Pocho by Jose Antonio Villarreal
The 1959 novel, Pocho, by José Antonio Villarreal is an insightful cultural exposition told primarily from the vantage point of Richard Rubio, the coming-of-age son of immigrant Mexican parents who eventually settle in Santa Clara, California, after many seasons of migrant farm work. Although fiction, the story likely mirrors some of the experiences of the author who was born to migrant laborers in Los Angeles in 1924 and was himself a "pocho" - a child of the depression era Mexican-American transition. ("I am a Pocho," he said, "and we speak like this because here in California we make Castilian words out of English words." p 165)
Such a journey was a difficult one ("...for the transition from the culture of the old world to that of the new world should never have been attempted in one generation." p 135), and Villarreal nicely employs a cross cultural bildungsroman to explore a diversity of related themes.
Among the most prominent are strains of racism/classism, belonging and dislocation, death and meaning and self-identity, and sexual awakening. In a slim 187 pages the author competently weaves social commentary (via the seemingly innocent adolescent perspective) into a moving narrative that only occasionally veers toward the pedantic.
Richard's father, Juan Rubio, is proud to be a Mexican and resents the Spanish people, whom he identifies as oppressors (although Juan is clearly of Spanish descent since he had "fair skin" and "blue-gray eyes" - p 1). He explains to his son, who exclaims in response to his father's prejudice, "But all your friends are Spanish!" (p 99):
"That is all there is here," said Juan Rubio, "but these people are different - they are also from the lower class...
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...s parents. Second, one should not, on penalty of going to Hell, discuss religion with the priests. And, last, one should not ask questions on history of the teachers, or one will be kept in after school," he said. "I do not find it in me to understand why it is this way." (p 85, 86)
Author José Antonio Villarreal has a dry sense of humor and, as mentioned above, does a marvelous job weaving bits of wry commentary throughout the novel. Another fun quote is when Richard's sister, Luz, demonstrates her own prejudice for the newly arrived, and darker skinned, Mexicans: "Well, they ain't got nuthin' and they don't even talk good English." (p 148)
Now, 50 years after the novel was first written, the story is still relevant. It's an intriguing narrative and helpful in capturing the "double consciousness" that many Mexican-American's lived with as a matter of course.
... the street. "They're dirty!" (p. 302) The lady did not know anything about Juan and she had a stereotype of what Mexican's were. This happens to many people. People are ignorant and don't watch what they are saying. This type of behavior leads to discrimination, prejudice and racism.
The transition of being a black man in a time just after slavery was a hard one. A black man had to prove himself at the same time had to come to terms with the fact that he would never amount to much in a white dominated country. Some young black men did actually make it but it was a long and bitter road. Most young men fell into the same trappings as the narrator’s brother. Times were hard and most young boys growing up in Harlem were swept off their feet by the onslaught of change. For American blacks in the middle of the twentieth century, racism is another of the dark forces of destruction and meaninglessness which must be endured. Beauty, joy, triumph, security, suffering, and sorrow are all creations of community, especially of family and family-like groups. They are temporary havens from the world''s trouble, and they are also the meanings of human life.
As a young child, Rodriguez finds comfort and safety in his noisy home full of Spanish sounds. Spanish, is his family's' intimate language that comforts Rodriguez by surrounding him in a web built by the family love and security which is conveyed using the Spanish language. "I recognize you as someone close, like no one outside. You belong with us, in the family, Ricardo.? When the nuns came to the Rodriquez?s house one Saturday morning, the nuns informed the parents that it would be best if they spoke English. Torn with a new since of confusion, his home is turned upside down. His sacred family language, now banished from the home, transforms his web into isolation from his parents. "There was a new silence in the home.? Rodriguez is resentful that it is quiet at the dinner table, or that he can't communicate with his parents about his day as clearly as before. He is heartbroken when he overhears his mother and father speaking Spanish together but suddenly stop when they see Rodriguez. Thi...
(134,219). The author and main character Rodriguez are one in the same person. At a young age Luis Rodriguez started writing about his life story which becomes a big feat for him because of not getting education in school, gang related problems, and being a leader in school for his fellow classmates. He clearly goes against a stereotype he faces which is Hispanics are illiterate by, writing a book despite getting without help in his circumstances and writing becoming very popular throughout the years. As a result of his hard work he put into his stories and poems, thanks to one of his teachers Mrs. Baez, the stories and poems were edited and sent to many literary contests.
