Before participating the ART 100 course, I really don’t know how are the elements of art and principles of design. It is interesting when I have some background about the art after finishing this course. This class has given me so much knowledge about the work of art. Now when I look at a painting, I can analyze the work of art based on the elements of art which is line, shape, forms, space, color, and texture; I also describe an overview of an artwork such as emphasis, unity, movement, or proportion.
Personally, I really enjoy the paintings in the Renaissance because I feel these paintings have an indescribable attraction. Most paintings show the mystery throughout the mix of black, red, and yellow colors which were blended. Moreover, the
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The style of painting, sculpture and decorative arts in the Renaissance emerged in Italy in the late 14th century; its peak was in the late 15th and early 16th centuries. The featured artists in this period was such as Leonardo da Vinci, Michelangelo and Raphael.
The early Renaissance (1401 – 1490): Artists began an intense study of anatomy and light, and they applied geometry to the logical construction of implied space through the use of linear perspective. The Holy Trinity, 1425 by Masaccio used perspective to construct an illusion of figures in three-dimensional space. Moreover, Birth of Venus. C.1480 by Sandro Botticelli showed this work depicts the Roman goddess of love just after she was born from the sea. Venus is greeted by a young woman who represents Springs, the background is decorative, flat, and not being illusion of deep
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Three great masters–Leonardo da Vinci, Michelangelo and Raphael–dominated the period known as the High Renaissance. The painting, Moa Lisa. C.1503 – 1506 by Leonardo da Vinci, is one of my favorite paintings. The painting is a self-portrait lady with the mixture dull yellow and brown tones. A technique is sharp edges that are blurred by blended colors in which the corners of the eyes and the mouth in shadow. Mona Lisa is a beautiful woman with all harmonious contours as well as her mysterious smile that creates her a strange attraction. I wonder whether she is real or not. The next painting is The Last Supper. c.1495 – 1498 by Leonardo da Vinci. The work of art contains a hidden geometry in which Christ’s figure as stable triangle, contrasting with active turmoil of the disciples. It seems to be having a group of three such as the apostles are seated in groupings of three, there are three windows behind Jesus and both sides, and the shape of Jesus ' figure resembles a triangle. Besides, the artwork is two-dimensional, but it looks like a tri-dimensional painting. The third painting in the Renaissance I want to mention is The Arnolfini Portrait. 1434 by Jan van Eyck. The work of art is using tiny brush strokes to show the incredible richness and various material in the mood texture. The figures and the space are so accurately captured, and the painting is simulated texture
In the Florence and the early renaissance, we have the greatest master of art like Leonardo da Vinci, Michelangelo, Sandro Botticelli and others. In this period of time the painters almost never show their emotions or feelings, they were more focused on indulging the churches and the wealthy people. In The renaissance period the art provides the work of art with ideal, intangible qualities, giving it a beauty and significance greater and more permanent than that actually found in the modern art. Florence and the early renaissance, the art become very valued where every artist was trying to create art forms consistent with the appearance of the beauty or elegance in a natural perspective. However, Renaissance art seems to focus more on the human as an individual, while Wayne White art takes a broader picture with no humans whatsoever; Wayne, modern three dimensional arts often utilizes a style of painting more abstract than Renaissance art. At this point in the semester these two aspects of abstract painting and the early renaissance artwork have significant roles in the paintings. Wayne White brings unrealistic concepts that provoke a new theme of art, but nevertheless the artistic creations of the piece of art during early renaissance still represent the highest of attainment in the history of
By most accounts, the year 1500 was in the midst of the height of the Italian Renaissance. In that year, Flemmish artist Jean Hey, known as the “Master of Moulins,” painted “The Annunciation” to adorn a section of an alter piece for his royal French patrons. The painting tells the story of the angel Gabriel’s visit to the Virgin Mary to deliver the news that she will give birth to the son of God. As the story goes, Mary, an unwed woman, was initially terrified about the prospects of pregnancy, but eventually accepts her fate as God’s servant. “The Annunciation” is an oil painting on a modest canvas, three feet tall and half as wide. The setting of the painting is a study, Mary sitting at a desk in the bottom right hand corner reading, and the angel Gabriel behind her holding a golden scepter, perhaps floating and slightly off the canvas’s center to the left. Both figures are making distinct hand gestures, and a single white dove, in a glowing sphere of gold, floats directly above Mary’s head. The rest of the study is artistic but uncluttered: a tiled floor, a bed with red sheets, and Italian-style architecture. “The Annunciation” was painted at a momentous time, at what is now considered the end of the Early Renaissance (the majority of the 15th Century) and the beginning of the High Renaissance (roughly, 1495 – 1520). Because of its appropriate placement in the Renaissance’s timeline and its distinctly High Renaissance characteristics, Jean Hey’s “Annunciation” represents the culmination of the transition from the trial-and-error process of the Early Renaissance, to the technical perfection that embodied the High Renaissance. Specifically, “Annunciation” demonstrates technical advancements in the portrayal of the huma...
