Throughout his career rapper Kanye West, has been portrayed as many different things in the media based on his public appearance and the subject matter of his music. The message he relates in his music is ever changing and often showcases different ideals or stances on issues echoed among different parts of the African American community. Two such instances of this come from very different periods of Kanye’s career, and show two polar opposite opinions of how to deal with arguably the most important social issue in American history. This change in Kanye’s way of dealing with racism reflects two differing schools of thought in the African American community. Although early in Kanye’s career his music identified the racial inequality problems in society, as of late he has gone beyond simply Identifying the problems and has repeatedly said through his music that he will stand up and fight back when he is unfairly mistreated.
The Career of Kanye West began in 2004 with his first studio-released album, College Dropout. One of Kanye’s most revered albums, College Dropout showcases the ideals of a young African American artist beginning to realize and express all the racism and racial inequality that have hindered his life chances and the life chances of those around him. Kanye uses College Dropout as something that points out these issues and allows countless people throughout America and the world to relate. Of the countless songs on College Dropout that are excellent examples of this, one of the best is “Jesus Walks”. Kanye says “Getting choked by detectives: yeah, yeah, now check the method They be asking us questions, harass and arrest us Saying ‘we eat pieces of shit like you for breakfast’ Huh? Y'all eat pieces of shit? What's t...
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...uality by any means necessary.” (X)While Kanye never explicitly says this it’s clear that this theme is a big part of the thinking behind his more recent music and just as his earlier ideals resonated with a large part of the African American community, his newly adopted ideals do as well.
Through growth as an artist and a person Kanye’s stance on how to deal with racism in America has shifted from an attitude of non-violence similar to that of Martin Luther King Jr. to an attitude of freedom at any cost similar to that of Malcolm X. Whether it be these two or any of the messages and ideals touched on in Kanye’s music, they are usually ideals supported by a large part of the African American population. His two messages on how to deal with racism, while polar opposites, are no different and both echo loudly with different Parts of the African American community.
Racism is a belief or doctrine that inherent differences among the various human racial groups which determine cultural or individual achievement, usually involving the idea that one’s own race is superior and has the right to dominate others or that a particular racial group is inferior to the others. Artist like Kanye West, feel it is socially acceptable to use derogatory terms towards different demographics while others view this disrespectful. One example of racism can be found in Kanye West’s music video “Monster” which thoroughly expresses racial views in todays society that reserves and displays the differences between inferior and superior groups. Throughout West’s music video, he uses offensive lyrics, and disturbing scenes to show
In his most recent album, Kanye West raps, “Now if I fuck this model/ And she just bleached her asshole/ And I get bleach on my T-shirt/ I 'mma feel like an asshole.” He suggests that it is the girl’s fault for getting bleach on his tee shirt, which she only did to make herself more sexually appealing. This misogyny in hip-hop culture is recognized to bring about problems. For instance, the women around these rappers believe they can only do well in life if they submit themselves to the men and allow themselves to be cared for in exchange for physical pleasure. In her essay, “From Fly-Girls to Bitches and Hoes”, Joan Morgan argues that the same rap music that dehumanizes women can be a powerful platform for gender equality if implemented correctly.
He describes the sensation of “measuring one’s soul by the tape of a world that looks on in amused contempt and pity” (2). West tackles double- consciousness in a lot of his songs, but more so I “Gorgeous” and “Power”. He does have slight elements in “Monster”, however. In “Gorgeous”, West is straight-forward in his approach, voicing his frustrations about appearing to fit in with the majority of popular artists (namely the white ones), yet when he does something stereotypically black he gets massive media attention and is berated for his actions. It is even in his clothes: if he is wearing the right clothing he is accepted, but is automatically perceived as ghetto when he is wearing sneakers and a white t-shirt. “As long as I’m in Polo’s smiling they think they got me/But they would try to crack me if they ever see a black me” (Lyrics On Demand). In “Power”, he discusses issues with fame and general concept of power, as well as being a minority with limited options. He talks about how education is limited and that minority children are eventually doomed to prison. “The system broken, the schools closed, the prison’s open” (Lyrics On Demand). His lyrics speak of how the world around him in controlled by the majority, and how minorities are forced to conform to the standards of the rest of the world. In “Monster”, the biggest hint at double- consciousness is the inclusion of Justin Vernon of Bon Iver, a white indie folk musician. Vernon’s appearance on such a quintessential rap track is impressive and jaw-dropping considering these types of songs (posse cuts”) are notorious for featuring all- black artists. His presence plays to the double-consciousness West expresses, by mixing black and white artists together for
He says in the song “Man I’m so self-conscious, that’s why you always see me with one of my watches,” showing that he took the route of obtaining material possessions as soon as he acquired money to try and show others his success (West). He furthers this point by stating “then I spent 400 bucks on this, just to be like, you ain’t up on this,” showing it wasn’t just one instance, but a constant reoccurrence of showing off his material possessions to constantly try and present himself to others as “successful(West).” Even though both songs describe the shortcuts of people trying to show others their success through material goods, they overlap by not promoting those actions.
Throughout America’s history there have been countless influential leaders that have proudly been American. Those have held positions of politicians, soldiers, and . Kanye Omari West has opened the eyes of today's generation and still continues to shape American history. His musical influence has transformed the lives of countless people. Inspiring many to stand up and fight for what they believe in is something Kanye West continues to do even today.. Also, opening the eyes of many to racial injustice towards African American citizens. I’ll further elaborate my claim in the following paragraphs using historical evidence.
