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The development of hamlet character
Hamlet's character development
The development of hamlet character
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The Plague of Revenge In William Shakespeare 's play, Hamlet, after Hamlet’s father is murdered with poison by his brother Claudius, the contagion of vengeful actions begins to plague the people in the kingdom. Hamlet Sr. and his death are symbolic of the kingdom as a whole. Once he is poisoned the evil deeds of King Claudius begin to spread throughout Elsinore. Hamlet puts on an antic disposition and decides to seek retribution after speaking with his father’s ghost, and uncovering the truth about his death. The tainting of Hamlet’s mind and his need to seek revenge against his uncle ultimately leads to Hamlet’s insanity and demise towards the resolution of the play. Everyone in the kingdom becomes delusional and angry, and Shakespeare uses …show more content…
Ophelia is a perfect example of how the poison of revenge of the kingdom of Elsinore does not only affect the person committing these acts, and as the victim, but the innocent bystanders as well. Originally Ophelia had nothing to do with King Hamlet’s unjust death, but her relationship and involvement with Hamlet, her father, and Claudius and Gertrude is enough to make her a lunatic and at last her deplorable death. Shakespeare shows Ophelia’s heartbreaking downfall in her speeches after her father’s passing “There’s/ rue for you, and here’s some for me.../Oh, you must wear your rue with a difference.—There’s a daisy. I would/ give you some violets, but they withered all when/ my father died. They say he made a good end” (Hamlet: IV.v.51). It is clear that the corruption in the kingdom causes Ophelia to become insane. She cannot cope with or overcome her father’s unfortunate death because it was committed by her love, Hamlet. As Ophelia becomes insane due to her father’s death, she is also affected by Hamlet’s treatment of her. Ophelia wants to trust Hamlet and does not understand his antic disposition, but still tries to be loyal to him. However, the way Hamlet treats Ophelias contributes to her insanity and is arguably the most recognizable cause of her misfortune “Get thee to a nunnery,/...Or, if thou wilt needs marry,/ marry a fool, for wise men know well enough what/ monsters you make of them” (Hamlet: III.i.138). Hamlet telling Ophelia to go to a nunnery is clearly an awful and cruel thing to say to someone he loves. This event proves Hamlet’s actual insanity. If Hamlet was only using an antic disposition, he would not treat Ophelia like a whore that he did not love or care
Vengeance, redemption, and desire plague Denmark’s royal family in William Shakespeare’s Hamlet after a haunting family secret forces Prince Hamlet to choose between morality and honor. After Hamlet’s father dies, the kingdom hastily adjusts to his uncle Claudius’ reign; however, Hamlet remains devastated and loyal to his father. When his father’s ghost unveils that Claudius poisoned King Hamlet, the prince’s devastation mixes with a fervent desire for revenge that eventually dictates his every thought. Despite being ostensibly committed to avenging his father’s death, Hamlet habitually discovers reasons to delay action. As Hamlet’s procrastination persists, his familial relations deteriorate and ultimately cause him to reevaluate his position in society. Furthermore, Hamlet becomes chronically paranoid and calculates each aspect of his plan; therefore, the audience doubts his ability to successfully exact revenge. This paranoia escalates exponentially and fuels an uncontrollable obsession with perfection that usurps his sanity. Although Hamlet remains devoted to his murdered father, his perpetual procrastination eventually leads to mental degeneration through decaying relationships, prompting incessant paranoia, and fostering uncontrollable obsessions.
