Sonnet 42: Rationalizing Rejection Shakespeare’s Sonnet 42 is about a man, the speaker, who is contemplating the loss of his lover to his friend. The speaker is exploring the motive for his lover’s choice of betrayal; more notably he is attempting to explain why this betrayal has occurred with a series of different rationalizations. The speaker appears to believe that he will not be as pained by his loss if he were to rationalize why his lover betrayed him. Shakespeare notoriously wrote three separate types of sonnets. The first set is Sonnets 1-126 which discuss a young man and often deal with the element of time. Sonnet 42 falls into the “young man” category and this character is present as the speaker’s friend. The introduction to this English sonnet, the first quatrain, has the speaker explaining that he is not upset that his friend, the character of the young man, has his lover; rather he is upset that his lover has the young man. Lines 1 and 3 exemplify this, “That thou hast her, it is not all my grief,” “That she hath thee, is of my wailing chief.” This rationalization gives the impression that the speaker is not affected with the young man finding new love even though he is upset for his loss. However, this is not a convincing argument because the reader can observe in the same quatrain, line 4, when he further grieves his loss, “A loss in love that touches me more nearly.” Obviously the speaker’s feelings are not as he expresses in the first three lines because he closes the quatrain with another mention of how dear the lover’s love was to him. The second quatrain of Sonnet 42 begins with the speaker’s second and most complex attempt to rationalize the situation as he pretends that he is not affected by ... ... middle of paper ... ...ith all loss is love. The speaker cannot see this connection between loving and losing, thus cannot articulate how he feels about the love and loss of the young man and his lover. The betrayal and rejection between the young man and his lover causes the speaker to over analyze the situation to a point where he attempts to find a happy outcome to avoid future pain. Yet, it is never revealed to the reader that the speaker finds true closure. As opposed to focusing his concentration on loss and love, and betrayal and rejection, his main thesis should have been based on loyalty and friendship. With these themes he could have avoided his attempts to rationalize and discovered there was no reason to lament because his lover was obviously not truly loyal to him and the young man was not genuine in his friendship. Thus, losing the two would not have been so great a loss.
the sonnet can 't be completely caught on. The "dull" in the first and last line demonstrates that the
While perusing through the aggregate of the ballad, the storyteller gives the onlooker clear indications of misery by means of perplexity, unobtrusive triggers, affection, memories, and the perspective of a mother. The speaker affirms for us the affection she has for her dead youngsters and the frightful memories, which uncover themselves throughout the methodology of anguish. Perusing the sonnet likewise uncovers the truth this by all account not the only abortion the speaker is composing of, ended up being a real supporter to the lamenting in the ballad. The ballad is an extraordinary read for any novice or anybody encountered with verse. With a mixture of subjects all around the sonnet, one may find that there is more than simply despondency, which shows itself in the work.
...onsidered to be a huge romantic gesture; it allowed the writers thoughts and feelings to be spoken through words. It was a way to tell their lovers how they truly felt, in what was at the time one of the most romantic ways to do so. It allowed both poets to create dramatic effects when needed, explore their emotions and declare their love as everlasting. This was all done in 14 lines, usually following the structure of an iambic pentameter. The structure of Sonnet 43 can be differentiated from the more traditional Shakespearean sonnet as it follows the structure of an Italian sonnet (also known as the Petrarchan sonnet) rather than the structure of a Shakespearean sonnet. The first 8 lines which are known as the octave imposes a problem of some sort, the first four lines (quatrain) typically introduce the problem; the next quatrain is where the problem is developed.
The imposition of the British aggressor is even made apparent through the structure of the work, the two sonnet form stanzas not only highlight the inadequacy of the loveless union, but with their Shakespearean rhyme scheme also imply the cultural dominance of English tradition. The use of half rhymes, such as ‘pulse’ and ‘burst’ or ‘pain’ and ‘within’ leaves the stanzas feel...
