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How does meursault change the stranger
Character of meursault in stranger
The evolution of Meursault's character in the stranger
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The book that I was assigned to read is called The Stranger written by Albert Camus.
The plot of this story involved a man in his late twenties or early thirties. The main character in
the book is Meursault. In the beginning of the novel, Meursault is notified that his mother had
passed away in the nursing home that shelived in. Meursault’s could not afford to take
care of his mother any longer; therefore, he put her in a nursing home. Meursault took off of
work and went to the nursing home where she passed away to pay his respects and attend the
funeral ceremonies. When he arrived at the nursing home, the funeral director brought
Meursault to his mother’s coffin. The director asked if he wanted to see her and he quickly
replied to
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In conclusion, the type of psychology provided in this novel would most likely match the
psychology of emotions, feelings, and thoughts. These types of psychology study the behavior
of human beings and how emotion is involved. Some say that behavior is solely caused from the
mental state of the particular person. These types of psychology also study what goes through
the minds of particular people who have highly fluctuating emotions that easily reach both
extreme sides. In Meursault’s case, he showed low signs of emotion throughout the entire
story. He was very “blah” at his mother’s funeral, showed no signs of caring or love towards
Marie, and stated that he did not believe in God. With all of this being analyzed, the jury found
Meursault guilty of shooting the Arab five times, meaninglessly, because of a lack of emotional
stableness, which may lead to bigger forms of disturbing public safety. Even though Meursault
finally grasped the fact that he does have emotion right before being executed, it was too late
for him to change, or to receive a second chance. Meursault made a choice and had to pay the
consequence for
Meursault’s Maman, when introduced to the reader, has already passed away; however, her past relationships that disclose themselves when Meursault attends the funeral directly contrast her son’s emotional receptivity, or lack thereof. During Maman’s funeral, a woman “in the second row...emitted a little choking sob” (8). The keeper subsequently relieves Meursault of his frustration by explaining to him that “she was devoted to [his] mother” and that they were close friends (8). Along with friendship, Maman also embraces romance during her last few days with her relationship with Thomas Perez at the home, where “[he] and [maman] [are] almost inseparable” and “people [would] tease Perez about having a fiance” (10). Maman’s attempt to form de...
More so there is really no way to resolve Meursault problem. His problem is internal and Meursault would be the only one able to solve his problem. The way he acts toward other people would only be changed if he opens up to people himself. The only conflict throughout the whole book is that Meursault has no actual feelings for anything, and frankly does not care either. Lastly there is not actual resolution that anyone other than himself can
Waiten,W., (2007) Seventh Edition Psychology Themes and Variations. University of Nevada, Las Vegas: Thomson Wadsworth.
“The Stranger” is an appropriate title for the novel’s main character because when you think of a stranger you think of avoiding them because of safety concerns. Meursault is a type of person that you’d avoid if you saw him randomly in the streets. He’s always looking up at the sun and is very socially awkward. When Meursault is asked if he’d been traveling for a long time after discovering he had been leaning against a soldier on the bus while asleep he simply says “‘yes’… so [he] wouldn’t have to say anything else” (Camus 4).
Later, Meursault goes to the beach and ends up walking to the spring to cool off, when he arrives, he spots the Arab. The Arab draws his knife, “The light shot off the steal was like a long flashing blade cutting at my forehead.” (Page 59) and Meursault shoots him. “I fire four more times into the motionless body where the bullets lodged without leaving a trace.” (Page 59) Meursault has no recognizance of the crime he has caused at this point and shows no feeling towards it. “It was like knocking four times at the door of unhappiness.” - Meursault states on page 59; which says that he knows he should feel bad about what he had done but in reality he just can’t, he is just used to finding ways around his
family and that Meursault had sent his mother away to a rest home is a
... mother, he does not react in a way most people do. He does not cry but instead accepts what has happened and realizes that he can not change it. He goes back and does physical things he would do on a normal day. When the caretaker offers him coffee, he accepts it, he smokes a cigarette and has sex with a woman he just met. Meursault also does not lie to escape death. He refuses to conform to society and lie. He would rather be seen as an outsider than do something that he does not believe in. Finally, Meursault, will not believe in G-d or Christianity just because it is the only thing to turn to before he is put to death. When Meursault decides not to cry at his mother’s funeral, he accepts himself as an outsider. When he is considered an outsider, it does not matter if he is guilty or innocent; at the end of the day he guilty just for being different.
