Psycho as a Horror Film 'Psycho' could be described as either a horror or a thriller. To be a horror, films should be scary, gruesome and generally be about what you see, like violence and a lot of bloodshed. Thrillers are mainly more about what you think, because they mainly make you think about the plot and who the killer is and their motive. There is more suspense to make you think about the storyline in depth aswell as watching it. One of the reasons that this film made the top ten films of all time is because of the way suspense is built. The suspense is built, using different mediums. The music lets you know what kind of mood the scene has. The full string orcraster is great for the high-pitched mood setting to make everyone sit on edge. The high pitched strings create a stabbing noise suggesting death. Because they make a stabbing kid of noise that makes you think someone/something is being stabbed. The lighting portrays the characteristics of the person. Like when Marion and Norman are in the room behind his office eating sandwiches the light is shinning all over Marion's face. This is suggesting that Marion is innocent, warm and friendly. Norman who is sitting across the room is half covered in dark shadows. This darkness suggests that Norman is sinister, cold and that there's more to him than what meets the eye. As we find out later in the film, Norman is his mother so that being half cast in shadows represents the two of them. The good and the evil of the two characters. Even though this film is in black and white it gives you the feeling that even though you cant see in colour and what you cant see at all, is... ... middle of paper ... ...ar would you describe 'Psycho' as a horror film?" Well this film isn't full of gruesome blood and guts and their isn't an unrealistic killer. There is a lot of suspense and a killer that seems believable. This leads me to think that this film is more of a thriller than a horror. But then this film doesn't really make you think because you suspect Norman of killing Marion because his mother is an old invalid and I we know this because Norman said she needs him around because she isn't very able, and there is no one else is about. Even though Norman's mother killed Marion it was still Norman under his mothers disguise so it wasn't really Norman's mother just what Norman thought to be his mother. So to answer the question 'Psycho' is a horror/thriller hybrid. But it tends to lean more to the thriller side of the hybrid.
What you can see could be wrong. Even if you can smell, see the color of things, touch it you can’t be
Alfred Hitchcock's Psycho Alfred Hitchcock's "Psycho"-the movie the world recognised-was first premiered in the home town of New York on the 16th June 1960.The film follows the life and strife of a young beautiful woman Marion Crane, played by the Janet Leigh, who is on the run from the police after stealing $40.000, she manages to find refuge at the Bates motel where she makes her worst mistake possible. During and after the film production of "Psycho" Alfred Hitchcock had his aids buy as many copies as possible of the novel "Psycho"-written by Robert Bloch. Why? To conceal the ending form the public's eye so when the film was shown in cinemas the audience would'nt know the ending. When people found out the title of the movie Hitchcock said it was based on a greek love story "Psyche".
Colors of cretin things can appear different at some situations. For example, blood as we know it is red, that color that you see through your eyes of the blood in our veins is “red” but underwater, at 30 feet underneath the surface your blood turns, or rather appears green due to the light bouncing off of it is much less than it is at the surface as mentioned in the article “Did you know that your blood is green underwater?” by Fun Facts (see Article 2). These examples got me interested from the class discussions we had and how the philosophers viewed sense perception and the kind of thought they had of
The film Psycho, directed by Alfred Hitchcock, is a psychological thriller that was created in 1960. The main theme of this film revolves around psychological illnesses. The film focuses on the main character, Norman Bates, and his psychological problems which include a split personality, voyeurism, sadism, guilt and self-punishment, and anal fixation. Throughout the movie you can see Bates exhibit these traits at different points; however, some traits are not as clearly evident as others. This film takes an in-depth look at how someone who possesses a mental illness might behave or think.
and moving war-drama movies of all time. There are very few films today that even come
When pondering on life as not only a blind child but also a deaf child, one might say perception of the world and life is impossible. In the movie The Miracle Worker, Helen Keller was blind, deaf and mute since she had been a baby. Helen was incapable of communicating to anyone. The question, “do you think she had an accurate idea of color,” to me, is defined through her inability to know the difference between colors and physical appearance on objects certain colors, for instance the sun being yellow. Because Helen was blind and deaf, she could not actually see the color pink or yellow I can see. Helen had never actually seen color; therefore an accurate idea of a color is nearly impossible.
An Analysis of the Opening Sequence from Alfred Hitchcock’s Psycho. Just like a building, a film needs a strong foundation in order to be successful, a foundation which is made up of the starting moments of the film. In Psycho, Alfred Hitchcock successfully uses the opening credit sequence to establish a foundation on which to build an interesting plot, including techniques to elicit involvement by the spectator, and the suggestion of a "Psycho" theme. A musical composition consisting of quick strokes on tightly wound violins, later used in the famous shower scene, starts to play at the beginning of the sequence. Names begin to slide on and off the screen in a series of horizontal and vertical lines.
sample, but it also appeals to population and emotion. To further explain why we crave
Perhaps no other film changed so drastically Hollywood's perception of the horror film as did PSYCHO. More surprising is the fact that this still unnerving horror classic was directed by Alfred Hitchcock, a filmmaker who never relied upon shock values until this film. Here Hitchcock indulged in nudity, bloodbaths, necrophilia, transvestism, schizophrenia, and a host of other taboos and got away with it, simply because he was Hitchcock.
Cinematography of Hitchcocks Psycho Alfred Hitchcock is renown as a master cinematographer (and editor), notwithstanding his overall brilliance in the craft of film. His choice of black and white film for 1960 was regarded within the film industry as unconventional since color was perhaps at least five years the new standard. But this worked tremendously well. After all, despite the typical filmgoer’s dislike for black and white film, Psycho is popularly heralded among film buffs as his finest cinematic achievement; so much so, that the man, a big
With the help of superb editing, sound, mise en scene, and cinematography, this film cannot be topped. The fist scene of the movie creates an atmosphere that helps the viewer know that he/she will enjoy this wonderful classic. Throughout the movie there are surprises and fun that makes this a movie that people will want to watch again and again. Gene Kelly said it best when he said, "Dignity, always dignity. " That is what this movie has from beginning to end, dignity.
Norman Bates is arguably the most unforgettable character in the horror genre. His movements, voice and aura at first radiate a shy young man but transform into something more sinister as the movie Psycho (Hitchcock, USA, 1960) progresses. How has the director, Alfred Hitchcock, achieved this? Norman Bates was a careful construct: the casting, body language, lighting and even the subtle use of sound and mise-en-scène created the character.
Christie, Ian (1 August 2012). "The Top 50 Greatest Films of All Time". Sight & Sound. British Film Institute. Retrieved 12 May 2014
We crave horror movies simply for “the fun of it” in agreeing with Stephen King Why We Crave Horror movies. King gave multiple examples in his story as to why we crave horror movies and I can agree with just about each and every one of them. After watching a few horror movies for yourself, you will understand why it is easy to agree with King. If you have watched movies such as the 2004 movie Dawn of the Dead, The Purge, or The Conjuring you will also be able to relate to Chuck Klosterman My Zombie, Myself “Zombies are just so easy to kill.” Klostermans theory of zombies are extremely useful because it sheds insight on the difficult yet exciting problem of zombies in the real world. Klosterman’s argument that the repetition of modern life is
Visual perception plays a big part on how we perceive life. If we didn't have perception I don't know where we would be now.