Shakespeare’s Sonnet #23 is addressed to the lovely young man, called WH. The speaker is trying to convey his complex feeling towards his lover. He is tongue-tied in the young man’s company and he is trying to explain this awkwardness and express his complex emotions in this sonnet. It is, the speaker says, due to the hugeness of his love, that makes it too heavy to carry. For the author this sonnet is a silent representation of his inner voice. To show the complexity of the situation, he compares poet’s role as a lover to an actor’s timidity onstage. He asks WH to read these silent lines and explains that love will give him the insight to read between lines. The sonnet consists of 14 lines, which are splitted into octave and a sestet, and has typical for Shakespeare’s sonnets rhyme scheme: a-b-a-b, c-d-c-d, e-f-e-f, g-g. He uses first two quatrains to establish a problem and then resolves it in a third quatrain, summarizing solution in the following couplet.
The sonnet opens with a seemingly joyous and innocent tribute to the young friend who is vital to the poet's emotional well being. However, the poet quickly establishes the negative aspect of his dependence on his beloved, and the complimentary metaphor that the friend is food for his soul decays into ugly imagery of the poet alternating between starving and gorging himself on that food. The poet is disgusted and frightened by his dependence on the young friend. He is consumed by guilt over his passion. Words with implicit sexual meanings permeate the sonnet -- "enjoyer", "treasure", "pursuing", "possessing", "had" -- as do allusions to five of the seven "deadly" sins -- avarice (4), gluttony (9, 14), pride (5), lust (12), and envy (6).
...e speaker admits she is worried and confused when she says, “The sonnet is the story of a woman’s struggle to make choices regarding love.” (14) Her mind is disturbed from the trials of love.
Through creating a relatable feeling for readers, sparking immense thought from her diction, and displaying inventive creativity, Elizabeth captivates her audience. Elizabeth Browning impacted the literary world in such a powerful way. The presence of “Sonnet 43” in today’s education system demonstrates how valuable piece is. Although society has become more advanced and human preferences have changed, “Sonnet 43” interests individuals of all backgrounds, thus disproving criticism from
Shakespeare’s sonnets include love, the danger of lust and love, difference between real beauty and clichéd beauty, the significance of time, life and death and other natural symbols such as, star, weather and so on. Among the sonnets, I found two sonnets are more interesting that show Shakespeare’s love for his addressee. The first sonnet is about the handsome young man, where William Shakespeare elucidated about his boundless love for him and that is sonnet 116. The poem explains about the lovers who have come to each other freely and entered into a relationship based on trust and understanding. The first four lines reveal the poet’s love towards his lover that is constant and strong and will not change if there any alternation comes. Next four lines explain about his love which is not breakable or shaken by the storm and that love can guide others as an example of true love but that extent of love cannot be measured or calculated. The remaining lines of the third quatrain refer the natural love which can’t be affected by anything throughout the time (it can also mean to death). In the last couplet, if
This sonnet rhymed abab cdcd efef gg form. Most of his sonnets were written in the 1590s at the height of the vogue, but they were not published until 1609. The first 126 are addressed to a young man; the remainder (with the exception of the last two, which are conventional sonnets on Cupid) are addressed to an unknown "Dark Lady." Whether or not Shakespeare laid bare his heart in his sonnets, as many critics have contended, they are his most personal poems.
In Elizabeth Browning’s poem ‘Sonnet 43’, Browning explores the concept of love through her sonnet in a first person narrative, revealing the intense love she feels for her beloved, a love which she does not posses in a materialistic manner, rather she takes it as a eternal feeling, which she values dearly, through listing the different ways she loves her beloved.
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
Spencer, Edmund. “Amoretti: Sonnet 54”. The Norton Anthology of English Literature. Gen. ed. David Simpson. 8th ed. Vol. 1. New York: Norton, 2006. 904. Print.
The fourteen line sonnet is constructed by three quatrains and one couplet. With the organization of the poem, Shakespeare accomplishes to work out a different idea in each of the three quatrains as he writes the sonnet to lend itself naturally. Each of the quatrain contains a pair of images that create one universal idea in the quatrain. The poem is written in a iambic pentameter with a rhyme scheme of ABAB CDCD EFEF GG. Giving the poem a smooth rhyming transition from stanza to