I am terrified to have a daughter, because the men of the world will be out to get her. She will be born into a world where she will spend the rest of her life being seen as less. She will be objectified. She will be bullied for her appearance. As she grows up, she will have fewer opportunities for success. She will have to learn how to defend herself not only from the dangers that face the whole world, but perhaps even from her own date. Her father and I will spend her entire life fearing for her physical, emotional and mental safety. She will need constant protection. When she steps up to the altar to marry the man of her dreams, her father will give her away. Because, for her entire life, she will be seen as property. She will be seen as a toy to play with, a doll to dress up. I have no factual basis for these fears. There are no studies that confirm that women are, in fact, seen as property. There is no statistic to prove that my future daughter would face a world filled with more danger than her brother. Society’s rape culture creates and sustains a standard of feminine weakness embedded within popular culture. While this means society is saturated with this toxic environment, it also supports social acceptance of these “norms”. Pop music’s public acceptance of rape culture has made it impossible for significant change to ever occur.
“Rape culture” is the society where jokes, TV, music, advertising, laws, words and imagery make violence against women and sexual coercion seem so normal that people believe that rape is inevitable. In modern-day America, sexual advances, both warranted and unwarranted, are constantly glorified through pop culture. Through song lyrics, music videos, choreography and clothing, women are portraye...
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...e can acknowledge that popular music constantly demonstrates feminine weakness, where do we go from there? Ultimately, these overtly sexual songs have dominated music charts in the last few decades, and show no sign of stopping. Why would they? Robin Thicke is a multi-millionaire. Terisa Siagatonu and Rudy Francisco are not. Regardless of message popularity, these rape culture songs make millions for the artist and labels. Given the unprecedented success of songs like “Blurred Lines”, can this rape culture in pop music ever be changed? Will a song promoting feminine strength ever perform better than a song littered with unwarranted sexual advances? Or will the rape culture trend only continue to grow? Will my future daughter be treated as a person, regardless of her gender, or will she spend her lifetime even more objectified than my sister and I have been in ours?
Cross-cultural research has shown that rape is most common in cultures that are dominated by males and violence. This means cultures in which males dominate the political decisions and cultures adhering to the male ideology of toughness, interpersonal violence and war (Groth 7). In a culture of people with more traditional or sexist gender role, attitudes are more tolerant of rape than are people with more nontraditional attitudes. Traditional men are more likely to report that they would commit rape if they knew they would not be caught; some researchers have found that a traditional man is much more likely to commit a rape than a nontraditional man is. Many attitudes in our culture perpetuate rape, for example: A husband is entitled to have sex with his wife," "A 'real man' never passes up a chance to have sex," and, "A women who 'leads a man on' deserves what she gets (Growth 7). “ Some media depictions may promote rape. Many movies make violence appear attractive and some movies convey myths about rape. Such as slasher films that make violence seem exciting, or movies suggesting that women like to be forced to have sex or that women's only value...
One of the most horrible things that has erupted from the subjugation of women is rape culture. Rape culture is the downplaying of the crime of rape to appease the violator, the accusation that the victim made a choice that led to their rape, or even jokes that suggest rape. According to Jessica Valenti’s, “In Rape Tragedies, the Shame Is Ours,” in today's world many people give in to rape culture by participating in these acts that somehow change our mindsets into believing that, “it is more shameful to be raped than to be a rapist”. Once ...
Many of the attitudes, beliefs, and mistaken ideas about rape have been with us for centuries. By looking at myths, such as “women ask for it,” and “it would do some women good to get raped,” from a historical perspective, lead us for better understanding how they evolved. Women are still seen as the property of men, are protected as such. Men and women are still taught to occupy very different roles in today’s world. Men are usually more aggressive, and women are seen as passive. (Vogelman) This socialization process is changing, but slowly.
The effects of objectifying women in music videos are entirely negative. Women grow up with the idea that they should always seek to attain a men’s attention. Hip-hop music videos do not represent females as the human beings that they really are. This creates an inequality o...
Since the explosion of music videos in 1981, a large portion of their popularity has been due to the objectification of women and their sexuality. “Early content analyses showed that anywhere from 40% to 75% of music videos contained sexual imagery”(Arnett, 2002). Hip-hop music videos especially have a reputation of degrading women. In these videos “women are often depicted in positions of submission to men” (Sommers-Flanagan, 1993).On the flip-side Country music videos are “known for [their] socially conservative themes”(Frisby & Aubrey, 2012).
Examples of rape culture exist in the media, in politics, on college campuses, and in the minds of people.
