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Topics in the story of an hour by kate chopin
Literary analysis kate chopins story of an hour
Literary analysis kate chopins story of an hour
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Women of the 19th century were often confined to a specific lifestyle with a certain set of rules to follow as illustrated through The Story of an Hour by Kate Chopin and The Yellow
Wallpaper by Charlotte Perkins Gilman. Through these literary selections, it is proven that perception of reality can influence reality through the way an individual states their company, mental state and the type of area an individual surrounds themselves in. This is furtherly expressed through the use of symbolism, irony, personification and hyperboles.
The way an individual states their company is significant in the way their perspective reality influences their reality for it can define the individual and the way they see themselves as to being close or affiliated
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In The Yellow
Wallpaper, the narrator’s perception of reality influenced reality through believing her husband who was constantly stating how she needed her medication and be kept in a room with no physical activities to get her rest. Through this, the narrator eventually actually goes mad with the medication and confinement. This madness is illustrated through the narrator “cry[ing] at nothing, and cry[ing] most of the time” (650), “the [wallpaper] really did move together or separately” (653), “I pulled and she shook [the wallpaper]” (655). This final quotation of shaking the wallpaper is personification to show that a women in the wallpaper was helping the narrator pull apart the wallpaper. This personification is significant for it helps the reader understand the high mental illness that the narrator has gone through. In The Story of an Hour, Ms. Mallard’s perception of reality influences reality through the realization of her husband’s death being fake and mentally overwhelming her and eventually killing her. “Free! Body and soul free [from my husband]” (2). This is a hyperbole for “free” can give the impression of previously
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Although Ms. Mallard felt confined by following her husband’s will, she is over exaggerating by being “free.” This hyperbole can help the reader understand how free Ms.
Mallard felt and the joy she must feel from no longer having a husband. This great feeling of freedom is then toiled with when her husband returns home and is found to actually be alive.
This perception of reality becomes overwhelming and eventually leads to her actual death as ironically described to be “a joy that kills” (3). Both of these characters relate in the sense that their perception of reality harms their mental and health state. Accordingly, leaving them both in a tragic ending.
In The Story of an Hour and The Yellow Wallpaper the main character’s reality is toiled and influenced through their perception of reality. Both authors effectively use rhetorical devices to help the reader take a deeper understanding of how an individual surrounds themselves, states their company and are mentally influenced to alter their reality through their perception of reality. These points are crucial for they allow an individual to understand how our perception can lead a person to their breaking point of madness or even
All through the story the yellow wallpaper acts as an antagonist causing her to become very annoyed and disturbed. There is nothing to do in the secluded room but stare at the wallpaper. The narrator tells of the haphazard pattern having no organization or symmetrical plot. Her constant examination of and reflection o...
Ever since she has been entrapped in her room, the narrator’s vivid imagination has crafted fictional explanations for the presence of inconsistencies in the wallpaper. She explains them by saying “The front pattern does move! And no wonder! The woman behind shakes it” (Gilman 9). In the story, the narrator explains the woman mentioned creeps in and about the old house she and her husband reside in. Venturing towards the conclusion, the narrator becomes hysterical when thinking about the wallpaper, explaining to her husband’s sister Jennie how she would very much like to tear the wallpaper down. Jennie offers to do it herself, but the narrator is persistent in her desire-”But I am here, and nobody touches that paper but me-not ALIVE”(Gilman 10)! The narrator has realized the apex of her mental instability as the story
Likewise, in “The Yellow Wallpaper”, the wallpaper is used as symbol of the character’s imprisonment within the domestic sphere. Throughout the story, the wallpaper becomes the narrators’ imagination and appears as a female figure. The narrator’s husband, John, who has a higher
The initial factor that leads to the narrator’s following slip into the madness is John, her physician and husband. John’s definite dominant and highly respected figure generates a controlling relationship with her, taking away the narrator’s freedom even in the slightest aspect of her life. For instance, as simple as to write a journal, she is not able to do so because “John would thinks it’s absurd”(79). Her husband’s therapeutic process and opinions on how to handle and treat her mental sickness makes her not to trust her own thoughts doubting them instead, and restricts her to do anything in her will. At one point when the narrator tries to talk to John and said that she ”really was not gaining here” (80) and she “wished he would take [her] away”(80), he calms her by suggesting that she should not be having such worries and he replies “My darling, … There is nothing so dangerous, so fascinating, to a temperament like yours… Can you trust me as a physician when I tell you so?”(80). This demonstrates how John’s manipulative authority causes her to feel unfaithful and irrational. John does not notice that every instance that he refuses and shuts her out, her need to express her thoughts
The attempts the women tries so to be in vain till the end when it over boils. The women set herself free in the only way she knew how. Sometimes when people are in tight situation, or when their goals are being blocked, they react even when it doesn’t make sense. The women reacted to being closed up and oppressed and, to her family, it didn’t make
“The Yellow Wallpaper” by Charlotte Perkins-Gilman describes the experiences of a woman during a summer in which her husband has found them a large, beautiful house to stay in. This woman, however, feels as if she is ill, but her husband, who is a doctor, tells her that there is nothing wrong with her and that she only has depression, which she comes to believe. Her husband chooses to make her sleep in her own room, alone, upstairs in the house, which used to be a room for children in which the windows were barred for safety. The woman, which is the narrator, writes her whole experience, even though her husband does not approve of it. During the course of the summer, her husband attempts to keep her locked in her room because he feels that she will recover quicker if she stays in her room alone. He even will not let her go downstairs, which she does when he is gone to take a lonely walk through the garden. She believes everything he does is for her, and through the course of the story he holds her back, as she cannot talk to him nor can she freely choose what she wants to do.