Ophelia was driven mad by the death of her father Polonius and how Hamlet betrayed her love with his own wave of madness which was just an act. In her madness, Ophelia talks about her father and his death and about the “Tricks in the world” (terrible things that happen to people). Ophelia’s madness was also the extent of her being used by her father so he could spy on Hamlet to see if he was truly crazy and then by Hamlet when he claimed he no longer loved her and that he didn’t send her any letters (remembrances). Ophelia’s speech and her fragments of songs are unsensible. Her song was about her father’s death “He is gone, He is gone” (4.5.220), and a maiden who is tricked into losing her virginity with a false promise of love and the possibility of marriage. “To be your valentine, then up he rose and donned his clothes and duped the chamber door” (4.5.56-58)
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
This can be proven by the change in Ophelia’s actions and behavior. Ophelia starts to sing strange songs in front of Gertrude about her father’s death and Hamlet’s madness. Ophelia sings to Gertrude and sings, “He is dead and gone, lady, he is dead and gone, at his head a grass-green turf, at his heels a stone” (4.5.26-29).This tells us that Ophelia is a very soft and is a very weak character and can easily get heart broken. She cares about her family and the death of her father has shattered her into pieces, it may cause problems for her to
Hamlet, Ophelia’s lover, accidentally kills her father and “confesses” he never loved her, Hamlet toys with Ophelia's emotions intentionally and unintentionally to solidify his madness. Even though she was the who initiated the “breakup”, her sorrows of the relationship are much more public than Hamlets. Hamlet’s madness scares Ophelia away which he used as a defense mechanism to not be hurt anymore. His madness looks as though he had been "loosed out of hell to speak of horrors" (2.1.83-84) and she "truly [did] fear it"(2.1. 86). His insanity and rudeness suffocated any love she had for him. She admits that their "their perfume [has been] lost" (3.1. 99). This helped Hamlet solidify his insanity by cutting ties with the ones he loves, and having them tell others he is mad. This comes with the cost of discontinuing his relationships: especially with Ophelia. Both have hinted around in the text of an intimate affair. This makes the emotions and breakup even more difficult for both of them. Their relationship was a love, not an innocent crush or courtship. Poor Ophelia initially thought she caused Hamlet's madness due to the abrupt ending of their affair. But because of her naivety, she lacks to see his other internal struggles. Ophelia’s trust in Hamlet left her heartbroken. Hamlet’s agenda of or getting justice for his father occupied his mind more than Ophelia did. Which left her feeling
Hamlet treats Ophelia like property and because he does not care for her. This is proven because he insults Ophelia, uses her to get his revenge on Claudius and uses her as a way to get attention. To begin with, Hamlet abuses Ophelia by accusing her of having impure motives. To him she “jig[s]… amble and …lisp” (3.1.145) to seduce other men. He also accuses her of being deceitful because she changes the “one face [that]…God hath given” to her by putting on cosmetics. Hamlet verbally abuses Ophelia because he believes that she is worthless. Hamlet is not concerned about the effect that these insult have on Ophelia’s psyche. In addition to verbally abusing Ophelia, Hamlet uses Ophelia as a pawn. Hamlet uses Ophelia as a way to get to Claudius by also physically abusing her. Ophelia description of Hamlet’s abuse exhibits Hamlet’s unruly behaviour towards her: “He took me by the wrist and held me hard; then goes he to the length of all his arm” (2.1.88-89). Hamlet physically abuses Ophelia because he knows that Ophelia will report it to her father who in turn will tell Claudius. By doing this, Claudius will think Hamlet is insane and will then lower his guard and will not suspect that Hamlet intents to kill him. Hamlet does not stop to consider what kind mental toll will take on Ophelia, all he cares about is to finishing what his father asked of him. It is apparent
Hamlet’s revenge mission begins when he is visited by his father’s ghost who commands “Revenge his foul and most unnatural murder” (Shakespeare 1.5.31) after his father recounts the cause of his murder. From this point on, Hamlet begins to act mad in order to put his revenge mission into action. In fact, pretending that he has gone mental is all part of Hamlet’s plan to ultimately murder King Claudius. Furthermore, “Hamlet 's madness is an act of deception, concocted to draw attention away from his suspicious activities as he tries to gather evidence against Claudius…” (Mabillard). Therefore, Hamlet feigns a mental disorder so that he can prove that King Claudius is guilty and can therefore murder King Claudius. Hamlet seeks his revenge on the behalf of someone else, unlike Laertes who seeks revenge for himself. Nevertheless, Hamlet’s act of madness causes everyone around him to see him as having gone insane. Hamlet’s false insanity successfully convinces everyone that they should not worry about him because of his mental state and they are not concerned about him. Although few people concern themselves with Hamlet, King Claudius does after what King Claudius had observed in Act 3, Scene 2. Hamlet instructs the actors in a play that everyone is going to see to reenact the murder of King Hamlet. While that play is taking place, he is watching
