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Discuss how does Browning in the poem Porphyria's lover reveal the role of a woman in the Victorian era
Critically analyse Robert Browning's poetry
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Porphyria’s Lover Robert Browning’s Poem is a dramatic narrative about a murder. The poem is about violent love affairs. The narrators repetition of the word love exactly 4 times seems to have many meanings behind it. The word love mainly comes from Porphyria, the narrators lover. She is saying it as an affirmation that she is indeed in love with him. His behavior in the poem is psychotic and murderous. It appears that he is in a situation where he is being the one dominated in a the sexual relationship. He thinks that Porphyria doesn’t love him until she bares her shoulder to him and the rest of her body as she proceeds to lay her “smiling rosy little head” on him (52). The poem has many restriction binaries. One being in how porphyria is being restricted on how she acts toward her lover and another is how the lover is restricting her after he murders her with her own blonde hair. …show more content…
“No pain felt she” (line 41). The pain that she would have felt was the one that he caused out of his violent love. Choking is seen as a norm in sexual encounters these days that it is taken as a form of lust and love rather than violence. He liked her better when he was in charge of her body and was now the one dominating a still body where they once sat alive and happy, which seems ironic. He sat there quietly when she said that she loved him, even though he felt the same way he had a different way of showing it. Browning uses these opposing binaries to showcase the similarities between them for example; love to pain, cheerless to happy and passion to
... her! As for the other speaker, the speaker of Lover, he just randomly decides to kill his girl. This speaker was just sitting at home, and although he was upset, he wasn’t planning on killing his girl, until all of a sudden he decided that to make her happy he would kill her, so he did!
the love he holds for her at the start of the play in his letter to
The whole mood changes from darkness and cold, to warmth and light. His mood change is shown by “she shut the cold out”, both ... ... middle of paper ... ... saw the young Duchess, a work of art, something that he owned and could show off, and something that he could also discard when it no longer pleased him. The speaker in Porphyria’s Lover, reveals himself to be someone who speaks his heart and does not ‘fence around’ the truth like the Duke. Although the Duke says he does not have skilled speech, its is obvious that his diction is carefully chosen through out.
The death of the female beloved is the only way deemed possible by the insecure, possessive male to seize her undivided attention. This beloved woman represents the "reflector and guarantor of male identity. Hence, the male anxiety about the woman's independence for her liberty puts his masculine self-estimation at risk" (Maxwell 29). The jealous and controlling males in Robert Browning's "Porphyria's Lover" and "My Last Duchess" possess a fervent desire to fix and monopolize their unconstrained female beloveds. Due to a fear of death, both speakers attempt to achieve control and deny object loss; by turning their lovers (once subjects) into objects, they ultimately attain the role of masterful subject.
Love is the ubiquitous force that drives all people in life. If people did not want, give, or receive love, they would never experience life because it is the force that completes a person. Although it often seems absent, people constantly strive for this ever-present force as a means of acceptance. Elizabeth Barrett Browning is an influential poet who describes the necessity of love in her book of poems Sonnets from the Portuguese. In her poems, she writes about love based on her relationship with her husband – a relationship shared by a pure, passionate love. Browning centers her life and happiness around her husband and her love for him. This life and pure happiness is dependent on their love, and she expresses this outpouring and reliance of her love through her poetry. She uses imaginative literary devices to strengthen her argument for the necessity of love in one’s life. The necessity of love is a major theme in Elizabeth Barrett Browning’s “Sonnet 43” and “Sonnet 29.”
The speaker is a deranged man who will stop at nothing to keep his dear Porphyria. Although the introduction refers to the weather, it also does an effective job in describing the speaker. In this case, it is nighttime, and the thunder is roaring. The speaker starts by saying: "The rain set early in tonight,/The sullen wind was soon awake,/ It tore the elm-tops down for spite,/ And did its worst to vex the lake(Barnet 567):" This description gives the reader the first glimpse of what is yet to come. These turbulent words help give the poem a gloomy feeling.
Both of these poems can be used read from different points of view and they could also be used to show how society treated women in the Nineteenth Century: as assets, possessions. Both of these poems are what are known as a dramatic monologue as well as being written in the first person. The whole poem is only one stanza long, and each line in the stanza comprises of eight syllables. ‘My Last Duchess’ is about a member of the nobility talking to an ambassador concerning his last wife, who later on in the poem is revealed to have been murdered by the person speaking, who is about to marry his second wife. ‘Porphyria's Lover’ gives an insight into the mind of an exceptionally possessive lover, who kills his lover in order to capture that perfect moment of compassion. ‘Porphyria's Lover’ uses an alternating rhyme scheme during most of the poem except at the end. The whole poem is only one stanza long, and each line in the stanza comprises of eight syllables.
