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Narrative of pulp fiction
Pulp fiction analysis
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Pulp Fiction is not quite like any other movie. As Desson Howe of the Washington Post wrote, "To watch this movie is to experience a near-assault of creativity." It's no wonder that this movie is considered a classic. Tarantino somehow manages to create a relationship between the characters and the audience. Despite many dark scenes, one can't help but to laugh. Very few directors can accomplish that black comedy.
One of the many things that makes Pulp Fiction stand out is it does not follow a linear structure, but rather it follows a non-linear structure. Harvey Weinstein of Miramax calls Pulp Fiction, "the first independent movie that broke all the rules. It set a new dial on the movie clock." Despite following a non-linear structure,
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As Rita Kempley from the Washington Post puts it, Pulp Fiction is "...an anthology of three luridly overblown, chronologically deviant stories, their narratives linked via characters who slide from one segment to the other as easily as a moll onto her sugar daddy's knee." Tarantino develops each of the characters in different ways according to the role that they're supposed to portray. Butch somehow manages to appear compassionate and Jules and Vincent share a unique relationship. According to Rita Kempley, Samuel L. Jackson "...looks the part of an Old Testament prophet, eyes burning like charcoal briquettes..." and John Travolta "...manages to make Vincent sympathetic despite his occupation." Mia Wallace also plays an important character, serving as a femme fatale. Tarantino makes this role believable by showing many close-up shots. By not showing Mia's face, Tarantino builds up expectation, suspense, and interest. Even the way the characters talk makes them unique. Mia has a seductive way of talking whereas Butch always seems cool, calm, and collected, except in a rare scene where he blows up because his girlfriend forgot to bring his father's watch which meant a lot to him. But, that just makes Butch's character more relatable. The characters are also developed by internal actions. You can feel the characters feelings the way Tarantino zooms …show more content…
Tarantino took the time to show what each character was going through. For example, Butch being on the run from these guys who were after him, when it turned out to be Vincent. Having so many characters involved could prove to be challenging for a director to get his point across, but Tarantino did it in a way that made sense and was all relevant to the main plot of the movie. Sound and music are important to the movie in that the music would change according to the scene. It's mostly used for effect and to get the viewer to feel whichever way the director wants them to feel. The actor's all bring the movie together. Basically, without the actors, there would be no movie. Pulp Fiction contains "three intertwined crime stories set in Los Angeles", thus making Los Angeles a character as
Quentin Tarantino’s “Pulp Fiction” is one of my favorite movies of all-time, it is about gangsters as well as everyday people struggling to get out of the dire situation they are in. In the final scene Ringo, a common criminal, is robbing a Diner. Jules just happens to be in this Diner, and Jules is one of the meanest gangsters in the city. Ringo and Jules have a confrontation in the Diner and eventually Jules is holding Ringo at gunpoint. Instead of killing him, he tries to convey a message to Ringo. In this message he uses logos, pathos and ethos to explain to Ringo that he is trying to transform from an evil man into a righteous one.
Steel Magnolias is a movie about the lives of six southern women and the drama that unfolds during a difficult period in their lives. As you can probably guess, there are tears, laughter and drama galore. The move is set in Chinquapin Parish, a small southern town in rural Louisiana. During the opening credits it draws you into the peaceful small town charm: beautiful homes, lush landscapes, blooming trees, shrubs and people lounging on their front porch. A young woman walks across a town that appears to be pulled straight from a Norman Rockwell painting, then gunshots! It’s the wedding day and there can be no birds pooping on the reception. You just got on the roller coaster; hang on! This movie will bring about every emotion you have
The plot segmentation of Quentin Tarantino’s 1994 film, “Pulp Fiction,” reveals how the pieces in the nonlinear narrative structures are put together. In order for the audience to remind them when these events take place, the movie uses title cards to specify each segments’ main plot. Some of the characters would even reference events that have already occurred, such as when Mia, in the boxing match building, thanks Vincent for the dinner. The movie does not just allow the audience to really pay attention to how the story is being told, but also show how similar each of the main stories’ structures is, despite being in a nonlinear form. For example, all of them feature acts of “heroism” by resolving the issues when caught in very unexpected
David Fincher’s 1999 noir film Fight Club combines both thematic and stylistic devices to maintain a psychotic uncertainty for both the protagonists and the spectator. Furthermore, the devices shatter certain barriers which overall support the psychotic theme of the film. This constant theme in the film is also presented in Jack’s alter ego who later reveals himself to be the narrators “nemesis trope”. These devices tie into the expressed ideas against the consumerist society and societies inevitable doom due to the belief that the things you own, end up owning you.
