In Salman Rushdie’s Midnight’s Children, women possess power within the sphere of their home and family, otherwise known as the domestic sphere (the private realm of domestic life, child-rearing, house-keeping, and religious education). Throughout the course of their lives, the possession of power changes as women’s role shift from childhood and adolescence to being a wife and mother. This possession of power manifests as their ability to control their decisions in life and the lives of those around them once they enter this domestic sphere. The process of change that turns Naseem Ghani into the Reverend Mother and Mumtaz into Amina demonstrate how women gain or lose power in the Indian society that Rushdie depicts. Before her marriage to Aadam Aziz, Naseem Ghani was a young woman who is owned by her father and has little or no power in her childhood home due to being viewed as object to be traded as a wife in exchange for a dowry. Naseem is seen one part at a time through a hole in a sheet held by three female bodyguards. This objectification of Naseem by Aadam Aziz reveals that she is viewed by the sum of her parts instead of as a complete person. Aziz’s perception of Naseem is “a badly-fitting collage of her severally-inspected parts" which he glues together with his "imagination" (Rushdie 22). By introducing her under the patriarchal male gaze, Rushdie reveals how little power she has as an unwed woman in her father’s household.
Once Naseem Ghani becomes the married Naseem Aziz, she is no longer objectified by her body, and the amplification of her power is shown through her ability to control her situation in life to a greater degree. When Aadam Aziz requests that Naseem “moves a little” on their second night together, she ...
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...es based on their desires instead of the desires of their male counterparts. As the women age, they take on new names to represent their physical and emotional changes. Naseem gains power as a married woman and becomes Reverend Mother while Mumtaz acquires power through the realization of her reproductive abilities. These women have varying degrees of power over their lives but it is limited to the value Indian society places on the domestic sphere and the importance of a woman’s place in this sphere. A married woman will garner more respect and have more of a voice than an unwed daughter living within her father’s household, while motherhood is regarded as one of the most important roles for a woman and given special considerations. Rushdie portrays ascension to power within the realm of the home and family by to show how power is passed between social boundaries.
Social injustice is revealed throughout the novel and Hosseini really goes in depth and indulges the reader by portraying every aspect of the life of women in Afghanistan at the time period. He also reveals most of the social injustice women still have to deal with today. This novel is based on two young women and the social injustices they face because of their gender. Gender inequality was very common in Afghanistan
The author's views on women may never be fully revealed, but it is clear that he believes in male superiority and that insurgent females ought to be suppressed. Like Wealhtheow, females should only exert minimal power and influence, but they should always keep the drinks coming.
The novel tells the story of, Amir. Amir is portrayed as the protagonist; the novel revolves around his recollection of past events 26 years ago as a young boy in Afghanistan. Amir is adventures and brave. Hassan is Amir’s closets friend and servant to his house and is portrayed as a subservient male, often supporting and accepting blame for Amir’s actions. Assef, Wali and Kamal are the “ bad guys” within the novel; Wali and Kamal hold down Hassan and Assef rapes him purely for ethnicity differences, as Hassan is a Hazara. Afghanistan boys are supposed to be athletic and true to Islam .The leaving of Soraya Hassan mother with another man gives the notion that women lack morality leaving behind there children .The Taliban laws are followed closely within Afghanistan and women are treated without any rights, beatings, stoning and execution become the reality for women who violate the laws. Culturally Afghanistan women are portrayed to be subservient to there husband only live and breath to provide children, cook food and clean their
...ind a way to redeem themselves. The relationship between Amir, Hassan and Baba has shown so much neglect and disregard to the fatherly love that Amir and Hassan needed from Baba as it stands in comparison to Amir and Sohrab’s growing relationship. The appreciation of the unselfish actions are demonstrated as they give up their career, life, and pride for the betterment of their sons. The book itself demonstrates the development of the characters as they got more mature to which this bad past they had causes them to reinforce a more effective functioning father and son relationship. A neglect of a father may lead to bad decisions as a father should be there to ensure and reinforce a lesson to his son, acquiring the happiness of the son which is necessary for a fatherly figure.
