British rock band Pink Floyd is known for their profound lyrics and often gloomy themes. One of the first bands to incorporate light shows at their concerts, Pink Floyd also experimented with contemporary albums and synthesizers in their music. The lyrics to some of their songs are said to contain references to psychedelic drugs and other narcotics which were a growing trend among young adults in both the US and UK at the time. Pink Floyd has written many symbolic songs over their career but one song in particular “Comfortably Numb” highlights the experience of being under the influence while also making a personal connection to band member Roger Waters. Written as a dialogue between two people the song beings with “Hello, Is there anybody
In 1967 the Beatles were in Abbey Road Studios putting the finishing touches on their album Sgt. Pepper's Lonely Hearts Club Band. At one point Paul McCartney wandered down the corridor and heard what was then a new young band called Pink Floyd working on their hypnotic debut, The Piper at the Gates of Dawn. He listened for a moment, then came rushing back. "Hey guys," he reputedly said, "There's a new band in there and they're gonna steal our thunder." With their mix of blues, music hall influences, Lewis Carroll references, and dissonant experimentation, Pink Floyd was one of the key bands of the 1960s psychedelic revolution, a pop culture movement that emerged with American and British rock, before sweeping through film, literature, and the visual arts. The music was largely inspired by hallucinogens, or so-called "mind-expanding" drugs such as marijuana and LSD (lysergic acid diethylamide; "acid"), and attempted to recreate drug-induced states through the use of overdriven guitar, amplified feedback, and droning guitar motifs influenced by Eastern music. This psychedelic consciousness was seeded, in the United States, by countercultural gurus such as Dr. Timothy Leary, a Harvard University professor who began researching LSD as a tool of self-discovery from 1960, and writer Ken Kesey who with his Merry Pranksters staged Acid Tests--multimedia "happenings" set to the music of the Warlocks (later the Grateful Dead) and documented by novelist Tom Wolfe in the literary classic The Electric Kool-Aid Acid Test (1968)--and traversed the country during the mid-1960s on a kaleidoscope-colored school bus. "Everybody felt the '60s were a breakthrough. There was exploration of sexual freedom and [...
In the American society, we constantly hear people make sure they say that a chief executive officer, a racecar driver, or an astronaut is female when they are so because that is not deemed as stereotypically standard. Sheryl Sandberg is the, dare I say it, female chief operating officer of Facebook while Mark Zuckerberg is the chief executive officer. Notice that the word “female” sounds much more natural in front of an executive position, but you would typically not add male in front of an executive position because it is just implied. The fact that most of America and the world makes this distinction shows that there are too few women leaders. In Sheryl Sandberg’s book “Lean In,” she explains why that is and what can be done to change that by discussing women, work, and the will to lead.
Several even try to connect their music to the feelings of their audience. Some of the songs including, Jailhouse Rock, Good Vibrations, Purple Haze and Stayin’ Alive try to use women as the meaning of their songs. In addition, they are used to clarify the point in films of their time and influence an environmental change. Slowly, building into innovative ways to portray music that fits the era they were in. Each song was able to readjust the perception of war and help those forget the scary outcomes war was bringing. Therefore, music adapted by connecting the people as one to their era and providing them a tune that minimized their
It could be argued that ‘In-A-Gadda-Da-Vida’ served exemplary as testament to the changing attitudes towards rock music and psychedelic acid rock of the time. The prevalence of the genre was tangible, even the AFVN (American Forces Vietnam Network) added a special channel in 1968 for those soldiers serving overseas who had reported an interest in the musical style (Kramer, 2006). Perhaps this song was indeed the natural progression of music in a time of so much uncertainty for an entire generation fraught with equal parts revolutionary ideals and Cold War paranoia. The track’s tone, ambiance were defined by an eerily dark otherworldliness unheard of up until that point in rock music and arguably not replicated again until Black Sabbath’s NIB
... showed the world just how lonely it could be at the top. Many people loved the Sixties, but it would not be a surprise that those who don’t wish to remember it had the same feelings of loneliness as Joplin felt. Fighting for others meant forgetting about oneself; unfortunately for many, the way to “find” your true self was through the use of drugs. To many it was seen as the gateway to the soul, and to those performers like Joplin, Hendrix, and Morrison, it was also the gateway to death.
The affects of Seattle’s geographical location appears to be an ingredient of the music created by these grunge bands, whether expressed blatantly or subliminally. Seattle exists in a corner of our nation and a great distance from more prominent cities, therefore, a sense of isolationism amongst its citizens is to be expected. Seattle is also subject to an unusually high level of precipitation, most notably rain, one (1) of the few things that the city may be regarded as famous for. An abundance of gloomy days certainly plays upon the psyche of the human attitude. Musicians of grunge bands appear to express this geographical condition in the manner in which they choose their topics for lyrics and deliver their music. Isolation may be cited as an influence in their music with the respect to the style in which they deliver their product, well practiced, yet unrefined because of their lack of hope for recognition. Unrelentingly dreary weather may be responsible for depression among band members that may well be reflected in their music, possibly accounting for their extreme volume (frustration and yearning to be heard) and crude lyrics (unpolished because they expect to remain obscure).
Alternative rock music of the nineties successfully captured the distress of a young generation afflicted by multiple struggles. First and foremost, this music genre accurately voiced the concerns of those who could not imagine a thriving future as prosperous members of society, and for whom the American dream was nothing but a distant notion. For instance, in his song “Loser”, Beck Hansen skillfully described the apathy that overtakes an individual’s being when he is faced with life´s unavoidable grim prospects. Similarly, this kind of music resonated with all those individuals who were struggling to feel comfortable in their own skin. To illustrate, in one of its most popular songs, “Creep”, the alternative rock band Radiohead managed to convey the excruciating angst experienced ...
