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Othello and tensions of its society
Othello and tensions of its society
Othello and tensions of its society
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Does love need to discriminate against different race or class? Does it matter what race you need or have to be, in order to be with someone? A social issue was brought to attention during the play “Othello” and that was race and class. Race and class have always been a social issue not only in plays and book but also it has been a social issue around the world. Desdemona and Othello were from a different race and different class. Even though they came from different backgrounds they got married together to become husband and wife. There are a variety of racism and discrimination towards Othello throughout the play. Othello’s was often described as black or African descent. He was the only black person in the play. Desdemona, his wife wasn’t seen as someone who was supposed to marry Othello. Her father …show more content…
Everyone has once experienced it in their lifetime whether it was in public or not. People have and are experiencing it right now, something that society doesn’t know or think about. Racism can be stopped by just accepting the fact that everyone is different in their own way, trying to fit in with the rest isn’t something everyone should value. Love shouldn’t matter what race or class you are in. Love is a feelings that just happens and no one can control it. Love can have different meanings, it is something we can’t truly define because it’s a feeling.
Works Cited
Desmet, Christy. “Racism, Misogyny, and the ‘Othello’ Myth: Inter-racial Couples from Shakespeare to Spike Lee.” Medieval and Renaissance Drama in England 20 (2007): 281+. Literature Resource Center. Web. 30 Nov. 2015. Print.
Doloff, Steven. “The process’ of prejudice: ‘Othello’ I.iii 128-14.” Notes and Queries 41.4 (1994): 491+. Literature Resource Center. Web. 30 Nov. 2015. Print.
Schilb, John, and John Clifford, eds. Making Literature Matter: An Anthology for Readers and writers. 5th Ed. Boston: Bedford, 2012.
Gilman, Charlotte. The Yellow Wallpaper. Making Literature Matter: An Anthology for Readers and Writers. By John Schilb and John Clifford. 5th ed. Boston: Bedford/St. Martin’s, 2012. 954-967. Print.
Meyer, Michael, ed. The Bedford Introduction to Literature: Reading, Thinking, Writing. 5th ed. Boston: Bedford/St. Martin's, 1999.
Glaspell, Susan. Trifles. Making Literature Matter: An Anthology for Readers and Writers. Ed. John Schilb and John Clifford. Boston: Bedford / St. Martin's, 2000. 127-137.
While I have pointed out distinct signs of racism in the majority of leading characters, one should keep in mind that Othello was held in high regard for his many military successes. Although there was much protesting to the marriage of Desdemona and Othello, they were socially permitted to remain together, which would suggest at least some level of acceptance regarding interracial relationships among society in general.
Hansberry, Lorraine. ?A Raisin in the Sun.? Making Literature Matter: An Anthology for Readers and Writers. Eds. John Schilb and John Clifford. Boston: Bedford/St. Martin?s 2008.
Schilb, John, and John Clifford. Sonny Blues. Making Literature Matter: An Antology for Readers and Writers. 5th ed. Boston: Bedford/St. Martin's, 2009. 337-60. Print.
Desdemona is a stunning, youthful, white, Venetian debutante. She is her father's pride and joy, but she refuses to marry any of the rich, handsome Venetian men that her surroundings expects her to spend the rest of her life with. Instead, she elopes with Othello – an older black man, an outsider to Venetian society. Turns out, this is a pretty intrepid move – Desdemona not only defies her father's expectations (that she marry a white man of his choosing), she also thumbs her nose at a society that largely disapproves of interracial marriages. In this way, Desdemona's relationship with Othello speaks to the play's concerns with Sixteenth Century attitudes about sex, gender, and race. Desdemona withholds many attributes to the play Othello by Shakespeare. She leads on a perfect life, as the perfect woman, but will it last forever?
Schilb, John, and John Clifford, eds. Making Literature Matter: An Anthology for Readers and Writers. 5th ed. Boston: Bedford/St. Martin's, 2012. 866. Print.
