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The role of women in Shakespeare's plays
The role of women in Shakespeare's plays
Female gender roles in the theatre in the Elizabethan era
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Is it feasible that through the loss of one’s life and being, one would be able to gain influence and power? Does this fatal gain of power show a previous lack of it? Does forgoing one’s life for an honorable cause improve a woman’s reputation in turn giving her more power? Through our studies, we have discovered that typically women exhibit a limited amount of agency in ancient Greece. Women occasionally assert dominance in the household; although, even within the home they posses limited influence over their husbands. An interesting theme runs though Euripides theatrical tragedies Alcestis and Hippolytus. In each play the lead female character forgoes her life for the sake of love. In Alcestis, Alcestis willingly gives her life to prevent her husband Admentus' death. In Hipplytus, Phaedra chooses to commits suicide as a result of falling in love with her husband’s son and refusing to be deceitful to her husband. Consequently, is self-professed death a venue for the women to assert authority and gain status and agency? How do their reputations and the reputations of their households affect this increase of power? In ancient Greece, women, through sacrifice of their lives, uphold and improve their reputation through which they increase their influence and power in society, yet although they are praised by society because of these valiant deeds, they are unable to actively reap the benefits of this powerful reputation.
Numerous sources including Euripides’ tragedies show that reputations are held with the highest regard in ancient Greece. It is through people's perceptions that one is judged; therefore, reputation should be upheld at the greatest of costs. Laws of Greek society allow for a ma...
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... Phaedra preserves her reputation and altered her husband’s behavior through her suicide. Yet, there was a trade off: each woman acquired a greater amount of power, yet lost her life in the process. However, because Greek society praised honorable death, this was an appropriate societal action and a proper way for the women to acquire power. Women did assert power in choosing to take their own lives and improve their reputations.
Small summary:
Greek tragedies show that women, through sacrifice of their lives, uphold and improve their reputation through which they increase their influence and power in society. Yet, there was a trade off: each woman acquired a greater amount of power, yet lost her life in the process. However, because Greek society praised honorable death, this was an appropriate societal action and a proper way that women acquired power.
Bradstreet was a Puritan and was therefore raised with a simplistic view of the world. This, combined with the fact that she was a woman, carried over into her way of writing. Her writing style was not eloquent but plain, humble, and pleasant to read. Her poems dealt with topics such as faith, family, and adversity and were easy to understand. Bradstreet had great faith which she gained through the experiences she encountered in life.
The Scarlet Letter, a novel written by Nathaniel Hawthorne, shows the adverse consequences caused by adultery between Reverend Arthur Dimmesdale and Hester Prynne. Dimmesdale and Hester committed the supreme sin of the Puritan society they belong. They must both deal with the effects of the scarlet letter. Pearl, the daughter of the two lovers, continuously punishes Hester for what she has done. Dimmesdale can only see Hester and Pearl when others will not find out or see. Hester finds a way to support herself and daughter, and at the same time, puts a mark on the possessions of some who are a part of society. The sin of adultery created repercussions that were shared and individually experienced by Reverend Dimmesdale and Hester Prynne.
Anne Bradstreet was born in 1612 to Thomas and Dorothy Dudley in Northampton, England. Her father and a young man named Simon Bradstreet were chosen by the Earl of Lincoln as stewards to manage the Earl’s affairs. Anne, unlike many women of her time, was well educated and it is presumed that she had access to the Earl’s vast library during this time. The Earl’s residence was known for its romantic background and this proved true in 1628 when Anne and Simon married. She was only sixteen to his twenty-five years but they were known to have a happy marriage as evidenced in “To my Dear and Loving Husband” where Bradstreet laments, “If ever two were one, than surely we” (125). In 1630, the Dudley’s and the Bradstreet’s, along with other Puritans, sailed aboard the Arabella to settle the Massachusetts Bay Colony. These families journeyed to America as many Puritan settlers had before them, in the hopes of religious freedoms unattainable in England. In the colonies, Anne’s husband was frequently absent. Bradstreet still found time to write her poetry while raising her 8 children and carrying on the strenuous duties of colonial life.
The book then talks about viewpoints of women, both real and those who face tragedy. Women during this time were very secluded and silent, but the heroines contradicted that. This chapter talks about the images of women in the classical literature in Athens, and the role they had in society. Many tragedies were ones that formed by mythes during the Bronze Age. It showed the separation in what made women heroic, rather than average. While viewing other Scholarly sourcese, Pomerory writes her own theory, she used others
Death is the end to the natural cycle of life and is represented as dark, melancholic and even menacing. The underworld is depicted as a murky and sinister realm where the dead are trapped in a world of eternal darkness. Ancient drama, however, defies the conventional perceptions and representations of death. Despite the foreboding associated with it, characters in ancient drama embrace death in its frightening glory, rather than face the repercussions of their actions, especially when their honor and pride are at stake. Deceit is also an integral part of ancient drama and characters, particularly women, fall prey to it and unwittingly unleash chaos that more often that, negatively impacts the lives of the characters. This paper demonstrates how gender biases can be interpreted from the depiction of death and the characters’ justifications of it in two of Sophocles’ plays – Ajax and Women of Trachis and also demonstrates how female deception leads to the death of the principal character(s).