Following centuries of a powerful church, chivalrous knights, and harsh struggles, emerged a season of rebirth, rediscovery, and revival. Characterized by humanistic ideals, the Renaissance period marked a new style of art and literature and fresh appreciation of the body and nature. The pinnacle of the period occurred from 1500 to 1520, an era concentrated in Italy and known as the High Renaissance. Two prominent faces of the time were Leonardo da Vinci, painter of the acclaimed, “Mona Lisa,” and Michelangelo Buonarroti, sculptor of the jaw-dropping, “Pieta.” As the Renaissance spread North, Jan van Eyck, gifted artist of the “Arnolfini Wedding,” entered the public eye as well. Gradually, the study of mortal man replaced the study of the Almighty
Renaissance artists considered the imitation of nature their primary goal. Their search for naturalism became an end it in itself: to persuade onlookers of the reality of the object or event they were portraying. Italian artists began to focus in the area of perspective. An example is the birth of Venus. This connects back to Greco-Roman culture since Venus was one of the God’s of their religion. She is completely nude in the painting which differs very much from the Middle Ages art. Middles Ages art was regulated by religion, so this would have not been allowed. Another example is the death of Jesus, painted by Andrea Mantegna. It truly focuses on the perspective because it makes the viewer of the painting right there as if we are almost in that moment. The portrait is truly focusing on realism. The main differences between medieval and renaissance art was medieval art focused on religion. It stressed world beyond everyday life, used formal figures to express religious concerns, and portrayed scenes of the holy land. Whereas, the Renaissance focused on creating realistic scenes and images, humans were more lifelike, and
Renaissance The Renaissance started in Italy in the 14th century. It was referred to as the “rebirth” because it brought back attention to art and science. The Middle Ages were really religion-dominated. The Renaissance turned the attention to individual and worldly experiences; they were the main themes of the Renaissance art movement. Art benefited from the patronage of such influential groups as Medici family of Florence, the Sforza family of Milan and the Popes Julius II and Leo X.
The piece Madonna with Saints and scenes of the life of christ ,a portable altarpiece and tryptic painting series by artist Maso Di Banco one of the most gifted pupil and associate of Giotto(The Brooklyn Museum,European art).Illustrates the life of christ from the birth of christ from right the birth of christ,center the annunciation of christ,left the crucifixion and top center the resurrection of christ.This piece shows just how much christianity was valued.This art form was so significant to this period they pass the practice down.Through books like ll Libro dell'Arte c.1370-1440 with step by step instructions on this technique cennino cennini on panel painting(cothren And stokstad 544).These artist created shrines to christ as seen in the piece by Maso Di Banco.The three dimensional portable gold altarpiece with decorative relief...
Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but also its most important. Artists, such as Jan van Eyck, Melchior Broederlam, and Robert Campin, contributed to the vast growth of the Early Renaissance by enhancing visual effects with the use of pious symbols. Jan van Eyck embodied the “rebirth” later labeled as the Renaissance by employing his method of oils at such a level that he was once credited for being the inventor of oil painting. Although van Eyck, Broederlam, and Campin each contributed to the rise of the Early Renaissance, van Eyck’s altarpiece Adoration of the Mystic Lamb epitomized the artworks produced during this time period by vividly incorporating symbols to reconstruct the teachings of Christianity.
The Renaissance was a time of rebirth, as its name entails. In Italy, more people were becoming literate and more books were being printed. More scientific discoveries were being made and therefore more theories were being published. In this time of intellectual prosperity, art also made a great leap. Perspective was the main change during this time period, and throughout the years, starting around 1400, it became more involved and more intricate. Eventually artists were so adept at using it, that it became the primary way to insert intimacy and feelings of emotion into a painting. This evolution of technique paved the way for later artists to play with new approaches to allow the viewer to experience an image in different ways.
