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“Millions of men have lived to fight, build palaces and boundaries, shape destinies and societies; but the compelling force of all times has been the force of originality and creation profoundly affecting the roots of human spirit.” This is a quote from Ansel Adams who was arguably one of the most famous photographers. He was also one of the people who embraced the different aspects of the true art of photography in the twentieth century.
Different types of photography are used to evoke different emotions or different effects. Panoramic images are several different images digitally stitched together to give the effect that a single image was taken instead of many different pictures. This is used a lot in outdoor (nature) photographs because sometimes the photographer cannot take a single full image of a huge mountain or a long landscape. HDR or High Dynamic Range photography is an effect that sharpens the details and edits the lighting to make a photo sharper and more interesting to the eyes. High-Speed photos can be used to catch events that may happen faster than a human can see. Examples of high speed photography include water droplets falling into a body of water or a bullet going through a watermelon. Monochromatic photos are photos of all in one color. Photos in one color might be trying to provoke certain thoughts such as sadness, death, and even happiness.
Photos that have no color are called black and white photography. Black and white photography is used a lot in model photography; sometimes to hide uneven skin tones or to enhance shadows. The controversy about models being retouched to unthinkable lengths has been around for a while. Fashion companies have made models look “size zero” for advertisement, using an as...
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... saw; it did not matter what they looked like or how old they were. But showed hope and joy for the end of the war. Photos have also been faked. The famous fuzzy picture of “Nessy” The Loch Ness Monster called the Surgeon’s Photo. It was thought to have been real until in 1994 when Christian Spurling admitted to faking the photo. His stepfather had been hired to catch the monster, so he thought it would be easier to fake seeing it. Christian’s stepfather took him and his son out to the lake and constructed a fake Lochness monster from wood putty and a toy submarine, then snapped a picture of it.
As we have seen throughout this paper, photography is more than just pointing a camera and pushing a button. No, photography is a true art form that can convey emotion and creativity from the photographer. Photography is an art that has and will live on for a lifetime.
For Emerson, the reticent beauty of nature was the motivator. To him, photography should be recognized because its still-life beauty was able to persuade the public’s appreciation of the life and nourishment
After reading about Alfred Stieglitz and photography in form of an art, I believe that photography is indeed a form of art. Also photography is the most raw form of art there is. By using photography and a form of an art, it captures pictures in which are caught in the natural, raw moment of life, which doesn't get more realistic than that. All the details and depictions are in one picture in raw and most of the time, unedited form.
middle of paper ... ... The types of Colours used also show how the camera angles and the film has been edited. The contrast of light to dark. How the camera cuts between images.
Susan Sontag’s essay on how photography has limited people’s understanding of the world contains many interesting points that can be agreeable while at the same time having few that I tend to disagree with. Photography can be good and bad; it can open our minds up to new cultures and experiences through its imagery. However, at the same time it can limit our understanding of the world around us and of the world around the image it is portraying.
Dictators were starting to catch on to the ability to alter photographs and they began removing people from their own photos. Joseph Stalin, dictator of the Soviet Union, had Nicolai Yezhov, chief of the Soviet secret police, erased from his photograph (Falsification of History). Yezhov staged the Moscow frame trails, where innocent people were forced to confess crimes against Stalin and the Soviet Union and were ultimately killed afterward (Falsification of History). Stalin removed him from a photo of the two walking next to each other. Stalin airbrushed the photo to make it seem like Yezhov never existed in the
One journalist admitted he wrote a false story about seeing the Loch Ness Monster. Alleged Nessie footprints turned out to be a prank; the marks from a stand with hippopotamus-like bases. A zoo education officer mutilated a dead elephant seal to mislead people into thinking it was Nessie. Someone reported finding a fossil, but it was obviously planted. Swedish naturalist Bengt Sjögren attributes belief in the monster to folklore about ominous water creatures, as the Loch
First of all, there have been several detailed pictures and videos of Nessie that prove that it really exists. The first photo ever taken in 1933 is very well-known and clearly shows the mysterious monster above water. There are scientists that have examined this photo time after time, zooming in on it, and the majority of them believe that the Loch Ness Monster truly does exist. Tim Dinsdale, an aeronautical engineer, saw the monster and took a photo of it ; he gave this to photo-analysis experts at the British Royal Air Force's Joint Aerial Reconnaissance Intelligence Centre. They concluded that the part of the thing that was above the water on Dinsdale's film was approximately 12-16 feet wide and 5 feet high, could not have been a boat, and was some sort of animated object ("The Legend of Nessie the Ultimate Loch Ness Monster Site"). In 2007 a scientist took a two minute video clip of Nessie that he described showed a “long, black creature swimming just below the surface of Loch Ness.” From several other videos that have been reported, people who have believed they ...