The role of women in the Early Republic is a topic mostly overlooked by historians when dealing with this era of American history. The triumphs of the Revolution and the early events of the new nation were done solely by men. However, women had their own political societies and even participated in the Revolution. Women's roles began to take a major turn after the war with Great Britain. This was due in part to their involvement in the war and female patriotism. Others believed it was due to the easier access to formal education for young women. Whatever the reason, it inspired women to challenge the social structure of the Early Republic. The roles of women were changing in the Early Republic. However, progress was slow and little change followed after the Revolution. This change in social structure elicited two questions. What caused this social change and what was the major setback for the progression of women's rights? These were the questions Linda Kreber's Women In The Republic: Intellect And Ideology In Revolutionary America, Caroline Robbins' review of Mary Norton's Liberty's Daughters: The Revolutionary Experience of American Women, and Sheila Skemp's review of Lucia McMahon's Mere Equals: The Paradox of Educated Women in the Early American Republic attempted to answer. Each of the pieces of literature agreed that the social equality of women was changing, but each offer a unique aspect of what changed it, and what slowed progression of equality.
In conclusion, it becomes obvious by these three plays that for a woman to achieve kleos in ancient Greece, she usually had to become more man-like in her role. The murders committed by Electra and Medea, the bravery of Antigone—all three of these were fulfilled by what would have normally been considered a man’s role. A woman could rarely be considered a hero unless she became like a man in her actions. Otherwise, she would be only a simple woman.
Anne Bradstreet starts off her letter with a short poem that presents insight as to what to expect in “To My Dear Children” when she says “here you may find/ what was in your living mother’s mind” (Bradstreet 161). This is the first sign she gives that her letter contains not just a mere retelling of adolescent events, but an introspection of her own life. She writes this at a very turbulent point in history for a devout Puritan. She lived during the migration of Puritans to America to escape the persecution of the Catholic Church and also through the fragmentation of the Puritans into different sects when people began to question the Puritan faith.
The society in which classical myths took place, the Greco-Roman society was a very patriarchal one. By taking a careful gander at female characters in Greco-Roman mythology one can see that the roles women played differ greatly from the roles they play today. The light that is cast upon females in classical myths shows us the views that society had about women at the time. In classical mythology women almost always play a certain type of character, that is to say the usual type of role that was always traditionally played by women in the past, the role of the domestic housewife who is in need of a man’s protection, women in myth also tended to have some unpleasant character traits such as vanity, a tendency to be deceitful, and a volatile personality. If one compares the type of roles that ladies played in the myths with the ones they play in today’s society the differences become glaringly obvious whilst the similarities seem to dwindle down. Clearly, and certainly fortunately, society’s views on women today have greatly changed.
Saxonhouse, Arlene W. “From Tragedy to Hierarchy and Back Again: Women in Greek Political Thought.” The American Political Science Review: Vol. 80, No. 2. June 1986. JSTOR. http://links.jstor.org. 8 Dec 2004.
Euripides, one of Ancient Greece’s most famous playwrights, could be considered as one of the earliest supporters of women’s rights. With plays such as Alcestis and Medea, he clearly puts an emphasis on the condition of women, and even integrates them in the Chorus of the latter play, a feat that was not often done in Ancient Greece. Throughout the years, it has been argued that the two central characters in each of those plays offer conflicting representations of women in those times, and I can safely say that I agree with that argument. I will expand on my view by pointing out an important similarity between Alcestis and Medea, followed by a key difference, and will finish it off by contrasting them with the Ancient Greek depiction of an “ideal woman.”
"Power and Women in Lysistrata: Character Analysis of Lysistrata." Article Myriad. Web. 25 Mar. 2011. .
The author of The Scarlet Letter, Nathaniel Hawthorne, expressed ideas of love, passion, shame, and punishment throughout his 1800s based novel. Due to the fact that this novel was based in a Puritan time period, it brought many mental and sometimes physical difficulties for the main character, Hester Prynne. The Puritans solely believed in God and all of his rules. With that said, the author decided to illustrate the drama of Hester Prynne and Arthur Dimmesdale’s adultery in order to describe the change in Hester’s attitude. Because of the many events, adversities and struggles, Hester had a complete change in attitude from shame and embarrassment to love, proudness and satisfaction.
The 1954 novel Lord of the Flies by William Golding won the 1983 Nobel Prize for Literature and the novels allegorical nature has earned it positions in the “Modern Library 100 Best Novels, reaching number 41 on the editor's list, and 25 on the reader's list” (Lord of the Flies: Background). Golding’s thought provoking novel was written and published as the world was still remembering the horrors of the Second World War and many parts and components of the novel can be related to the Second World War, specifically Adolf Hitler and his Nazi Regime. Many comparisons can be made between Lord of the Flies and the events that occurred in Adolf Hitler’s Nazi Regime. The group of choir boys bossed by Jack Merridew can be compared to the brutal and intimidating Nazi police force the Gestapo. The character Jack Merridew himself can be compared to the father of Nazi Germany Adolf Hitler because both gained support through using fear. Dehumanization is also present in the form of young Piggy and the Jewish People is Lord of the Flies and Hitler's Nazi regime respectively.
Women’s lives are represented by the roles they either choose or have imposed on them. This is evident in the play Medea by Euripides through the characters of Medea and the nurse. During the time period which Medea is set women have very limited social power and no political power at all, although a women’s maternal and domestic power was respected in the privacy of the home, “Our lives depend on how his lordship feels”. The limited power these women were given is different to modern society yet roles are still imposed on women to conform and be a dutiful wife.