Even when facing his trial, Meursault could not bring himself to understand life even a little bit more than he previously knew. Meursault felt the need to make an effort to defend himself, “Later on, though, I no longer saw any point to my reluctance (page 72).” Meursault could not find any sort of validation during his trial and incarceration. He even wanted to sit back and see how it would all play out. Even when facing consequences of actions, Camus shows that the thrill of getting caught is not the point of
middle of paper ... ... He wanted to file a legal appeal, but he knew they would all get rejected. Meursault was not sentenced to death because he killed the Arab, but because of his absence of emotion to his mother’s death. The people wanted him dead because he posed a threat to the morals of the society.
Society believes Meursault as an emotionless killer or a stranger to society’s morality, Meursault then can’t explain why he couldn’t feel any emotion, drive, or thoughts of remorse for his murder. Lastly, when the chaplain visits Meursault against his wishes, this scene shows how society expects everyone to ask for forgiveness from God when near death. Meursault then thinks it is absurd and refuses to believe it because he says it’s ridiculous and there’s no time at all.
The Stranger written by Albert Camus is an absurdist novel revolving around the protagonist, Meursault. A major motif in the novel is violence. There are various places where violence takes place and they lead to the major violent act, which relates directly to the theme of the book. The major violent act of killing an Arab committed by Meursault leads to the complete metamorphosis of his character and he realizes the absurdity of life.
It is true that Meursault was different from the rest of society. However, he changes throughout the trial and eventually becomes an existentialist hero. This is because he finds meaning in life. It is ironic, though, that he learns to appreciate life after his is effectively over. His apathetic approach to life is made clear from the first page: “Maman died today. Or yesterday maybe, I don’t know.” This foreshadows his approach to everything else in the book. His indifference to Maman’s death contrast’s significantly to Salamano’s distress at losing his dog. Many of the characters in this book also function to highlight his qualities through contrast.
Albert Camus originally wrote The Stranger in French. L’Étranger was written in the early 1940s in France, and was published in 1942 (Nobelprize 1). The setting of the novel is in Algeria, slightly before World War II. The title symbolizes Meursault’s mental, emotional, spiritual, and physical (during his imprisonment) isolation from the other people in the novel. The tone is detached, sober, and occasionally sarcastic and ironic. He wrote The Myth of Sisyphus around the same time he wrote The Stranger. During this time, he was working for the French Resistance in Paris (Nobelprize 1). The metaphor of exile that Camus uses to describe the human predicament and the feeling that life is a futile struggle without meaning can understandably come from a man who is struggling against a brutal and omnipotent regime far from his home.
The Stranger by Albert Camus focuses largely on the concept of absurdism. Camus uses family and personal relationships, or the lack of it thereof, to show the isolation that the main character, Meursault, undergoes in the novel and it’s effect on him overall. Camus utilizes the protagonists’ character development as a tool to further his plot of the novel. The absence of family and personal relationships tied in with the particular recurring topics of the novel are crucial in both the development of the protagonists’ characters as well as the plot as it affects the portrayal of the main character.
In The Stranger, Albert Camus misleadingly portrays his existentialistic views of life, death, and the world. Camus portrays the world as absurd or without purpose Meaursalt, who, as a reflection of Camus, is foreign and indifferent to his own life and death. Meaursalt eventually senses guilt for his crime, not because of the remorse of taking someone else’s life, but because it means he would lose the little things that he considers important in his life. Meaursalt is a puzzling character, who leaves readers to be uncertain about Camus’ views of life.