The Theme of Love in the Poems First Love, To His Coy Mistress, Porphyria's Lover, My Last Duchess and Shall I Compare Thee?
By using references of her grief or her losses, Browning creates a more realistic view of her love suggesting that her love is sincere as it comes from a grieved person, which differs to the positive and idealistic feelings portray in the first octave. The poet then talks about her fondness of her love, revealing that her she lives for her love “ I love thee with the breath, / smiles, tears, of all my life;” (line 12-13), the asyndetic listings of the verbs ‘breath’, ‘smiles’ and ‘tears’, implying that her love can stem from different emotions she feels such as happiness and sadness, suggesting to her beloved that her love comes from good and sad points of her life.
She talks about that love with a more realistic, relatable edge. The love she feels for whoever "thee" is, assuming it's Robert Browning, her husband, is passionate and beautiful, but she talks about her love only after she admits a group of less warm, loving feelings. It is very prevalent in each sonnet contained. It’s easy to see that loving her beloved, her husband, is the one of the ways she actually knows she exists. She tries to list the many different types of love that she so obviously feels, and also to figure out the many different types of relationships between these vast and different kinds of love.
In “Sonnet 43,” Browning wrote a deeply committed poem describing her love for her husband, fellow poet Robert Browning. Here, she writes in a Petrarchan sonnet, traditionally about an unattainable love following the styles of Francesco Petrarca. This may be partly true in Browning’s case; at the time she wrote Sonnets from the Portuguese, Browning was in courtship with Robert and the love had not yet been consummated into marriage. But nevertheless, the sonnet serves as an excellent ...
The Victorian period was in 1830-1901, this period was named after Queen Victoria; England’s longest reigning monarch. Britain was the most powerful nation in the world. This period was known for a rather stern morality. A huge changed happened in England; factories were polluting the air, cities were bursting at the seams, feminism was shaking up society, and Darwin’s theory of evolution was assaulting long established religious beliefs. The Victorians were proud of their accomplishments and optimistic about the future, but psychologically there was tension, doubt, and anxiety as people struggled to understand and deal with the great changes they were experiencing. One of the authors known for writing during the Victorian Period was Robert Browning. Robert Browning was a poet and playwright whose mastery of dramatic monologues, which made him one of the Victorian poets. Robert died in December 1889. His Poem “Porphyria’s Lover” was published in 1836. This essay will explore three elements of Victorianism in Porphyria’s Lover by Robert Brown...
The title ‘Porphyria’s Lover’ may indicate to the reader the idea that the lover would be the only active article in the poem, especially if it was written by a male during those times. However, at the beginning of the poem Porphyria is immediately given the active role, she’s the one who “glided in” wanting to visit him “for love of her…/ through wind and rain”, she also “shut the out cold and storm”. This gives Porphyria a masculine ability as she has the power to “shut…out” something as sinewy as a storm, a metaphysical force in which only someone of divinity could and men were usually regarded as divine – omnipotent and which classes her
Love is the ubiquitous force that drives all people in life. If people did not want, give, or receive love, they would never experience life because it is the force that completes a person. People rely on this seemingly absent force although it is ever-present. Elizabeth Barrett Browning is an influential poet who describes the necessity of love in her poems from her book Sonnets from the Portuguese. She writes about love based on her relationship with her husband. Her life is dependent on him, and she expresses this same reliance of love in her poetry. She uses literary devices to strengthen her argument for the necessity of love. The necessity of love is a major theme in Elizabeth Barrett Browning’s “Sonnet 14,” “Sonnet 43,” and “Sonnet 29.”
In the poem "How do I Love Thee", Elizabeth Barret Browning expresses her everlasting nature of love and its power to overcome all, including death. In the introduction of the poem Line 1 starts off and captures the reader’s attention. It asks the simple question, "How do I Love Thee?" Throughout the rest of the poem repetition occurs. Repetition of how she would love thee is a constant reminder in her poem. However, the reader will quickly realize it is not the quantity of love, but its quality of love; this is what gives the poem its power. For example she says, “I love thee with the breath, smiles, tears, of all my life; and, if God choose, I shall but love thee better after death.” She is expressing how and what she would love with, and after death her love only grows stronger. Metaphors that the poet use spreads throughout the poem expressing the poets love for her significant other.