One of Williams main topics of concerns is the wrong messages that “public airwaves” are sending to their listeners and followers. Williams claims rap and other medias are representing and sending the wrong message about African American communities. She mentions that rap music once held a positive message but now rap music is bombarding the public with the use of profanity, violence, and obscenity throughout their lyrics and music
He may just seem like another rapper to you but if you actually listen to his lyrics you can see he’s not like any rapper out there. His name is Kanye West and he was born in Chicago Illinois. He grew up in the “ghetto” and learned to appreciate life. He didn’t learn to really, truly appreciate life until October of 2002. Driving back to his hotel late one night after a recording session, the new-coming rap/hip-hop artist was involved in a devastating, near fatal car accident. The crash left him with a broken jaw in three places and an appreciation for life. Just weeks after being released from the hospital he recorded his first major hit, “Through the Wire,” with his mouth still wired shut. He records every song like its going to be his last song and that makes every song better than the last. He’s not only a rap artist but also a producer. He has been responsible for being behind songs like Jay-Z’s Izzo, Girls, Girls, Girls, The Takeover, and 03 Bonnie and Clyde.
I was so interested in the truth that I suspended my assumptions about West as I pursued more information through research, giving me an objective lens. It truly rattled me to have been so wrong in my assumptions, it felt weird to know that because of something I didn’t know, I had believed something. It genuinely shook my self-confidence. I really prided myself on my knowledge of Hip-Hop, I thought I knew all the classic albums, how could I have overlooked this one for so long? So, jolted by this sting of self embarrassment, I searched further, I wanted to know what else I had been oblivious to. It became increasingly clearer to me that there were two completely opposite views about Kanye, the more popular view: he’s a worthless egotistical pop star, who’s created nothing of value, and, as I was shocked to learn over time, the informed view, and the truth, that he was and is one the most influential artists of the 21’st
As Kendrick entered the stage shackled to his black comrades with a soulful saxophone playing in the background, it is obvious that the imagery of imprisonment was a commentary on incarceration in America and its similarities with slavery. By amplifying this modern twist on slavery, Kendrick provokes American viewers to reflect on the struggles that black Americans still go through today. At the start of his performance he goes on to rap “I’m African-American — I’m African” as if he was correcting himself. This isn’t surprising as black identity is hard to establish in a country that implicitly detests you, but explicitly fetishizes your culture. Stuart Hall discusses this in his text when he states, “’the primitive is a modern problem, a crisis in cultural identity’…the modernist construction of primitivism, the fetishistic recognition and disavowal of the primitive difference” (Hall 125). There is no wonder why Kendrick, like many African-Americans, finds comfort in placing his identity with the mother land rather than his true country of origin. How can the black multitude stand in solidarity with a country who will continuously praise black culture but refuse to recognize the black struggle? Kendrick Lamar then conjures imagery of Africa, where he danced and rapped in front of a raging bonfire, one of the most powerful imagery included in his entire performance. One can interpret
The group I would like to be apart of is G.O.O.D Music. G.O.O.D is an acronym for “Getting out our dreams.” This group is a recording label founded by Kanye West, who is also a music artists signed under G.O.O.D Music. They do have other music artists in the group such as, John Legend, Big Sean and Pusha T. Kanye west is actually the main reason why I would like to join the label. Throughout this paper I 'm going to address who Kanye West is, what I can learn from being in the group, and why I think I fit well with G.O.O.D Music.
When West first showed up (late 90s and early 2000s), the world was a different place. Fans of the genre were most likely listening to gangster-rap, artists like: Jay Z, Notorious B.I.G, 50 Cent, Tupac, Ice Cube, Eazy E, N.W.A, Wu-Tang, Nate Dogg, Dr. Dre, and Snoop Dogg (Best Gangsta Rappers), the kind of music that dominated mainstream rap at the time. Rappers and fans of rap were mostly in a gangster-influenced mind state. West was foreign to the idea of being a “thug” or a “gangster”. West grew up in an average house while his mom made good money working as a professor in the English department at Chicago State University. He was well educated and attracted to more preppy fashions- sport coats, polo shirts, and sunglasses, quite the contrary to what other rappers were wearing in those times. Like many rappers, West wrote about his daily experiences, experiences majorly ...
Kanye Omari West, rapper, producer, professional celebrity, and with an ego to match, has forced himself into the limelight of the music industry. Kanye West has made a lasting impression on all of those around him, whether it be a good one or bad. With seven full length albums, a multimillion record label company, and a successful fashion business all under his belt, it’s fair to say that Kanye has done his fair share of creating. Over the last twelve years Kanye went from a young Chicago kid just trying to get his flows off, to one of the most decorated musicians of all time. With over 20 Grammy’s and 3 of his albums ending up on the Rolling stones “500 greatest albums of all time”. He has continuously created, entertained, and spoken his mind for years. Whether it be “George Bush does not care about black people” or “Taylor imma let you finish, but Beyoncé had
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
“‘Everything i’m not made me everything I am’. In my humble opinion, that’s a prophetic statement. Gandhi would have said something like that.”Now take a few seconds let that sink in… what kind of bold man not only quotes his own rap lyrics in a Rolling Stone interview, but is daring enough to compare himself to Gandhi? Yes, it is Kanye West, but you do have to admit that those lyrics “‘everything i’m not made me everything I am’” sound like wisdom Gandhi May have said once. So, before you skip straight to the conclusion “‘wow, that man is such a moron!’” Kanye West does indeed have a lot to teach the younger generations of today’s society about loving yourself and being confident.
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .