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Bartleby, the scrivener
Bartleby the scrivener
Bartleby, the scrivener
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The infamous ending statement in Herman Melville’s “Bartleby the Scrivener,” “Ah, Bartleby! Ah, humanity!” (Melville 34), signifies not only the tragic demise of the character of Bartleby, but the dismal ruin of mankind as well. This enigmatic statement can be applied to both “Bartleby the Scrivener” and Melville’s other short story, “Benito Cereno.” Both stories are narrated by unreliable characters, leaving further questions on whether or not the Lawyer was genuinely trying to help Bartleby when he showed signs of depression or if the one-sided story of Captain Delano truly portrayed the slaves and their motives for taking over Cereno’s San Dominick. In each of Melville’s short stories, there is an obvious grayness about each tale, the plots of both stories start out slow and unsuspicious, but are then revealed through a dynamic change in events, and each novella has ultimate realities that are hidden through appearances. Together, “Bartleby the Scrivener” and “Benito Cereno” are stories that possess a deep meaning within them which is intended to make the reader question the definition of human nature.
The characters of the Lawyer in “Bartleby the Scrivener” and Captain Delano in “Benito Cereno” are both unreliable narrators that Melville intentionally made untrustworthy to lure the reader into believing the picture that each narrator was painting. At the beginning of the story, the Lawyer calls himself elderly and lazy, “I am a rather elderly man... I am a man who, from his youth upwards, has been filled with a profound conviction that the easiest way of life is the best” (Melville 3), proving that he is slothful in his efforts. Captain Delano is an undependable character because he is a caucasian ship captain during a tim...
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...proves that there was an obvious struggle for the whites to recognize the black slaves and give them respect, which then lead to the attempted revolt. All of this grayness in attitude or grayness in color is used as a metaphor to resemble the dull and non descriptive nature that humanity possesses.
Now, reading about humanity as a dismal ruin may seem a bit dramatic and depressing, but it is unfortunately true. Melville was using the character of Bartleby as a symbol for the inevitable fall of humankind in 1853. Today, the same message can be passed through the mysterious character of Bartleby. Times have not changed and the moral values of humans are still showing signs of utter disappointment. “Ah, Bartleby! Ah, humanity!” (Melville 34).
Works Cited
Melville, Herman, and Herman Melville. Bartleby ; And, Benito Cereno. New York: Dover Publications, 1990. Print.
People one can never really tell how person is feeling or what their situation is behind closed doors or behind the façade of the life they lead. Two masterly crafted literary works present readers with characters that have two similar but very different stories that end in the same result. In Herman Melville’s story “Bartleby the Scrivener” readers are presented with Bartleby, an interesting and minimally deep character. In comparison to Gail Godwin’s work, “A Sorrowful Woman” we are presented with a nameless woman with a similar physiological state as Bartleby whom expresses her feelings of dissatisfaction of her life. Here, a deeper examination of these characters their situations and their ultimate fate will be pursued and delved into for a deeper understanding of the choice death for these characters.
The author of the story presents the questions of what is valuable in society and how those that resist these values are dealt with and answers them through Bartleby's actions from his life to his death. Society values things such as money and working to make money where human things such as sentimentalities and emotions are not worth holding onto and when one refuses to work he is left with choices of imprisonment in a cell or imprisonment in a job where Bartleby instead chose to die, to be free of such a world that does not value freedoms and humanity.
Nixon, Nicola. "Men and Coats; Or, the Politics of the Dandiacal Body in Melville's 'Benito Cereno'." PMLA: Publications of the Modern Language Association of America 114.3 (1999): 359-72. ProQuest. Web. 19 Apr. 2014.
When inquiring about the comparisons and contrasts between Melville’s Benito Cereno and Frederick Douglass’s Narrative of the Life of an American Slave, Written by Himself, the following question almost inevitably arises: Can a work of fiction and an autobiography be compared at all? Indeed, the structure of the two stories differs greatly. Whereas Douglass’s Narrative adapts a typical pattern of autobiographies, i.e. a chronological order of birth, childhood memories, events that helped shape the narrator etc., Benito Cereno is based on a peculiar three-layered foundation of a central story recounting the main events, a deposition delineating the events prior to the first part, and an ending.
Melville, Herman. Billy Budd, Sailor and Other Stories. Ed. Frederick Busch. New York: Penguin, 1986.
In Melville’s, “Bartleby the Scrivener,” a lawyer’s idea of relationships is tested. As a bachelor, his disconnection with people is an obstacle he has to overcome. The relationships between his coworkers and himself are simple and detached until Bartleby is introduced. The lawyer is befuddled at the unique behavior that this character displays and cannot help but take particular interest in him. When Bartleby is asked to work, he simply says, “I would prefer not to,” and when he quits working, he begins to stare at the wall (1112). This wall may symbolize the wall that the lawyer has built up in an attempt to ward off relationships, or it may simple symbolize Wall Street. When the lawyer finds out that Bartleby is l...
Both the “character” of Frederick Douglass in Douglass’s Narrative of the Life of Frederick Douglass and the character of Babo in Herman Melville’s Benito Cereno are, among many things, a tale of heroism. Although there are clear distinctions between Douglass’s autobiography and abolitionist work and Cereno’s fictional work -specifically in terms of how they resisted slavery and to what extent they were successful- both protagonists use their intelligence and strength to overcome their white masters and a society that has subordinated them.
In Herman Melville's short story, Bartleby, the Scrivener, the narrator's attitude towards Bartleby is constantly changing, the narrator's attitude is conveyed through the author's use of literary elements such as; diction-descriptive and comical, point of view-first person, and tone-confusion and sadness.
Herman Melville uses a first person point of view to show the narrator’s first hand fascination with his employee Bartleby, as well as Bartleby’s strange behavior and insubordination.
McCall focuses his argument within the way in which Melville has written Bartleby, The Scrivener, he goes into detail about the comical aspects within the story and uses Melville’s description of Bartleby’s saying “I prefer not to,’ he respectfully and slowly said, and mildly disappeared.” (272). McCall suggests that the adverbs Melville uses, “respectfully” , “slowly” and “mildly” , “create[s] a leisurely little excursion into the uncanny” (279). I agree that the lawyer must have had some wit and good intentions in making the claim about Bartleby up to a point, I cannot accept this fully because many people still believe that the lawyer is unreliable. Most critics within the majority, as McCall reinstates, “believe, “the lawyer is “self-satisfied”, “pompous”…”a smug fool” who is ‘terribly unkind to a very sick man’ “(2660. I disagree with the idea that the lawyer was unkind and Bartleby was sick. The lawyer was fascinated by Bartleby’s responses to the job, and Bartleby, I feel knew exactly what he was doing in stating his responses. McCall acknowledges that “these cure two central problems in the story: the nature of Bartleby’s illness and the lawyer’s capacity to understand it,”
Melville intends something less black and white with more gray shading. Melville uses dramatic irony and grim humor in “Bartleby, the Scrivener: A Story of Wall Street. This is to show the reader how the Lawyer assumes he is a safe, successful and powerful man with extensive control in his polite society until he hires a man named Bartleby. This relationship is slowly revealed to be quite a conundrum for the Lawyer and the reader. Melville shows how the Lawyer never had any power or control over Bartleby but quite the opposite; Bartleby held all the power and control in this relationship. I will explore the important of the power struggle and the fight to maintain control between the Lawyer and Bartleby.
In "Benito Cereno," Captain Delano's extreme naivete and desensitization towards slavery greatly affect his perceptions while aboard the San Dominick. Delano's racial stereotypes, views of master and slave relationships, and benevolent racism mask the true reality of what was occurring on board despite his constant uneasiness and skepticism. At a time when slave revolts were not unusual, the slave conditions aboard the San Dominick should have made more of an impact on Delano.
Herman Melville, like all other American writers of the mid and late nineteenth century, was forced to reckon with the thoughts and writings of Ralph Waldo Emerson. Emerson celebrated the untapped sources of beauty, strength, and nobility hidden within each individual. Where Emerson was inclined to see each human soul as a beacon of light, however, Melville saw fit to describe and define the darkness, the bitter and harsh world of reality that could dim, diffuse, and even extinguish light. Each man wrote about life in specific terms, while pointing toward human nature in general. The problem of evil paradoxically separates and unites both authors. Emerson looked inward and Melville pushed outward, each searching, each trying to effect change. The problem of evil remains ever-present, driving both men to reinvest in understanding the interconnectedness, the interdependency of human relations. Though "Melville alternately praised and damned 'this Plato who talks thro' his nose' ", Emerson's influence direct or indirect helped to shape Melville's ideology and thus his fiction (Sealts 82).
The story of Bartleby was a very interesting story open for many different interpretations. Melville does and excellent job building suspension towards different thoughts as to what caused Bartleby to become an emotionless incapable worker. Here is evidence throughout the story to reflect the kindheartedness of the narrator. After reading this work the last quote “Ah Bartleby, Ah humanity” stood out as a cry of sadness for failing to understand and further assist Bartleby. After the numerous attempts He describes himself an elder lawyer that has his own office with a total of four employees including Bartleby. The narrator takes the time to learn the qualities of each individual not just on a performance basis however, personally as well.
Herman Melville believed deeply in his notion that the common-man receives no justice, only the elite member in a society. Perhaps his belief originated in the society that he lived in, or the situations such as a Civil War, that impacted his viewpoint. Throughout this story, the reader is repeatedly introduced to the consistent idea that the common-man is on his own, and the situations that he encompasses are distorted and augmented as time passes.