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Violence in literature
Impact of violence on readers
Violence in literature
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As he reaches the top of the long narrow stairs, he is suddenly faced with a microphone. With a nervous look and sweaty palms, he slowly makes his way to the mic then stops. The microphone is black and cold to touch. Then he looks up to find that he is in front of hundreds of people watching him like a hawk. For two or three minutes, he focuses on the large patient crowd who are anxious to listen to him. Before he begins, he suddenly realizes that he is in front of thousands of people instead of hundreds. His eyes widen as the butterflies in his stomach begin to swirl madly in a circle. Eventually he starts to talk. “Hello everyone” pause “I w-w-w-would” pause “would like to, um, I w-would like to introduce myself. My name, name is Alex”. For …show more content…
Beckmann getting the kitchen ready then back again to her little girl trying to get home. Her daughter, Elsie Beckmann, is now bouncing a ball down a sidewalk. As the ball bounces, it makes a noise to a beat similar to the song “Psycho The Murder” by Bernard Herrmann. The song “Psycho The Murder” by Bernard Herrmann is a fast paced song that sounds like someone is stabbing something, therefore when Elsie bounces here ball it is a warning that she is the next victim. Elise then proceeds to bounce the ball on a wanted sign and a shadow of a man appears on the wanted sign. He whispers “What a pretty ball!”(). By referring to the ball, he shows the audience that he is the murder because the ball was conveying a stabbing sound and the man liked the …show more content…
All you can hear is “Extra! Extra! Extra!”(). Then suddenly you see people handing out newspaper and people huddled around a man with newspapers. The extra being repeated multiple times in a loud shouting voice is there to grab everyone’s attention. Every time someone said extra, more and more people were wanting to know what the crime is and who the murder could be. Then scene fades to a man writing a something while whistling the familiar tune of “In the Hall of the Mountain King”. By whistling the familiar tune, the audience knows that he is the murder and that he is planning something bad because the last time he whistled this tune, a little girl died. The scene quickly goes back to the crowd of people out on the streets. Everyone becomes quiet as a man reads the news report. As he reads the report, the scene changes again to a bird’s eye view of a group of men also reading the same news report. Having both the public and the criminals read the news report at the same time shows how panic and anxiety raised
In the book, The Serial Killer Whisperer: How One Man’s Tragedy Helped Unlock the Deadliest Secrets of the World’s Most Terrifying Killers, Tony Ciaglia writes letters to various serial killers and starts a friendship with them. The friendships Tony’s build’s with these serial killer’s through phone calls and letters helped law enforcement in more than one way. The serial killers trust Tony and opens up to him about things they’ve done and why. The Serial Killer Whisperer gives readers an inside look of serial killers minds. Although the letters in this novel are between Tony and various serial killers, Pete Earley is the author. He interviewed Tony and his friends and families. Pete Earley is also the author of three New York Times bestsellers and he has won the Edgar Award for Best Fact Crime. Ealey wrote this gripping tale in a way that would captivate any audience.
The Murderers Are Among Us, directed by Wolfe Gang Staudte, is the first postwar film. The film takes place in Berlin right after the war. Susan Wallner, a young women who has returned from a concentration camp, goes to her old apartment to find Hans Mertens living there. Hans took up there after returning home from war and finding out his house was destroyed. Hans would not leave, even after Susan returned home. Later on in the film we find out Hans was a former surgeon but can no longer deal with human suffering because of his traumatic experience in war. We find out about this traumatic experience when Ferdinand Bruckner comes into the film. Bruckner, Hans’ former captain, was responsible for killing hundreds
Through the use of irony, mis en scene and recurring symbols, Hitchcock has reinforced the fundamental idea of duality throughout his film, Psycho. Alfred Hitchcock’s 1960’s American psychological horror thriller, was one of the most awarded films of its time, proposing contrasting connections between characters, Anthony Perkins and Janet Leigh, and cinematic/film techniques to develop this idea. Irony identifies contrasts between the dual personalities of Marion Crane and Norman Bates, often foreshadowing the future events of the film. Mis en scene is particularly influential to enforcing the idea of duality, evidently shown through the music and diegetic sounds used. The recurring symbols including the mirrors and specifically the birds, underpin a representation of the character’s dual personalities. Hitchcock’s use of devices reinforces the dual personalities of characters Anthony Perkins and Janet Leigh.
Psychopathy; the trait that truly distinguishes humans from ¨machines¨, emotionful to emotionless. Within the novel American Psycho by Bret Easton Ellis, one may logically assume that the protagonist, Patrick Bateman is indeed implied to be a psycho as the title suggests. However upon further analyzation, Bateman is revealed to be an unreliable narrator, he does not captivate the reader with all of his emotions verbally, for they are revealed through his actions. Bateman certainly does murder people, however, clinically murder doesn´t rule somebody to be a psychopath. Bateman feels no visible remorse for the victims he kills, because Bateman lives in an artificial hyperbole of a yuppie world where no love is shown, all relationships superficial.
