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In the novel Frankenstein, the author, Mary Shelley writes about a scientist named Victor Frankenstein who brings to life a human- like creature. Viewing this book through a psychoanalytic lens uncovers the many layers that make up this text and the characters. The psychoanalytic theory deals with a person’s underlying desire, most famously, the oedipal complex. The oedipal complex is the belief that all people possess the desire to partake in affectionate relations with a parent of the opposite sex. In Frankenstein, Shelley uses Victors conscious and subconscious to suggest that Victor possesses the oedipal complex, and that he feels intense guilt for the monster that he has brought to life. Frankenstein shows the oedipal complex in many ways; one of which is his union with Elizabeth. Elizabeth Lavenza is an orphan …show more content…
Frankenstein gets sicker- eventually dying from the disease. Through Mrs. Frankenstein dying, Elizabeth takes the place as the mother in the household, thus becoming the mother in Frankenstein’s eyes. Mrs. Frankenstein’s last wish is for Victor and Elizabeth to eventually get married. Frankenstein cannot come to terms with the union and decides that he needs some time to think about it, this shows that he is not ready to move on and accept his mother’s death, thus having to love another. Frankenstein uses Elizabeth as a substitute for his mother; Mrs. Frankenstein and Elizabeth share a similar past; they were both orphan children in a small village, saved by a loving wealthy man/family. Elizabeth is a mirror image of Mrs. Frankenstein which is why Frankenstein is drawn to her. After creating the monster, Frankenstein has a dream: “I thought I saw Elizabeth, in the bloom of health, walking in the streets of Ingolstadt. Delighted and surprised, I embraced her; but as I imprinted the first kiss on her lips, they became livid with the hue of death; her features appeared to change, and I thought that I held the corpse of my dead mother in my arms; a
Elizabeth Lavenza (later Elizabeth Frankenstein) is one of the main characters in Mary Shelley’s Frankenstein. She is a beautiful young girl; fragile and perfect in the eyes of all. Her father was a nobleman from Milan, while her mother was of German descent. Before she was adopted by the wealthy Frankenstein family, she lived with a poor family. After Alphonose and Caroline Frankenstein adopt Elizabeth, they lovingly raise her alongside their biological son, Victor Frankenstein, in hopes that the two will eventually get married. When Victor goes off to Ingolstadt college, Elizabeth writes letters to him that later become a crucial part of the story. It weaves together every piece of the story, holding together each individual
Frankenstein revolves around the relationships between its characters. Aside from Safie and Felix, the romantic male-female relationships are tinged with an incestual element. Also, the males idealize femininity and take the women's adoration of them for granted. Victor's parents, Alfonse and Caroline, have an age disparity that echoes father and daughter; he rescues her from poverty by coming, "...like a protective spirit to the poor girl" and then after their marriage "strove to shelter her, as a fair exotic is sheltered by the gardener...with all that could tend to excite pleasurable emotion in her soft and benevolent mind" (32).
Mary Shelley’s novel, Frankenstein, has captured people’s attention since it was first written. People often wonder how much of Mary Shelley’s life is documented in her novel. From the theme of parental abandonment, to the theme of life and death in the novel, literary scholars have been able to find similarities between Frankenstein and Shelley’s life. The Journal of Religion and Health, the Journal of Analytical Psychology, and the Modern Psychoanalysis discuss the different connections between Shelley’s life and Frankenstein. Badalamenti, the author of “ Why did Mary Shelley Write Frankenstein?” in the Journal of Religion and Health, primarily discusses the connection between Victor
Analysis of Mary Shelley's Frankenstein. Analyzing a book can be a killer. Especially when it contains tons of subtle little messages and hints that are not picked up unless one really dissects the material. Mary Shelley's Frankenstein is a prime example.
The most prevalent theme in Mary Shelley’s “Frankenstein” is that of obsession. Throughout the novel there are constant reminders of the struggles that Victor Frankenstein and his monster have endured. Many of their problems are brought upon by themselves by an obsessive drive for knowledge, secrecy, fear, and ultimately revenge.
Victor mental health is fluid throughout the novel and there are many times when you question is mental sanity. There are many cases throughout the novel where Shelley reveals his unstable mental health. Shelley gives the readers a window to look through of mental illness during the romantic period. Victor recognizes that his mental health was being affected by the experiment. He discusses with Walton how becoming engrossed in your work can affect your mental health. Victor warns Walton that “if the study to which you apply yourself has a tendency to weaken your affections and to destroy your taste for those simple pleasures in which no alloy can possibly mix, then that study is certainly unlawful, that is to say, not befitting the human mind” (Shelley 47). He was saying that his work did not
Frankenstein said that he had been an only child and during a expedition with his parents, his mother found a peasant and his wife with five hungry babies. The peasant’s children were dark-skinned, except for one little girl. Frankenstein’s mother decided to adopt the little girl. Victor and his adopted sister, Elizabeth, came to love one another, even though they were very different in temperament and nature. Elizabeth "busied herself with following the aerial creations of poets," while Frankenstein preferred scientific knowledge "it was the secrets of heaven and earth that I desired to learn ... the physical secrets of the world." After the death of his mother when he was seventeen, Frankenstein departed for the University of Inglostadt. Frankenstein grew intensely interested in the phenomena of the human body and he explored the processes of death and decay, and became infatuated with the idea of creating human life itself.