According to the SACHA Sexual Assault Center, rape culture involves everyday phenomena that “make violence against women and sexual coercion seem so normal that people believe that rape is inevitable” (“What is rape culture,” n.d.). Common examples of rape culture include: telling women to always travel in groups at night, asking survivors what they were wearing or if they were drinking during the time of the assault, and ignoring or stigmatizing males who are sexually assaulted (Ray, 2013). On college campuses, rape culture can contribute to the underreporting of sexual assaults, as survivors may be ashamed or afraid of humiliation. Furthermore, the presence of rape myths perpetuates the overall rape culture by shaping public opinion towards blaming survivors and discounting the actions of offenders. Largely cited myths, such as women falsely reporting rape to protect their reputations or because they are angry with the accused perpetrator, are based on a kernel of truth that is unrepresentative of the realities surrounding these issues (Burnett et al., 2009). Rape culture is alive and well on college campuses, despite being a broader societal issue. While this socially ingrained behavior is difficult to reverse, universities are major institutions that must accept partial responsibility for the perpetuation of rape culture and consequently need to devise programs for change that circumvent this erroneous
“What is rape culture” is the question that has been repeatedly asked since its emergence in the 1970s. From our lecture, we have learned that the thing about Rape Culture is that it doesn’t have just one definition, but the simplest way to define it may be to say that rape culture is the society that accepts and even promotes sexual violence in one form or another. This includes, TV shows that make rape look sexy; you know the kind: guy pushes girl down, throws open her blouse, exposing her breasts, and even though she is saying no, everyone watching is saying yes. Rape culture is when a college student goes to their Dean and tells them they have been raped, and the first question the Dean ask is “what were you wearing?” Rape culture is saying “that exam just raped me” instead of “that exam was hard”. Rape culture is the most popular, catchy songs these days have lyrics like “I know you want it”. Rape culture is the party girl image, the “she was asking for it”, the “boys will be boys”, the slut shaming, the victim blaming, and the most concerning, rape culture is denying the fact that sexual assault is a problem in today’s society. One in six women and one in thirty-three men will be sexually assaulted in their lifetime. In the United States alone, that
Susan Griffin’s Rape: The All-American Crime touches on many issues within American society. She begins by recounting how she was taught to be afraid of strange men from such a young age that she had not yet learned what it was she was so afraid of, and then goes into her experience with harassment, an experience shared by every woman at some point in her life. Griffin recounts the belief that all rapists are insane and the proof that they are just normal men and dispels the myth that rape is normal activity that is prohibited by society. However, she goes on to clarify that our culture views rape: “as an illegal, but still understandable, form of behavior” (Griffin 514). It seems that the wrongness of rape is determined by the situation in
Firstly, Rape culture can be defined as the normalization and excusing of sexual violent behavior towards women in everyday media and culture (marshall.edu). Rape culture can also be the over sexualization of women’s bodies and misogynistic attitudes. These images and attitudes may not seem like they are obvious or even present but they are subtly weaved into many of the symbols and daily interactions in society. This is what causes rape and rape culture to be normalized. For example, if a young woman is sexually assaulted in a club, instead of asking details about the person who committed the act, the questions are reversed onto the victim. There are questions that arise such as, “what was she wearing?”, “was she drunk?”, “was she flirting with him/her at first?”. These questions are problematic because they suggest that the victim is the one is at fault for being sexaually assaulted. This idea is pushed by the symbolic interaction that if someone is trying to get lucky the other individual has to follow through, especially in party settings. I often see this especially in music and movies where stalking and harassing a person to the point of being uncomfortable is chalked up as a heated “romantic” pursuit.. For another example, women’s bodies (and often men’s too) are oversexualized. The is especially in the advertising industry and again in the media.
It is not a topic that is brought up often, especially at schools or at gatherings, yet it is crucial that everyone be educated, or at least informed on a topic that affects women every day. “Given that sexual violence continues to occur at high rates in the United States, it is vital that we understand attitudes and cultural norms that serve to minimize or foster tolerance of sexual violence” (Aosved, 481). Growing rates of sexual violence goes to prove that it is not taken seriously by many, especially when myths excuse the actions of the perpetrator and instead guilt victims into thinking they are responsible for the horrible act. Burt (1980), in her article titled, “Cultural myths and support for rape” attempts to make sense of the importance of stereotypes and myths, defined as prejudicial, stereotypes, or false beliefs about rape, rape victims and rapists- in creating a climate hostile to rape victims (Burt, 217). Examples of rape myths are such sayings as “only bad girls get raped”; “women ask for it”; “women cry rape” (Burt, 217). This only goes to prove that rape myths against women always blame and make it seem like it is the women’s fault she was raped and that she deserved it for “acting” a certain way. McMahon (2007), in her article titled, “Understanding community-specific rape myths” explains how Lonsway and Fitzgerald (1994) later described rape myths as “attitudes and beliefs that are generally
According to Marshall University, Rape Culture is defined as “an environment in which rape is prevalent and in which sexual violence against women is normalized and excused in media and popular culture.” In American society, it is not hard to find examples of rape culture. In popular movies, music, and current events there is an undeniable notion of victim blaming, and sympathizing with male perpetrators. People have begun to use the term rape as a casual adjective. For example “I just raped him in that game,” could be used to describe two people playing a game and one winning easily against the other. American society uses pop culture and current events to promote and justify the prominent rape culture.
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
Misogyny and degradation of women is present in almost every genre of music, yet the one genre that completely revolves around demeaning women is rap. Over the years rap and rap music videos have continually become more sexual and degrading towards women. Rap has been criticized numerous times for this reason, and that is because rap is one of the most popular genres of music for the younger generations. It is more than a genre of music, it is a complete industry filled with clothing and other merchandise. The reason this constant demeaning of women exists is because rap as a genre that rewards the objectification of women. The excuses used to justify the misogyny in rap are incomplete and lack accurate support. The most effective way for this continuous cycle ends, is if the fight and protest comes from the women themselves. Men are the problem in the objectification of women but in order for it to stop, women need to step up and take control of the situation.
Many of the attitudes, beliefs, and mistaken ideas about rape have been with us for centuries. By looking at myths, such as “women ask for it,” and “women secretly enjoy rape,” from a historical perspective, can lead us for better understanding how they evolved. Much stems back to the idea that women are still seen as the property of men, and are protected as such. Men and women are still taught to occupy very different roles in today’s world. Men a...