In Pocho, Rubio could not identify with any group because he didn’t want to be categorized. In fact, Rubio didn’t have a hard time fitting in with the Pachucos or queers. Although, Rubio seemed understanding about other peoples chooses he ultimately decided to identify as American. This was seen when Rubio joined the Army, as a means to escape his reality. Another theme presented was in regards to fighting social inequalities. This ultimately led to Chicano protest, which became essential to the Civil Rights Movements. The strong will of these Chicano/a activists were similar to Rodolfo “Corky” Gonzalez and his “Crusade for Justice”. The film “Quest for Homeland” acknowledged Gonzalez as an important figure for the Chicano Movement because he inspired people to demand for equality. Even though the Chicano Movement had a tragic ending with the death of Ruben Salazar, Chicanos made their voices heard. Similarly, the Chicano walkouts were the beginning of “consciousness”. For instance Castro mentions, “Chicano’s have long been sleeping giants” he continues by stating looks like we woke up”. This shows that students living in these areas were oblivious to their ability of obtaining a higher
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
In this story, the reader can see exactly how, many Puerto Ricans feel when living on other grounds. Throughout this time, the boy that Rodriguez presents us realizes he has his culture and that he wants to preserve it as much as he can. “Because I’m Puerto Rican”. I ain’t no American. And I’m not a Yankee flag-waver”
In this way, George – no longer Guánlito – has politically and culturally betrayed his people, and “is not is not the tragic hero who has died in defense of his people” (Mendoza 148). In conclusion, through its plot, characterization, and rhetorical devices such as tone, George Washington Gomez is an anti-corrido. However, it must be said that perhaps in its purpose as an anti-corrido, the novel is a corrido. In telling the story of Guánlito, the anti-hero of the Mexicotexans, perhaps Paredes is singing the readers his own border ballad, an ironic, cautionary tale to the Chicanos to remember who they are and where they came from and to resist, always, as a corrido hero would.
The author, Sandra Cisneros, grew up as a Mexican-American woman in Chicago, Illinois. Her mother was Mexican -American and her father was from Mexico; she makes a clear point the difference between the two cultures. She graduated from Loyola University in Chicago and from there enrolled in a Writers’ Workshop at the University of Iowa. Bad Boys, a book of poetry, was published by a small press company that specialized in Latino literature in 1980. It received little notice. But her first fiction collection, House on Mango Street, was published in 1984 and gained the noticed of the New York publishing establishment. “The work is organized, like Mango Street, around the central female protagonist, whose views of her extended family help to clarify her own character” (Perkins, 390). The story “Woman Hollering Creek” came from her 1991 book of stories entitled Woman Hollering Creek and Othe...
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).
Charles Percy Austin used fine detail and a mesh of color in order to bring out the beauty in the girl. The strokes he used are precise and even throughout the painting. Charles Percy Austin settled in the golden state of California. He was an artist that had a fine soft brush stroke throughout his canvases. He has done many paintings such as “Mary Pickford’s wedding on the mission’s grounds (1924), La Buena Ventura 91927), and a padre feeding a parrot in the courtyard (1924).” His works earned him a medal from the Panama-California International Exposition. Charles Percy Austin is best known for his splendid and expensive-looking paintings. I experienced this first hand when I entered the museum because his painting stood out from the rest.
The novel “Women Without class” by Julie Bettie, is a society in which the cultural you come from and the identity that was chosen for you defines who you are. How does cultural and identity illustrate who we are or will become? Julie Bettie demonstrates how class is based on color, ethnicity, gender and sexuality. The author describes this by researching her work on high school girls at a Central Valley high school. In Bettie’s novel she reveals different cliques that are associated within the group which are Las Chicas, Skaters, Hicks, Preps, and lastly Cholas and Cholos. The author also explains how race and ethnicity correspondence on how academically well these students do. I will be arguing how Julie Bettie connects her theories of inequality and culture capital to Pierre Bourdieu, Kimberle Crenshaw, Karl Marx and Engels but also how her research explains inequality among students based on cultural capital and identity.
Conformity and defying social norms were a common theme this week. In Toni Morrison’s book Sula, Sula Peace actively opposes gender roles. She does this by doing what she would like to do without the burden of her town’s expectations. Sula enjoyed sex and disregarded all of the opinions of the townspeople around committing adultery. Eli commented that it was even more unacceptable in that time period, but Sula’s main priority is being authentic. Even though she urged men to cheat she was still a risk taker and lived spontaneously, which was even more forbidden for a black woman and like Lauren said, the men were also to blame, not just Sula. Not many people in the Bottom share that trait because they are afraid of social isolation. For example, Nel didn’t stray far from the status quo due to her upbringing. Nel’s mother taught her to be proper and follow the set of rules given to her. Her mother often reminded her to “pull her nose” (28) so Nel could have a more appealing nose. On the other hand, Sula lived in an unconventional household with a constant flow of different people coming and going out of the house. Since she was not exposed to a father figure, she was not tainted by patriarchal expectations of the genders. She didn’t witness
The novel The Old Gringo by Carlos Fuentes is set in the northern desert of Mexico. “It is a complex novel that intertwines psychology, mythology, and political events to examine the culture of modern Mexico.” (Introduction & Overview) It is inspired by the folklore of the disappearance of an American Writer named Ambrose Bierce, “the old gringo.” When Bierce was seventy-one years old, he retired to Mexico to join the rebel army of Pancho Villa. Afterward, he was never heard from again. From here, Fuentes picks up the story, and tells it through flashback memories of Harriet Winslow. Fuentes’ reason for the setting is to show a relation between individual destinies, and actual historical events. Bierce’s disappearance enables Fuentes to show the history of the development of these two nations.
A main theme in this novel is the influence of family relationships in the quest for individual identity. Our family or lack thereof, as children, ultimately influences the way we feel as adults, about ourselves and about others. The effects on us mold our personalities and as a result influence our identities. This story shows us the efforts of struggling black families who transmit patterns and problems that have a negative impact on their family relationships. These patterns continue to go unresolved and are eventually inherited by their children who will also accept this way of life as this vicious circle continues.