falling of all the defeated Irishmen’s bodies to the movement of a rolling wave. This is used by the poet to show the opinions of the modern day Irishmen as they find their lack of independence embarrassing because of the long lengths that their ancestors went to fighting for it.
In conclusion the poem ‘Requiem for the Croppies’ by Seamus Heaney was written using powerful language techniques to convey the story of the Irishmen’s struggles during the 1798 rebellion against the control of the English. This was done through his use of alliteration, repetition and personification throughout the poem and shows his ideals surrounding Irish freedom and his disbelief in how they have not received independence from Britain. Heaney has done this in the hope that by
...veryone else. He wakes up every day ready to crow his symbol to bring on that day. In the poem he is ready to protect all the female chickens, from another cock that could be in there house. He is ready to battle to the death for what he thinks is his. In this poem he uses ridicule, when he is talking about the old man in a terminal ward, and he also uses connotations. Some example of connotations are when he uses words like; enraged, sullenly, savagery, unappeased and terminal.
In both poems “ Blackberry Picking” by Seamus Heaney and “After Apple Picking” by Robert Frost, the luxury of picking fruit could be related to a much deeper meaning than just the simple and boring concept. Using literary devices, both poets achieved to portray memorable moments in their life, or in the other case, even death by using hyperbole, imagery, and simile. Firstly by using hyperbole in lines 28- 29 “For I have had too much of apple picking: I am overtired of the great harvest I myself desired”, Frost exaggerates how exhausted he is from “apple-picking” and had done more than he expected to do with his life. In contrast, Heaney uses hyperbole to grab the reader’s interest by reminiscing his childish infatuations of preserving blackberries
Stade, George, and Karen Karbiener. “Heaney Seamus.” Bloom’s Literature. Facts on File, Inc. Web. 30 Mar. 2014
Seamus Heaney’s poem “Blackberry-Picking” does not merely describe a child’s summer activity of collecting berries for amusement. Rather, it details a stronger motivation, ruled by a more primal urge, guised as a fanciful experience of childhood and its many lessons. This is shown through Heaney’s use of language in the poem, including vibrant diction, intense imagery and powerful metaphor—an uncommon mix coming from a child’s perspective.
Within the work, Heaney anthropomorphizes both countries. He compares the geological features of Ireland to the ‘tracked and stretchmarked body’ of a woman, whose most intimate identity - here symbolised by the ‘ferny bed’ and ‘bogland’ is invaded by the phallic ‘battering ram’ of an ‘imperially Male’ invader.
“I wanted to grow up and plough, /To close one eye, stiffen my arm.” (“Follower” 17-18). Seamus Heaney is writing about a son; interested in following his father’s footsteps to become a farmer. The poem depicts the son’s past memories of his father. Fascinated in his father’s work, influenced by his mastery at farming, the son strives to become the same at a young age. “The Writer” on the other hand, portrays a father’s observation of his daughter, struggling to write a story as an author. Both pieces, share a common interaction between parent and child, but the parent-child relationships themselves are fundamentally different. These poems represent a reflection of how the parents respectively tackle the task of raising their child.
Not only the words, but the figures of speech and other such elements are important to analyzing the poem. Alliteration is seen throughout the entire poem, as in lines one through four, and seven through eight. The alliteration in one through four (whisky, waltzing, was) flows nicely, contrasting to the negativity of the first stanza, while seven through eight (countenance, could) sound unpleasing to the ear, emphasizing the mother’s disapproval. The imagery of the father beating time on the child’s head with his palm sounds harmful, as well as the image of the father’s bruised hands holding the child’s wrists. It portrays the dad as having an ultimate power over the child, instead of holding his hands, he grabs his wrists.