Development of Suspense by Hitchcock in Psycho 'Psycho,' the somewhat infamous film by Alfred Hitchcock was produced in 1961, a time when the American censors, The Hays Office, still dominated the film industry with their strict rules and principles. It earned its notoriety by defying the traditional cinematic convections of that time and pushing the boundaries of what could be shown in mainstream cinema. The rules implemented by The Hays Office were far stricter than they are today, and Hitchcock uses all available means to reach and go slightly beyond the set limit. Using clever and different camera angles, he implies things that are not shown. He proves that innuendoes can portray the same image and retract the same audience responses as blatant actions and pictures.
And last but not least is the villain in these movies. Most of the killers in these films are portrayed as mentally deranged and/or has some type of facial or bodily deformation and who have been traumatized at an early age. Even though these characters terrorized and murder people they have taken on the persona of anti-heroes in pop culture. Characters like Halloween’s Michael Myers, A Nightmare on Elm Street’s Freddy Krueger and Friday the 13th’s Jason Voorhees have become the reason to go see these movies. However, over time,”their familiarity and the audience’s ability to identify and sympathize with them over the protagonist made these villains less threatening (Slasher Film (5))”.
bank. Marion went home there was a close up shot on the money then on
The “Man I Killed” takes us into the Vietnam War and tell us about a soldiers first time of killing another individual. The author describes a Viet Cong soldier that he has killed, using vivid, physical detail with clear descriptions of the dead mans’ fatal wounds. O'Brien envisions the biography of this man and envisions the individual history of the dead Vietnamese soldier starting with his birthplace moving through his life, and finished with him enrolling in the Vietnamese Army. O'Brien also describes some of the dead soldiers’ hopes and dreams. The author uses this history in an attempt to make the dead man more realistic to the reader
The most effective villain, in terms of being frightening that we have witnessed in class would definitely have to be Psycho's (Hitchcock 1960) Norman Bates (Anthony Perkins). Norman Bates is a quirky young man. He lives in a stranded part of town with his 'mother'. He owns a stranded motel, the 'Bates Motel', and rarely gets any guests. When he does, strange things seem to happen a lot of the time, due to his mother not being very fond of anyone who goes. Throughout this film Norman's persona develops into something horrifying, making this villain figure the scariest one we have seen in class.
Enhancing the sustained fright of this film are an excellent cast, from which the director coaxes extraordinary performances, and Bernard Herrmann's chilling score. Especially effective is the composer's so-called "murder music," high-pitched screeching sounds that flash across the viewer's consciousness as quickly as the killer's deadly knife. Bernard Herrmann achieved this effect by having a group of violinists frantically saw the same notes over and over again.
PSYCHO is a unique film because it is a black and white film in the
Norman Bates is arguably the most unforgettable character in the horror genre. His movements, voice and aura at first radiate a shy young man but transform into something more sinister as the movie Psycho (Hitchcock, USA, 1960) progresses. How has the director, Alfred Hitchcock, achieved this? Norman Bates was a careful construct: the casting, body language, lighting and even the subtle use of sound and mise-en-scène created the character.
I chose the book Without Conscience by Robert Hare, PhD, because I have always found psychopathy fascinating. How can they do what they do? Dr. Robert Hare not only brought valuable information and research about psychopaths, but also made the book gripping and easy to read. He provided a firsthand account and insight regarding his research on psychopaths. The goal of this book was to help the general public understand what a psychopath is. How to spot and avoid psychopaths.
The two films Psycho and The Birds, both directed by Alfred Hitchcock, share similar themes and elements. These recurring themes and elements are often prevalent in many of Hitchcock’s works. In Psycho and The Birds, Hitchcock uses thematic elements like the ideal blonde woman, “the motherly figure”, birds, and unusual factors that often leave the viewer thinking. Hitchcock’s works consist of melodramatic films, while also using pure cinema to help convey messages throughout the film.
Sound is an incredibly relevant part of filmmaking. Although often misunderstood, it helps to generate a more realistic episode by recreating the sonic experience the scene needs. Its main goal is to enhance the emotions that each section is trying to convey by adding music and effects alongside moving images. Psycho (Hitchcock, 1960), is one of the most popular films of the XX Century (Thomson, 2009). Commonly recognised as a masterpiece for its cinematographic, editing and musical values, it changed cinema forever by “playing with darker prospects (…) of humanity such as sex and violence (Thomson, 2009)”. This paper will analyse the sound effects used in the shower scene and its repercussions