tries to resorts to reasoning with herself so that she may feel husband keeping he away from any outside world her minds wanders into insanity. Her husband doesn’t know any better than to restrain her from exerting energy. He feels that he must keep her in bed to better her health. This in the end is the reason she goes insane. He must feel a bit ashamed being a doctor and not knowing of any other cure to The signs of metal illness are evident when the main character resorts to ripping at the wallpaper to release some built up anxiety.
Chopin, Kate. “The Story of an Hour”. The Seagull Reader: Stories. Ed. Joseph Kelly. New York: W. W. Norton & Company, Inc, 2001. 65 – 67.
This would symbolize how women dealt with the tension that would have been caused and the results it had on them. The narrator first starts to lose credibility when she says that she is glad that she has to be the one in the room so that her child will not have to bear the wallpaper, but she secretly believes that she is wise to come to this conclusion and that she cannot tell the others. She comes to the conclusion that John and Jennie are intrigued by the wallpaper as well. She says she catches them looking at it, and she catches Jennie touching it once. She also comes to the “realization” that a woman is trapped within the wallpaper, which could symbolize the way women were “trapped” by men. The original “treatment” was the ultimate cause of all her
The narrator's detailed description of the wallpaper makes the reader understand the woman is well educated and has a keen eye for detail. The wallpaper evokes an emotional response from her, such as her statement, "It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study . . . " (793).
An Analysis of Kate Chopin’s The Story of an Hour and Charlotte Perkins Gilman’s The Yellow Wallpaper
“John is so queer now, that I don’t want to irritate him. I wish he would take another room! Besides, I don’t want anybody to get that woman out at night but myself.”(Gilman) She is now imagining the woman out of the paper and creeping around outside. She wants to catch her even though there is no one to even catch, but she doesn’t know that. Her husband is at work all day which gives her the opportunity to creep around, explore and find this woman. Her husband John would suspect her of something if she left the room at night so she must do it during the day. This quote shows symbolism in relation to the fact that the woman in the paper is symbolizing the narrator wandering around outside. Moreover, she is clearly hallucinating about this woman in wallpaper. Her visibility of insanity is quite clear when the author says, “That was clever, for really I wasn’t alone a bit! As soon as it was moonlight and that poor thing began to crawl and shake the pattern, I got up and ran to help her. I pulled and she shook, I shook and she pulled, and before morning we had peeled off yards of that paper.” (Gilman) The narrator is imagining interactions that have occurred with the woman she sees in the wall. They begin to peel off all the paper, working together in her mind. She then begins to imagine the wallpaper laughing at her when the sun is out. It can be concluded that her husband should not be taking care of her because he is the sole reason she is insane in the first place. This quote demonstrates symbolism because the woman in the wall represents the psychotic state that the narrator’s husband has driven her to. With this in mind, the narrator becomes connected with the woman in the wall. “I have locked the door and thrown the key down into the front path. I don’t want to go out, and I don’t want to have anyone come in, till John comes. I want to astonish him. I’ve got a
One of the main causes for her insanity is the treatment she is receiving by her husband. Right when the story begins the narrator moves into a home with her husband and new born child to stay for a few
Chopin, Kate. A. “The Story of an Hour.” Baym 1609-1611.
Chopin, Kate. “The Story of an Hour.” Heritage of American Literature. Ed. James E. Miller. Vol 2. Austin: Harcourt Brace Jovanovich, 1991.487.Print.