The movie Pulp Fiction, directed by Quentin Tarantino, contains violence, sex and drugs but is an underlying religious film. The five main characters either follow the lord and are rewarded or they follow the devil and are punished. John Travolta plays Vincent Vega, Ving Rhames plays Marcellus Wallace and Uma Thurman plays Mia Wallace, these three characters represent evil and sin. Samuel L. Jackson plays Jules Winnefield and Bruce Willis plays Butch Coolidge and these characters represent good and follow a righteous path. The movie is broken up into four separate sections that are not in chronological order but they coincide with each other at the end of the film. Pulp Fiction is violent, drugs abusive and sex filled the movie that promotes strong religious messages through choice of the righteous man or the Devil’s path.
Creating a whirlwind of confusion and an intriguing storyline, David Lynch’s 2001 Mulholland Drive brings the whole audience to question the true meaning behind the movie. Many view this film as a psychological thriller, causing individuals to wonder what had just happened in multiple scenes involving the two main female characters, Betty Elms (Naomi Watts) and Rita Hayworth (Laura Harring). Throughout the film, it is clear that Betty/Diane attempts to assist Rita/Camilla in regaining her memory to figure out her true identity, which results in numerous obstacles and mysteries that both women need to endure to reach their goal. As their journey unfolds, their relationship begins to develop into something more and mysterious secrets
Are we human if we don’t have a choice to choose between acting good or acting evil? A Clockwork Orange directed by Stanley Kubrick is a brutal film that entails many sociological meanings. Alex DeLarge and his “droogs” (gang) live in a derange society of “ultra-violence” and rape. Alex and his gang cause havoc around the town that leads to the “droogs” turning on Alex during a mischievous act on an innocent women and Alex getting arrested. While in prison he is chosen for “treatment” that is suppose to purify Alex and turn him into the “perfect citizen”. We’ve gone over many sociological concepts in class, but the three that I believe apply the most to this film are socialization, deviance, and resocialization.
It’s hard to argue that 1994 didn’t have two of the most influential and iconic movies to date. Both “Pulp Fiction” and “Forrest Gump” are movies that some would say are the best ever. Now, if you were to compare these two movies, it would seem absurd with each being on completely opposite spectrums of the moral ethics scale. However, on the surface Pulp Fiction may seem like another gangster, action, crime flick, but if a closer look is taken and the content really analyzed it can be seen that Pulp Fiction is really about redemption and how the characters seem to find it regardless of their actions. Through each separate story that Pulp Fiction tells, redemption runs at the core of the dynamic characters.
Pulp Fiction. Dir. Tarantino Quentin. Perf. John Travolta, Samuel L. Jackson, Uma Thurman, Tim Roth
In conclusion, details involving the characters and symbolic meanings to objects are the factors that make the novel better than the movie. Leaving out aspects of the novel limits the viewer’s appreciation for the story. One may favor the film over the novel or vice versa, but that person will not overlook the intense work that went into the making of both. The film and novel have their similarities and differences, but both effectively communicate their meaning to the public.
“Life is like a box of chocolates. You never know what you’re gonna get.” - Forrest Gump. The name of the film might not sound so interesting, but prepare to be amazed. The comedic drama film will keep the ache in your stomach from laughing while still focusing on the serious tone of the movie. The famous actor Tom Hanks plays the main character, Forrest Gump. According to Michael Wilmington, a movie critic from The Chicago Tribune, “‘Forrest Gump’ may be a tale told by an idiot, but even though it's full of sound and fury-and tenderness and whimsy, horror and beauty-it doesn't, like Macbeth's mad metaphor, signify nothing”(par. 1). This lets Wilmington show that the movie has meaning behind it and does signify influential messages. Forrest Gump is one of the best comedic drama films because it gives watchers real world events that they can relate to.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
Society is a result of our interactions, and society guides our interactions. This all stems from social construction. Social construction conveys values, ideas and traditions. These values, ideals and traditions are created and become traditions that are then passed on. These traditions then come to be perceived as natural rather than cultural, which is often how media will display it and society unknowingly accepts.
This quote essentially sums up the film that contains minimal special effects and an incredible plot that intrigues an audience to stay in their seats and watch a masterpiece.
‘Our interest in the parallels between the adaptation inter-texts is further enhanced by consideration of their marked differences in textual form,’