An aspect of reading Othello that cannot be overlooked is the issue of race in the play. Attitudes towards race in Elizabethan England were negative. If we look at representations of different races in theatre of the period, we find that there are many negative connotations through the language that arise. The Prince of Morocco in The Merchant of Venice says “Mislike me not for my complexion.” (The Merchant of Venice.) This foreshadows some of the language of Othello. This however is quite soft language when we consider how Elizabethan theatre represented other races as being violent and bloodthirsty. In this we have, “In the night-time secretly would I steal to travellers’ chambers, and there cut their throats.” (The Jew of Malta.) This was said by the Turkish character in Marlowe’s, “The Jew of Malta.” Furthermore in, The Battle of Alcazar we have, “Dammed let him be, dammed and condemned to bear. All torments, tortures, plagues and pains of hell.” So as you can see through out Elizabethan theatre this villainous image of black men, and blackness in general was prevalent. In this period in London it wasn’t necessarily a common place for blacks but there were defiantly African Americans living in London. They appear in England in the late 16th century, and it was not entirely uncommon for people of wealth to have black musicians, servants, and even Queen Elizabeth had black musicians in her service. However, in 1596 she tried to have them all expelled. What historians have found is that there were hardly any really expelled, because people who had black servants in their household, refuse to give them up because there was no compensation. According to Imtiaz Habib, Shakespeare would have definitely ...
Continually confronted with his difference, and apparently associated inferiority, Othello eventually ingests and manifests this difference in a violent rage against the symbol and defining emblem of his otherness, Desdemona. Yet, who is to blame? Which character is redeemed through our sympathy so that another can be condemned? Othello, the dark-skinned murdering Moor, himself. The separation of his otherness from explicit and innate evil contrasted with Iago's free-flowing and early-established taste for revenge and punishment, alleviates Othello from responsibility. Surely, Othello has wronged and is to be held reprehensible--with his death--but even this is a self-infli...
The effect of racism on Othello is quite evident and is one of the main causes of his insecurity about his marriage. However, Othello is not wholly the tragedy of racism. The theme of jealousy is also extremely important in Othello. Racism may play a large part in the tragedy, Othello, but it certainly does not adequately explain the entire play. Othello is a nobleman, a decorated soldier, very well respected by his men (with the exception of Iago).
Glaspell, Susan. Trifles. Making Literature Matter: An Anthology for Readers and Writers. Ed. John Schilb and John Clifford. Boston: Bedford / St. Martin's, 2000. 127-137.
To begin with, Othello’s race and the racism around him ruined his marriage with Desdemona. Othello and Desdemona made a good couple, but you know what they say, all good things must come to an end. Almost everybody had a problem with their relationship. In that time, interracial relationships and marriage was not allowed. While Brabantio (Desdemona’s father) was sleeping, Iago and Roderigo woke him up saying that Othello was having sex with his daughter Desdemona at that very moment (Shake...
In the Sixteenth century, as we see clearly from Othello and other works of both Shakespeare and Cinthio's original version of Othello, race was a topic of great debate and discussion. Today, in the twenty-first century the debate retains its controversy and passion. However, attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an increasingly cosmopolitan society would undoubtedly be more tolerant and would reject or even be offended by racial discrimination to any person or sections of the community. Openly 'racist' people today are seen as outcasts. Taking this into account, the way a modern audience would react to race and racism in Othello is dependent upon the way in which that modern audience would interpret 'Othello'. This prompts the questions of what sort of message Shakespeare wanted to send to his audience and was Othello the moor portrayed as a tragic hero or did his character eventually come to resemble the prejudices of which he was a victim. Shakespeare also discusses the issue of race with other characters such as the hateful Iago and the prejudices hidden deep in Barbantio.
Glaspell, Susan. Trifles. Making Literature Matter: An Anthology for Readers and Writers. Ed. John Schilb and John Clifford. Boston: Bedford / St. Martin's, 2005.