At first, Hamlet is successful, and society is convinced Ophelia is the reason for his madness, thus granting Hamlet more time to plot Claudius’s murder. This is achieved in Hamlet’s “to be or not to be speech” [3,1,57] when Claudius and Polonius spy on the conversation between Hamlet and Ophelia. During the Act, Ophelia displays traits of dishonesty and Hamlet uses this to his benefit and appears to go insane to convince Ophelia, Claudius and Polonius that Ophelia is responsible for his madness. Hamlet insists his madness is an “antic disposition” [1,5,179] and that “Thou this be madness, yet there is method in it”. [2,2,204] In the play, Hamlet uses his “antic disposition” [1,5,179] to refuse Ophelia’s affections, which is powerfully portrayed when he exclaims to her “get thee to a nunnery.” [3,1,138] By denying Ophelia’s love, Hamlet’s power in the relationship is effectively demonstrated, and it is shown he is in control of their relationship. In addition, this is reflected in Ophelia’s self-destruction, as she has no purpose to live a life without Hamlet or a man. Overall, Hamlet is successful in using his power over Ophelia for the sake of his
The causes of Ophelia's decent into madness start long before she is raving and signing rude songs. It is a madness brought of mistreatment; a mistreatment that started with her father. Upon first hearing of Hamlet's affection for her Polonius is very dismissive of it. He even tells her not to waste her time with him as a result "I would not, in plain terms, from this time forth Have you so slander any moment leisure As to give words or talk with the Lord Hamlet." (Shakespeare & Bevington, 2009, pp. P1105 L133-135) This is given as an order, which Ophelia says she will obey. The earlier exchange is quite dismissive of the affection between Ophelia and Hamlet, despite her defending it in terms of Hamlet having shown that love both in words and gifts and the defense of him courting her in an honorable fashion. Polonius is again quick to dismiss his daughter's view of the world saying "Affection? Pooh! you speak like a green ...
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
Ophelia, in William Shakespeare’s Hamlet, represents a self-confident and aware female character. She analyzes the world around her and recognizes the multitude of male figures attempting to control her life. Her actions display not only this awareness, but also maturity in her non-confrontational discussions. Though she is demeaned by Laertes, Polonius, and Hamlet, Ophelia exhibits intelligence and independence and ultimately resorts to suicide in order to free herself from the power of the men around her.
“Pretty Ophelia,” as Claudius calls her, is the most innocent victim of Hamlet’s revenge in Shakespeare’s play Hamlet. Hamlet has fallen in love with Ophelia after the death of his father. Ophelia “sucked the honey of his music vows” and returned Hamlet’s affection. But when her father had challenged Hamlet’s true intentions, Ophelia could only say: “I do not know, my lord, what I should think.” Ophelia was used to relying on her father’s directions and she was also brought up to be obedient. This allowed her to only accept her father’s views that Hamlet’s attention towards her was only to take advantage of her and to obey her father’s orders not to permit Hamlet to see her again.
Ophelia’s madness is because of what she encounters throughout the play by everyone around her. Her character is often looked past, people really don’t give her a second thought, and her emotions and wellbeing are almost entirely forgotten about. When her father and brother are telling her to stay away from Hamlet, she tries to speak up and tell them that she knows that Hamlet truly loves her. She tells them her feelings, but they say no, she is not to speak to Hamlet again and must obey. They didn’t take a second to try and look things over from her perspective.
Hamlet is Shakespeare’s most famous work of tragedy. Throughout the play the title character, Hamlet, tends to seek revenge for his father’s death. Shakespeare achieved his work in Hamlet through his brilliant depiction of the hero’s struggle with two opposing forces that hunt Hamlet throughout the play: moral integrity and the need to avenge his father’s murder. When Hamlet sets his mind to revenge his fathers’ death, he is faced with many challenges that delay him from committing murder to his uncle Claudius, who killed Hamlets’ father, the former king. During this delay, he harms others with his actions by acting irrationally, threatening Gertrude, his mother, and by killing Polonius which led into the madness and death of Ophelia. Hamlet ends up deceiving everyone around him, and also himself, by putting on a mask of insanity. In spite of the fact that Hamlet attempts to act morally in order to kill his uncle, he delays his revenge of his fathers’ death, harming others by his irritating actions. Despite Hamlets’ decisive character, he comes to a point where he realizes his tragic limits.
In Hamlet, Ophelia is unaware of the evil is spreading around her. She is an obedient woman, and is naive in that she takes what people say at face value, which makes her an innocent lady. "You should not have believed me, for virtue/ cannot so inculate our old stock but we shall relish of/ it. I loved you not." (III.ii. 117-119). Hamlet says these lines as a mask of his madness, but Ophelia does not understand his true motives and takes Hamlet's words very seriously to heart. The words that Hamlet says to Ophelia both confuse and hurt her greatly. Hamlet's lines are what eventually lead Ophelia to insanity, and Ophelia's insanity is what causes her death by drowning.