Paddy’s Lament is about the terrible sufferings of the Irish people during the potato famine and of the cruel treatment that the Irish went through at the hands of the British people. The British did nothing to help the Irish survive when if they just shared their food they could have saved millions of people from a horrible death. They wrote in their newspapers that the Irish were lazy and didn’t want to work. At the time before the famine, the Irish loved their homeland and few wanted to immigrate to other countries. They had little money to buy a passage to America. They would send one member of the family to America and he would get a job to help those back home. As the famine got worse, the English were looking bad to the rest of the world and decided on a plan to ship all the Irish they could to America and Canada. This way they would rid themselves of the Irish problem. The British paid passage to families who would immigrate. The Irish were happy to leave, but the conditions on the British ships were deplorable. They had to stay on deck through the whole voyage, and about one in three people died. So many Irish people died that they became known as coffin ships. When they arrived in New York, the Irish were examined by a health examiner. Some families were separated from others, and children were separated from their mothers. The Irish were taken to tenements to live in. The conditions of the tenements were horrible. There were so many people living in them that the places we...
Heaney’s “Death of a Naturalist” talks of a moment in Heaney’s childhood, however is metaphorical for aging and the loss of innocence. Heaney uses the first stanza to tell the reader of his memories of the flax dams as being somewhat wonderful by using colloquial language “Best of all was the warm thick slobber” to sound enthusiastic about that particular moment in time. The list of three “warm, thick slobber” is highly onomatopoeic, conseq...
The ironic use of rhyme and meter, or the lack thereof, is one of the devices Larkin uses to emphasize his need to break out of industrial society. The typical rhyme scheme is not followed, but instead an ironic rhyme scheme is used in the sonnet in the form of abab cdcd efg efg. Larkin writes this poem as a sonnet but at the same time diverges from what a typical sonnet is supposed to be. He is commenting on society’s inclination to form restrictions on those within it. By writing out of the accepted form of a sonnet, his writing becomes more natural because of a lack of constraints due to following certain rules and fitting a certain form. He breaks free and writes as he pleases and does not conform to society. Just as with the rhyme, ...
... It is estimated over these five horrifying years, that around two million Irish died. One million deaths are attributed to starvation while another million is attributed to immigration and sickness. It has taken many years for the Irish to recover the loss of 25% of their population, many of these deaths being children and the elderly. This led to an immense age gap in the general population. The Irish have also been to slow to recover from the emotional and political toll that the famine had on Ireland’s people. To remember and learn from past mistakes, the Irish built an Irish Potato Famine Memorial in Dublin. It has grotesque statues of starving people walking down the Custom House Quay carrying what little belongings they had left. This is a haunting reminder of what hunger and greed can do to a country and how it’s influence can spread across the entire world.
Chaos and drudgery are common themes throughout the poem, displayed in its form; it is nearly iambic pentameter, but not every line fits the required pattern. This is significant because the poem’s imperfect formulation is Owen making a statement about formality, the poem breaks the typical form to show that everything is not functioning satisfactorily. The poem’s stanza’s also begin short, but become longer, like the speaker’s torment and his comrades movement away from the open fire. The rhyming scheme of ABABCDCD is one constant throughout the poem, but it serves to reinforce the nature of the cadence as the soldiers tread on. The war seems to drag on longer and longer for the speaker, and represents the prolonged suffering and agony of the soldier’s death that is described as the speaker dwells on this and is torn apart emotionally and distorts his impressions of what he experiences.
Heaney, Seamus. "Opened Ground, Selected Poems 1966-1996." Follower. New York, NY: Farrar, Straus and Giroux, 1998. 10.
This refrain enforces his disgust at the type of money hungry people that the Irish have become. In the third and fourth stanza, however, Yeats completely changes the tone of his poetry. He praises the romantics of Irish history, such as Rob...
James Joyce emerged as a radical new narrative writer in modern times. Joyce conveyed this new writing style through his stylistic devices such as the stream of consciousness, and a complex set of mythic parallels and literary parodies. This mythic parallel is called an epiphany. “The Dead” by Joyce was written as a part of Joyce’s collection called “The Dubliners”. Joyce’s influence behind writing the short story was all around him. The growing nationalist Irish movement around Dublin, Ireland greatly influences Joyce’s inspiration for writing “The Dubliners”. Joyce attempted to create an original portrayal of Irish middle class life in and around Dublin at the end of the 19th century and beginning of the 20th century. The historical context for Joyce’s written work was the tense times before the Irish-English civil war broke out. An examination of his writing style reveals his significance as a modern writer.