The late sixties were a time filled with sex, drugs, and rock and roll. A huge part of American culture at the time was focused around these three things. Musicians possessed a tremendous amount of social influence, and like wise, society put a lot of emphasis on the lives and attitudes of musicians. Of the rock groups from this time period, the Beatles were by far the most influential. The British rock group was probably the most catalytic band in rock and roll history. Although they came together in the shadow of the Beatles, another band of that era was Jefferson Airplane. Jefferson Airplane was deemed the first of the San Francisco psychedelic rock groups. Jefferson Airplane was always considered to be a psychedelic rock group, but it was not until later in their existence that the Beatles fell into this category as well. Both groups earned this title for their creative style of rock as well as for their experimentation with drugs. Each of these groups wrote songs that alluded to drug use at one time or another. Two of the most criticized songs from these bands are Lucy in the Sky with Diamonds by the Beatles, and White Rabbit by Jefferson Airplane. White Rabbit is a song latent with drug references. The connection with drugs in Lucy in the Sky with Diamonds is not as clear. Although John Lennon claims that he had no intention of making references to LSD in his song, the abstract lyrics and metaphoric language invite drug connotation. Lucy in the Sky with Diamonds and White Rabbit mirror each other in their association with LSD and their allusions to Alice in Wonderland, but looking into these songs more deeply it is obvious that both artists were writing about escape; escaping reality.
Pink Floyd had many main points in his songs, and one very important one is that he did not believe the British education system...
"Psychedelic 60's: Foreword." University of Virginia Library. 16 Dec. 2009. Web. 29 May 2010. .
The book Lives on the Boundary, written by Mike Rose, provides great insight to what the new teaching professional may anticipate in the classroom. This book may be used to inform a teacher’s philosophy and may render the teacher more effective. Lives on the Boundary is a first person account composed of eight chapters each of which treat a different obstacle faced by Mike Rose in his years as a student and as an educator. More specifically in chapters one through five Mike Rose focuses on his own personal struggles and achievements as a student. Ultimately the aim is to highlight the underpreparedness of some of today’s learners.
Beginning with the late 1960’s counterculture in San Francisco, music and drugs will forever be inter-linked. Hippie bands such as the Grateful Dead, the Allman Brothers, and Phish are associated with marijuana, mushrooms, and LSD. Modern electronic “rave” , or club music is associated with MDMA or Ecstasy. When one thinks of rock and roll, sex and drugs immediately come to mind. While the use of drugs is not essential for the creation or performance of all new music, it was certainly in important factor for the counterculture music of the late 1960’s. While some of the most important and influential music was made with the help of psychoactive drugs, it was often to the detriment of the artist. Janis Joplin, Jimi Hendrix, Jim Morrison, and countless other tremendously talented artists had their lives cut short due to drug use. Drugs were most often good for the music, but deadly for the music makers.
Pink Floyd and the Beatles had more in common then they’re often credited. Both bands members were raised in the United Kingdom. The original framework for “The Beatles” was conspired by the best friends, John Lennon and Paul McCartney. Likewise, “Pink Floyd” was created by best friends Nick Mason and Roger Waters. By the same token, both bands were founded while the members received their education. World War II was a pin point in each of the band members lives, if not directly affecting them, then they were affected through their parents. Ironically, the two bands were also branded for the sixties, largely the Beatles who were believed to be an instrument, attempted to be used for ending the Vietnam War. As musicians often feel pressured to change in New Eras, or rise to the occasion, the Beatles and Pink Floyd were no exception. The Beatles changed their music from a pop, heartthrob sound to a more psychedelic sound to express the Counterculture. Accordingly, Pink Floyd altered their sound from a Blues like sound, to a Mystique, psychedelic tune. With the music, comes the managing, The Beatles were rejected by Decca, a recording company, similarly, as Pink Floyd was cut loose from their recording producer, Jenner, before the bands settled with different companies. Of course, the bands succeeded beyond the rejection, at some point the groups both enthused their movies: Yellow Submarine and The Wall. That being said, both bands have a reputation to have experimented with the Hippie drug of the sixties; lysergic acid diethylamide, otherwise known as LSD. It is commonly believed that both bands creativity sparked with LSD, one of the most notorious songs being the Beatles “Lucy in the Sky with Diamonds”, and likewise, agreeing with...
The rush and thrill of rock music is an indescribable and legal drug. It is meant to enhance or momentarily consume an individual. Playing on stage, getting involved in the audience or listening to music in your own environment are ways to experience the power of music. Bloom’s conclusion on the ecstasy that rock music creates is partially true depending on how the artist can return to reality after the thrill.
The song I chose to do my project on is “Money” by Pink Floyd from their 1973 album The Dark Side of the Moon. I chose this song because I grew up listening to Pink Floyd on the old record player with my father and this song was one of his many favorites. He used to tell me about this song and how it was relevant in the 70’s and to this day the old cash register noise always brings back memories. The song itself was Pink Floyd’s first hit in the US. The song represents the American dream of getting more money and the thought of money solving all the problems. People spend a great amount of their life trying to gain more money, whether it is investing their money, purchasing lottery tickets, spending it in casinos, working for it, or even stealing it. This song is about the bad things money can bring. Overall, I picked this