Throughout the novel, Frankenstein by Mary Shelley, an abundance of amorousness was put on display for the reader to mentally grasp onto. Victor, the main character, demonstrated most of the affection overall, but it was not a normal emotion- it was more of an obsession or infatuation. He was captivated by the love of his life, Elizabeth Lavenza, who was also his adopted sister or whom he would call his ‘cousin’. He was likewise fascinated with his juvenility companion, Henry Clerval, who became his caretaker for a portion of the novel and assisted with Victor’s assiduous tasks. As well as Henry and Elizabeth, Victor was preoccupied and possessed by what he had produced, a destructive monster. All of the most important people in Frankenstein’s
Throughout Mary Shelley’s classic novel Frankenstein, Victor Frankenstein pursues, with a passion lacking in other aspects of his life, his individual quest for knowledge and glory. He accepts the friendships and affections given him without reciprocating. The "creature," on the other hand, seems willing to return affections, bringing wood and clearing snow for the DeLaceys and desiring the love of others, but is unable to form human attachments. Neither the creature nor Victor fully understands the complex relationships between people and the expectations and responsibilities that accompany any relationship. The two "monsters" in this book, Victor Frankenstein and his creation, are the only characters without strong family ties; the creature because Frankenstein runs from him, and Victor because he runs from his family.
To begin with, Victor describes how his mother, Caroline Beaufort, met his father, Alphonse Frankenstein after Caroline’s father died in poverty. Victor describes his father meeting his mother by stating, “He came like a protecting spirit to the poor girl, who committed herself to his care; and after the interment of his friend, he conducted to Geneva, and placed her under the protection of a relation” (Shelley 28). Caroline’s between her and Victor’s father, she has no choice but to marry Victor’s father. If Caroline did not marry Victor’s father, then she will still be a woman in poverty with no food and money to supp...
A predominant theme in Mary Shelley’s Frankenstein is that of child-rearing and/or parenting techniques. Specifically, the novel presents a theory concerning the negative impact on children from the absence of nurturing and motherly love. To demonstrate this theory, Shelly focuses on Victor Frankenstein’s experimenting with nature, which results in the life of his creature, or “child”. Because Frankenstein is displeased with the appearance of his offspring, he abandons him and disclaims all of his “parental” responsibility. Frankenstein’s poor “mothering” and abandonment of his “child” leads to the creation’s inevitable evilness. Victor was not predestined to failure, nor was his creation innately depraved. Rather, it was Victor’s poor “parenting” of his progeny that lead to his creation’s thirst for vindication of his unjust life, in turn leading to the ruin of Victor’s life.
“Nothing contributes so much to tranquilizing the mind as a steady purpose -- a point on which the soul may fix its intellectual eye.” Mary Shelley said after writing ‘Frankenstein’. She focused her mind on writing and used the left hemisphere of her brain, the creative side, which many people of the 1800s would not dare to do. The reason for this fear of using one of the many parts of our brains for a career or hobby was due to the fact that anyone who used this part were looked at as rather “crazy” which we now refer to as mentally ill. Mental illness was not always treated as an illness and was treated as a choice these people made and were, more or less, committing a crime, socially and legally. Frankenstein can be analyzed and certain
“Allure, Authority, and Psychoanalysis” discusses the unconscious wishes, effects, conflicts, anxieties, and fantasies within “Frankenstein.” The absence of strong female characters in “Frankenstein” suggests the idea of Victor’s desire to create life without the female. This desire possibly stems from Victor’s attempt to compensate for the lack of a penis or, similarly, from the fear of female sexuality. Victor’s strong desire for maternal love is transferred to Elizabeth, the orphan taken into the Frankenstein family. This idea is then reincarnated in the form of a monster which leads to the conclusion that Mary Shelley felt like an abandoned child who is reflected in the rage of the monster.
In the excerpt "Frankenstein", Mary Shelley writes about a creature that has been abandoned by its creator, and anyone that gets a glimpse of him, fears him. The creature has moved into a hut in the woods where he can be hidden. Next to the creature's hut there is a cottage occupied by people. The creature is able to observe them and learn from their lifestyle. He will start to develop feelings and a sense of understanding over time. This excerpt is written in the first person from the point of view of the creature. In this essay, I will be talking about the importance of the point of view in this excerpt, what I (the reader) learned about the creature through his words, observations, and actions, and how I relate to him as a character.
The change that Victor experiences throughout the novel Frankenstein is epitomized by his wife Elizabeth’s death. By this point in the novel Victor Frankenstein has lost every one of his family and friends that are close to him. After experiencing so much grief, loss, and guilt Victor begins to change. By only using the chapter which Elizabeths dies, it can be proved that the accumulation of other deaths and her death lead to the dehumanization of Frankensteins mental and physical states as well as his obsession with the monster. This dehumanization and change in Victor matters because it shows the growing connection between Victor and the monster he is chasing. The dehumanization that Victor experiences, is described in a specific way, using the Oxford English Dictionary definition of “ to deprive of human character or attributes.” (OED) In this essay dehumanized will be used not only with the OED definition, but also to show Victor’s attributes becoming not only less human but more and more like the monsters. The death of Elizabeth specifically exposes the full dehumanization of Frankenstein, seen though his mental state, physical appearance, and obsession with the monster, which leads to a greater similarities between Victor and the monster, this is ironic because Victor is hunting the very monster he is becoming.