Photography is defined at the art or practice of taking and processing photographs. To understand photography is having insight or good judgment to know how to take the picture, but also edit it if need be. Does photography limit our understanding of the world? What some people haven’t realized is that photography is all around us, whether it is in the person’s mind to see it or not. While we see photography throughout our daily routine, people dismiss the small types of photography and focus on the bigger sceneries like other countries beautiful cities and landscapes. It’s true that in this day and age, most photographs we see have been altered in some way. When photographers use Photoshop to edit our photos, we use many different ways to make that image appealing to the eye. Although, photographers unless told to do so will not change an image into something totally absurd that takes away from being astatically pleasing. Images are a gateway to the insight of the rest of the world’s cultures landscapes, and architecture, and photography is the key aspect to it. Photography is a one way to see the world, but it is better if you go and travel around the world to see it. In order to see if photography actually limits our understanding, we have to first look at the positive side of photography.
“Recently, photography has become almost as widely practiced an amusement as sex and dancing, which means that, like every mass art form, photography is not practiced by most people as an art. It is mainly a social rite, a defense against anxiety, and a tool of power” (Sontag 8). After reading this quote in my head multiple times, I started to realize that people use it for different purposes. When I took a photography class in college, it was under the category “art.” Which made me think of it as a form of art, when there are so many other ways to view photography. Sontag changed my opinion about photography after further interpreting her quote because to have a camera in our hand, being able to capture the world through our lens is to have a tool of
“The painter paints his pictures with paint, and I do it with photographs.”- John Heartfield, 1967
The colours are much bolder and slightly exaggerated compared to the paintings in the first wave of photorealism. There is a wider variety of colours and an expanded colour palette. Mainly primary and secondary colours are used, and there is a mixture of cold and warm colours for contrast. This is also to contrast the rainy, miserable day with the liveliness of the city.
Have you ever seen a painting or picture that captivates you and directly stirs up emotion within you? More than likely, you have. Usually, viewers merely observe the picture and enjoy the way it looks and how it makes them feel. But, have you ever asked yourself, “why?” What about the picture makes it pleasing to the viewer? With each strategy the photographer uses creates their own touch and passion that floods all over the picture. The emotional connection nearly goes unnoticed for when the picture is well photographed, the viewers experience the sensation in their subconscious. This is one of the most powerful tools that a photographer holds in their hands. If one can become a master of manipulating how the photo affects its viewers, the said photographer can potentially maneuver people’s minds and thoughts with one click of a button. The time spent with my mentor has opened up the door for me to tap into that power though the use of background, focus, shutter speed, angles, and most importantly, lighting. Even with all these techniques, the person behind the camera must remember that creativity must be at the forefront of all operations. Caleno (2014), when writing about the basics of capturing a beautiful moment in a picture commented, “If we want to be creative we must drop these pre-conceptions and start looking at things from a small child’s innocence.”
Years later however, in 1994, the photograph was reported as a fake by an art teacher named Alastair Boyd who claimed to have saw the animal himself in 1979. Boyd discovered that the picture was nothing more than a wood neck attached to a toy submarine. The Loch Ness Monster may or may not be real. No evidence has been found affirming the creatures existence, but no evidence has been found denying the animals existence either. The truth behind the Loch Ness Monster may never be known, but the legend will continue to expand so long as some still believe.
Photography has created an outlet for the masses to story tell. It has a way of speaking without words like most art forms and is a manner of expression in itself. To eradicate photography from humans would be equivalent to taking away a limb from humankind. Our society has grown an immense amount of dependency on it. Photography has become almost a daily menial task such as brushing your teeth; where we must take pictures of the things we deem important or equally unimportant, even more so with the invention of social media outlets such as Instagram and Snapchat, where photography is the main source of communication between people who use them. Susan Sontag offers the basis of what taking pictures can undertake in both our daily lives and moments that are not part of our daily lives, such as travel. Traveling to places where one is not accustomed can flare pent up anxiety. A way to subdue that anxiety could be through taking pictures, since it’s the only factor that we have total control over in a space where we don’t have much, or, any control of our surrounding environment. On the other hand, taking photos can also be a tool of power in the same sense as it allows for it to be a defense against anxiety. With the camera in our hands, we have the power to decide who, what, where, when, and why we take a picture. This in turn also gives the person who took the picture power over those who later analyze the photos, letting them decide the meaning of the photo individually, despite the intended or true meaning.
Photography is a word derived from the Greek words “photos” meaning light and “graphein” meaning draw. The word was first used by John F.W Herschel in 1839. It is a method of recording images by the action of light, or related radiation, on a sensitive material (Bellis, N.D).