It revolves around the issues of gender oppression, sexual assault, and importance of social status. Alifa Rifaat manages to express her opinions towards these themes by writing about a typical Egyptian marriage. She puts in focus the strong influence that a patriarchal society has. She also manages to prove how important social status is in society. The uses of literally elements such as theme and irony help express this view. It shows that in a typical Egyptian society women are commonly oppressed by all males in society
Alsana faces the expectation of fulfilling her proper role as the subservient, good muslim wife; however, she subverts this tradition by actively fighting against her husband Samad and, therefore, maintaining her sovereignty. When Alsana expresses her support for her husband’s motion during a PTA meeting, the other wives look “over to her with the piteous saddened smiles they reserved for subjugated Muslim women” (Smith 110). This perception fails to take into account the conflict that occurs under the surface of their seemingly traditional marriage. Before she finally expresses support for him, “Samad pressed Alsana’s hand. She kicked him in the ankle. He stamped on her toe. She pinched his flank. He bent back her little finger and grudgingly raised her right arm while deftly elbowing him in the crotch with her left” (Smith 110). Physical violence is the hallmark of the power struggle within Samad and Alsana’s marriage; it is the manner in which Alsana expresses her defiance to the proper role that it is assumed she should take in her marriage. This physical violence is so common, in fact, that as they violently fight in their garden, their twins calmly watch, placing bets on who will win (Smith 167). This normalization of the violence further highlights how innate it is to their
This time, she used a new medium, the feature-length film, to express her feeling of Iranian society, and she declared that the film is telling a story rather than conveying a concept (754). In this way, the film Women Without Men tells four women’s story in islamic society, and Neshat tired to use these four emotional and sad stories to reflect women’s status in islamic society. Shirin Neshat separated the film to different sections, and each section tells a single story of each woman (754). All of them are from different social classes and backgrounds, and they meet each other in a garden where they try to live safely during the difficult time in 1953 coup (754). Zarin is a young woman from the lowest social class who is unwilling to be a prositutue, and her struggle was shown when she lost herself in brothel (754). Munis and Faezeh represent two positions of women in middle class; Munis cares about political events, however her brother always prevent her from participating in political events (Danto 223); in this way, Munis’s struggle emphasize a gender issue in Islamic society that women has to right to participate in political events. On the contrary, compare to Munis, Faezeh is a very traditional woman, however, this character in the film reflects a serious issue in Islamic society, which is sexual assault (215). Unlike other
In this novel, women are expected to be wonderful little wives, wives who don’t voice their opinions or disobey their husbands. Women who could only gain power through their marriages, preferably to a wealthy powerful man.
These ‘roles’ are divided into six legitimate categories of Wives, Daughters, Aunts, Handmaids, Marthas and Econowives. Each category of women is required to perform their task properly, whilst obeying the rules set down for them by the patriarchal government. To illustrate, each group has different functions in the society, but still no one woman is able to act as an individual. The handmaids, for example, have been reduced to the ability to create another life, their fertility –
Through the perforated sheet, Aadam Aziz never saw his bride until he asked for her hand in marriage. Instead, he fell in love with “the softness of her ticklish skin, or the perfect tiny wrists, or the beauty of her ankles.” Aadam Aziz, who had concentrating on loving the pieces of Naseem, was ill prepared for her presence in its entirety. Naseem and Aadam’s marriage “rapidly dissolved into a place of frequent and devastating warfare under whose depredations the young girl behind the sheet and the gauche young Doctor turned rapidly into different stranger beings…”
Although “It’s a Night Job” by Joanita Male and “Mother’s Inheritance” by Fawziyya Abu-Khalid occur in different cultural contexts- Male’s writing in Africa and Abu-Khalid’s in the Middle East- both literary works regard the formative nature of mother-daughter relationships. In addition to this, they explore the dignity and attitudes of young women in societies where they are forced to relinquish personal autonomy in order to succeed or be safe from potential physical or mental harm.
When discussing the controversial authors of Indian literature, one name should come to mind before any other. Salman Rushdie, who is best known for writing the book “Midnights Children.” The first two chapters of “Midnights Children” are known as “The Perforated Sheet”. In “The Perforated Sheet” Rushdie utilizes magic realism as a literary device to link significant events and their effects on the lives of Saleem’s family to a changing India. In fact, it is in the beginning of the story that the reader is first exposed to Rushdie’s use of magic realism when being introduced to Saleem. “On the stroke of midnight/clocks joined palms” and “the instant of India’s arrival at independence. I tumbled forth into the world”(1711). Rushdie’s description of the clocks “joining palms” and explanation of India’s newfound independence is meant to make the reader understand the significance of Saleem’s birth. The supernatural action of the clocks joining palms is meant to instill wonder, while independence accentuates the significance of the beginning of a new era. Rushdie also utilizes magic realism as an unnatural narrative several times within the story to show the cultural significance of events that take place in the story in an abnormal way.
These highly regarded and well-respected female authors are showing that women can and do hold power in our society. These authors send the message to readers that women throughout time have been and still are fully capable of thinking for themselves. They can hold their own ground without having to subject themselves to the dominance of the males, be it in writing novels, raising a family, working in a factory, or pursuing a singing career. Thus, they as all women, deserve to be held in respect for their achievements and deserve equality.
The novel A Thousand Splendid Suns by Khaled Hosseini is set in Afghanistan. It covers about a 50 year time period from the 1950’s to the mid 2000’s. Hosseini uses allusions to actual Afghani events to depict the ever changing liberties that the women of Afghanistan endure with the lack of stability in Afghanistan’s government.
In the novel This Earth Of Mankind by Pramoedya Ananta Toer, discrimination against social structure, race, and gender is apparent. The setting is in the Indies, or now called Indonesia. At that time, there are terms for different races in the book, which are “Native” indicating someone who is pure Indonesian, “Indo” a half European and half Indonesian, and “Pure Blood” or “European” when someone is pure European. An Indo and a Pure Blood receives more respect in society than a Native. Furthermore, European or Pure Blood is at the top of this social hierarchy, people who are European or Pure Blood receives the utmost respect in society. Differences in gender is prevalent in this novel, where most women in this book have power in their own homes, but in society is looked down upon. Female characters experiencing these are Annelies, the main character’s love interest, Nyai Ontosoroh, Annelies’ mother who is a concubine, and Magda Peters, the main character’s European teacher. Women in this novel are portrayed differently according to what race, social structure, and gender they are born in, which can be seen through Nyai Ontosoroh, Annelies, and Magda Peters.