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In the film Light the Red Lantern and the novel Family by Pa Chin both deal with conflicts and contradictions between China’ old cultural traditions and materialization of new culture movements. The old traditions causes a cultural block between the older generation and the younger generation. These two works demonstrate this as oppression in the expectations of the family traditions upon the younger generation and the treatment of women.
Pa Chin illustrates how the older generations practice both psychological and social oppression through their demanding expectations of the younger generation. The Kao family displays Confusion traditionalism in the older generation and with the rebellious cultural modernization is displayed by the younger generation. Cheuh-hsin serves as a tangible example to his younger brothers Cheuh-min and Cheuh-hui of the unfairness of the old family traditions, particularly the tradition of arranged marriage. Cheuh-hsin is in love with his cousin Mei and believes that he will marry her. Cheuh-hsin is informed by his father that another match has been made for him. Cheuh-hsin believing that it is his duty to honor the wishes of his father, agrees to the marriage arranged for him without fighting for the love that he has for Mei. This behavior reflects the Confucian ideal that the lower person in the hierarchy of the family needs respect the wishes of the respecting the superior person. In this hierarchy Cheuh-hsin’s father is the superior. Hwang expounded on this by saying that “Confucius advocated that procedural justice in social interaction should follow the principle of respecting the superior. The role of the resource allocator should be played by the person who occupies the superior position (p.96 H...
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...ese traditions can cause. “What had taken his wife away was something else. It was the entire social system, with its moral code it's superstitions. He had borne them for years while they stole his youth, his happiness, his future, and the two women he had loved most in the world.” (Chin 309). The women in this novel are all displayed as powerless with the exception of Chin. Chin is raised by her mother with her father having been dead since she was small. This could be seen that by not having a male authority figure in her life, Chin was able to move away from the oppression that was shown to her contemporaries and find a place for herself as a strong independent woman.
Light the Red Lantern and the novel Family show the depths of oppression that are placed not only by the older generation upon the younger generation, but by the male dominated society upon women.
Before her first words she is already considered a disappointment, “a girl child is Mo Yung- useless” (32). From the time she is born, her grandmother, “the old one” (choy), relentlessly tells her how the world will treat her as a girl. She explains to Jook-Liang, ‘“If you want a place in this world… ‘do not be born a girl child’”(31). She is cast aside before she is given a chance and is never given the same opportunities as her brothers. Instead she is forced to help take care of her little brother (insert quote). The excitement surrounding a baby is always extreme, and it doubles in Chinese culture when that baby is a boy. When her little brother is born, she is truly considered to be nothing in the family. “ I recalled how Sekky had received twice the number of jade and gold bracelets that I had got as a baby, and how everyone at the baby banquet toasted his arrival and how only the woman noticed me in my new dress, and then only for a few minutes to compare Poh Poh and step mother’s embroidery”(32). She is a ghost in her own family, and treated as nothing from the moment she is born. It is because of her gender that she is looked upon as a burden and never given the same opportunities as her brothers so that she may excel in life. Through the shadowed life of Jook Liang one can see how gender roles are enforced by cultural
Yan Zhitui states that, "women take charge of family affairs, entering into lawsuits, straightening out disagreements, and paying calls to seek favor...the government offices are filled with their fancy silks." (Differences between north and south, 111). Yet, even in the Qing dynasty women were still restricted by and expected to uphold more traditional ideals, especially in the public eye. So, in the end, through her virtue, Hsi-Liu’s two children we able to become upright. Here, there is a split between what a woman is supposed to be according to old Chinese tradition, and the realities facing women in Tancheng. The loss of her husband, and economic hardship had forced His-Liu to behave in a different way, as if she were usurping the power from the eldest son so she could teach the two boys a lesson about being good family members. While she still maintains the ideals of bearing children, and being loyal to her husband, even after he dies, out of necessity she is forced to break from Confucian ideals of being only concerned with the domestic issues. This too put her at odds with the more traditional society around her, as the villagers pitied her sons, but vilified the Hsi-Liu for being so strict with them (Woman Wang, 65). Had she remarried, she would have been looked down upon even more because she would had broken her duty to remain faithful to her deceased
Confucius believed that proper behavior within all types of relationships was dictated by a hierarchy that should be honored and preserved in order to maintain harmony within oneself and the rest of society (Bulliet 86). Zhao respected and supported these ideas in her own writings as she regularly makes reference to the notion that relationships between married men and women should be guided by the principles of yin and yang. According to Zhao, “as Yin and Yang are not of the same nature, so man and woman have different characteristics”, hence while the yang is firm and strong, the yin must be flexible and gentle (Zhao). Her advice to her daughters and the rest of her female audience was meant to help them avoid the shame that came with breaking the rules of society and promote a happy, harmonious lifestyle. To Zhao and most others, the inequality that existed between men and women was an inherent and necessary quality of traditional Chinese life. The historical context in which Zhao lived gives sufficient information to understand her position and motivations in Lessons for a Woman, nonetheless, her views on education add a unique dimension to her
Thru-out the centuries, regardless of race or age, there has been dilemmas that identify a family’s thru union. In “Hangzhou” (1925), author Lang Samantha Chang illustrates the story of a Japanese family whose mother is trapped in her believes. While Alice Walker in her story of “Everyday Use” (1944) presents the readers with an African American family whose dilemma is mainly rotating around Dee’s ego, the narrator’s daughter. Although differing ethnicity, both families commonly share the attachment of a legacy, a tradition and the adaptation to a new generation. In desperation of surviving as a united family there are changes that they must submit to.
