Pierre-Alfred Deux Research Paper

Legacies and reputations are built on consistency. The two outlive an individual, and make him or her popular from one generation to the next. Without the portraiture and paintings of Pierre-Alfred Dedreux, nobody would find anything fascinating to say about the French painter. Today, little is known about Dreux who was born in 1810. However, his works of art including the "Napoleon III” horse riding portraiture prove that the painter loved his work. Painters in the late 17th century never knew the amount of money their original works would be earning today. Since the paintings are rare, and the state protects most of them in various museums, a glimpse on Dreux's work remains an opportunity of a lifetime. The celebrated painter learned the

For example, he went into exile at the age of 38 years in Surrey. He spent most of the time studying equestrian pieces in England. Upon his return with King Louis-Philippe after three years, he learned how to merge the different cultures in his works. The first portrait he made was of Emperor Napoleon III alongside his family members. He did so while working at Eugene Isabey workshops. The facilities were associated with the best artists in the country. Because of the nature of his work and the networks he built in England, Paul Gavarni, an English painter, allowed him to use his studio each time Dreux visited England. Dreux was very friendly, and it was easy for him to win the affection of strangers. Apparently, he had accompanied the king to exile in a foreign country, but he used the opportunity to make friends. He equally knew that it would be impossible to learn about the history of art in England without becoming friends with the local painters. In France, he had already built a brand after putting his works in various exhibition centers besides the Salon. One of the most beautiful portraits he did before going to England was that of Duc d'Orléans, and it caught King Louis’ attention. Even after Duc’s death, Dreux remained