Located in a hallway nestled between the Art of Europe and Art of Ancient Worlds wings at the Museum of Fine Arts, Boston is the Italian Renaissance Gallery (Gallery 206). Here, Donatello’s Madonna of the Clouds and Luca della Robbia’s Virgin and child with lilies face one another, vying for museum-goers’ attention from alternate sides of the narrow gallery. Both pieces indulge ingenious techniques, original at the time of conception, to create a completely new visual experience of a very traditional biblical scene, the Virgin Mary with her child, Jesus Christ. This paper will employ close visual analysis of two 15th-century Renaissance reliefs from Florence depicting the Virgin Mary and Jesus Chris in order to show how these artists used innovative
The Renaissance was the rebirth of Europe and it all started in the city of Florence. Florence and everything that made a standard Renaissance city: painters, sculptors, writers, architects, and a vivid culture. Soon all of Europe would follow in Florence’s footsteps and “the setting is so rich, varied, rambunctious, and inventive as Italy in the Renaissance” (Cohen 1). The painters and sculptors defined Renaissance culture and could actually make a living because they were being sponsored.
The Renaissance art that I've included contains a piece by Robert Campin entitled “Annunciation Triptych,” and another work by Fra Filippo Lippi, called “Madonna and Child Enthroned with Two Angels.” In both of these paintings we see some of the typical themes of Renaissance art. For example, Lippi included in his scene a background which wouldn't have necessarily been needed. Really he could have chosen just about anything, like the woods or the sea, that might have been easier to paint. He chose though what appears to be the inside of a building, likely a church. Not only that but he went to great lengths to ensure everything was in perspective, and the lines and angles are straight and sharp. Similarly Campin has also chosen an interior scenes with strong perspective and exacting details. In both of these the artists seem to be capturing an event, much like with a photography in modern times. While both images portray fictional scenes, the artists wanted to capture the moment to tell a precise historical story. They both go to some lengths to include background details which also capture architectural details. To me it seems that they both approached their work meticulously and with reason and mathem...
The Renaissance period of art was defined by a diversity of technical styles and ever expanding experimentation in terms of technique, color palettes, and the treatment of human interaction. In the rear most gallery of the Metropolitan Museum of Art is exhibited a painting attributed to the artist Parmigianino. It is titled the Annunciation and depicts the angel Gabriel coming to Mary announcing the birth of the Christ child. This striking rendition of the Annunciation uses an un-naturalistic color palette, exaggerated human form, and an intense theatricality based on both the staging of the characters in the exaggerated foreground and background, as well as through the use of a light source depicted on canvas.
The Italian Renaissance included some of the greatest artists we have ever seen from Leonard Da Vinci, to Michelangelo, and Raphael. The Renaissance took place from the late thirteenth to sixteenth centuries and is know as the ‘rebirth’. The idea that the rebirth of the arts after being asleep for a thousand years is an amazing thing to grasp. This time brought back light to liberal arts, which were on the brink of being extinct. (Murray 2) What is also interesting about art during this time was that most of the art had Christian in its roots, for example, Botticelli’s The Allegory of Spring (Faure 1) is said to have had a Christian interpretation. (Murray) “Every Italian artist, willingly took the title of architect, sculptor, and painter” (Faure 2). At the beginning of the fifteenth century, the Italian painters had asked the Flemish painters for their secret techniques because the Italians felt like the language of painting was one that was always meant for them. (Faure 4) The sculptors claimed their inspiration from ancient works. Lastly the Renaissance introduced idea of individualism, which helped the Italians get away from everything that was going on during that time. Art during the Renaissance included painting, sculpting and architecture, all of which were an important part in expressing the idea of individualism and making art what is is today.
Paintings are unrealistic and disproportionate. Religious figures are the focus of many works. The Renaissance changed the old social context of art by introducing humanism, new themes and techniques. The Renaissance was a time when people began to think and see things differently. It was a time for new innovations.
Art classes throughout kindergarten and up to my junior year in college have taught me so much about expression, performance and making a statement. Learning and practicing art introduces a new way of processing information, and approaching problems. In my