The united States Declaration of independence states that all men are equal, but aren’t all women as well? Nowadays, the numbers for the population are at an increase for the support in gender equality, with the capture of feminist labels. The seek for equality between men and women, and criticize the privileges that arouse by gender differences. However in Old China, males control almost everything due to a patriarchal society. At that time, not only men, but also women are influenced by male chauvinism. In the Jade Peony, written by Wayson Choy, female characters are affected by an unequal perspective despite their age group.
In her book, The House of Lim, author Margery Wolf observes the Lims, a large Chinese family living in a small village in Taiwan in the early 1960s (Wolf iv). She utilizes her book to portray the Lim family through multiple generations. She provides audiences with a firsthand account of the family life and structure within this specific region and offers information on various customs that the Lims and other families participate in. She particularly mentions and explains the marriage customs that are the norm within the society. Through Wolf’s ethnography it can be argued that parents should not dec5pide whom their children marry. This argument is obvious through the decline in marriage to simpua, or little girls taken in and raised as future daughter-in-laws, and the influence parents have over their children (Freedman xi).
The fact that the fictional mothers and daughters of the story have unhappy marriages creates a common ground on which they can relate. However, marriage has different meanings for each generation in this book. In the mothers’ perspective, marriage is permanent and not always based on love. Especially with their marriages in China, which was a social necessity that they must secretly endure in order to be happ...
Family became an important aspect in Mah’s life. In the Chinese culture family is typically a vital part of the way of life. Mah may have been ashamed the way her first marriage ended and did not want the same with this man she met named Leon. Leon is a Chinese immigrant and family is his priority. Mah and Leon marry and have two girls, Ona and Nina. They form a family like connection more than ever before. Leon was a fairly stable man and loved his family. Mah and Leon were b...
The early part of the novel shows women’s place in Chinese culture. Women had no say or position in society. They were viewed as objects, and were used as concubines and treated with disparagement in society. The status of women’s social rank in the 20th century in China is a definite positive change. As the development of Communism continued, women were allowed to be involved in not only protests, but attended universities and more opportunities outside “house” work. Communism established gender equality and legimated free marriage, instead of concunbinage. Mao’s slogan, “Women hold half of the sky”, became extremely popular. Women did almost any job a man performed. Women were victims by being compared to objects and treated as sex slaves. This was compared to the human acts right, because it was an issue of inhumane treatment.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
Kingston uses the story of her aunt to show the gender roles in China. Women had to take and respect gender roles that they were given. Women roles they had to follow were getting married, obey men, be a mother, and provide food. Women had to get married. Kingston states, “When the family found a young man in the next village to be her husband…she would be the first wife, an advantage secure now” (623). This quote shows how women had to get married, which is a role women in China had to follow. Moreover, marriage is a very important step in women lives. The marriage of a couple in the village where Kingston’s aunt lived was very important because any thing an individual would do would affect the village and create social disorder. Men dominated women physically and mentally. In paragraph eighteen, “they both gav...
In Pa Chin's Family, he portrays a traditional Confucian family battling to keep their traditions and their way of life in tact, amidst the deep upheaval and civil disorder gripping China. Pa Chin clearly portrays a family of which the Venerable Master Kao rules supreme at the expense of his family. The Kao family runs into several set backs such as suicide, death, depression, unhappy marriages, family conflict, and lack of respect for elders that undoubtedly lead to the unraveling of the Kao family. One significant reason the Kao family fails to maintain its integrity and way of life is because of the clash between Confusion traditionalism and Chinese cultural modernization. One of the main driving forces in disruption in Kao family tradition would have to be the rebellious youth, Chueh-min, Chueh-hui, and Chin in particular.
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
Expectations are placed on characters across cultures, time, and through, all genders. Characters in patriarchal societies experience pressures such as: ------------ This essay will argue that patriarchal societies, societies where males promote and maintain power, place social expectations on female characters. First begining with tradionalism family values and the private sphere in China with Elieen Chang to internationality with Duras *****
Confucianism is divided into many sections since it was created two thousand years ago. This means the connotation to Confucianism cultural is very rich. The main content of virtue contains benevolence, righteousness, propriety, wisdom, faithfulness, respectful, tolerance and kindness. Many of them involve interpersonal communication and reflect the value of “group as the importance”. The “group as the importance” is filial piety, fraternal love, loyalty, forgiveness, and honor (TANG). All of those are apparent in the book “Spring Moon” an example of this in Spring Moon interrupted her mother and didn’t say a greeting before doing so. So Spring Moon’s mother says “Everyone will think that I have neglected my duties. You will heap shame upon our ancestors!”(Lord).