Introduction – 45 to 60 seconds
Audio
One of Karen’s favorite stories is about a group of cars trying to win a race competition.
In the story the new cars plan a strategy to defeat the vintage cars. They feel that because they are shiny and new that they don’t have to practice at all.
Their overly proud attitude and lack of preparation cost them the entire race. The vintage cars won by a landslide.
The story applies human attributes to all of the cars. The cars have faces and can make facial expressions.
In the story, the cars talk and interact with one another. They even drive themselves to where they need to go.
All of these things are distinctly human. When human attributes are applied to something not human, it is called personification.
Personification is often
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Personification increases invests the reader emotionally while increasing interest, and understanding.
You may not know what it is like to be a car, but you do know what it is like to be human. By giving inhuman things human traits, your readers can personally relate.
Build on Clip C – 25 to 35 seconds
Audio
When Karen took her test on personification she got stuck on a choice between two examples.
The first example was “the flowers danced in the face of the sun.”
The second example was “the tornado left a lot of damage in the town.”
She was supposed to circle the example of personification. At first she thought both of them featured personification.
She felt that both people and tornadoes can cause damage, so it was possible that the damage personified the tornado.
Upon closer inspection she realized flowers dancing better illustrated personification.
Stating tornado caused damage does not give it human attributes.
Remediation for Clip A – 25 to 35 seconds
Audio
Tori’s cousin Lynda has a unique imaginary friend. Her imaginary friend is actually an invisible doll that she says talks and plays with
The green flag drops on the first race in The National Dirt Racing Association(NDRA). It doesn’t matter where people go, on some little road in a small town, people will find a small dirt track. The speedways are mostly always located in city areas where a large amount of people live. After a weekend of racing the teams head to the shop to fix the car up again. Despite the fact, that racing had been around since before 1978; whenever Mr. Robert Smawley introduced NDRA, and later Mr. Bill France introduced NASCAR, more people paid attention to the sport of racing.
Looking up, you see that it is almost your turn. After getting off the hood of the car, you open the door, and sit inside the vehicle. As you firmly grasp the wooden steering wheel, the scent of unleaded gasoline fills the air, the rigid feel of the leather racing seat brushes skin, and the warm touch of chrome on the shifter radiates through the car. Sliding the key into the ignition, you turn it and hear the low grumble of the HiPo 302 cubic inch engine. You shift the car into first gear and begin to creep forward to the drag strip. You pull up to the starting line and wait. Looking over to the right and seeing your opponent eagerly awaiting the race in his red 1968 Camaro brings excitement. Overhead on the loudspeakers an announcer calls, “Up next, is a 1968 Camaro going against a 1965 Mustang Fastback. The Camaro is fitted with a 327 cubic inch engine and puts out about 210 horses while the Mustang has a 302 cubic inch high powered engine which cranks out 230 horsepower. This, ladies and gentlemen, will be a race of the ponies.” A shift into first gear sends a shiver of anticipation. You look at the light tree ahead and wait for it to turn green. It starts to count down. The first set of lights goes up. You begin to rev the engine to 2000 RPM’s. The second set of yellow lights goes up. The engine revs up even more. The car shakes slightly and the engine growls even louder. The third set of yellow lights goes up. The engine revs to 5000 RPM’s. The green lights go up. A quick dump of the clutch and the engine roars like a lion as it sprints down the track. The front end of the car lifts up and slams back down as the speed rapidly increases. The car screams as you shift into second gear. Looking over to the right, you glimpse the...
Some say that automotive racing began when the second car was built. For over a hundred years, competition has driven innovation in the car industry, thus the industry maxim “Win on Sunday, sell on Monday.” NASCAR and drag racing contributed greatly to muscle cars’ success. Muscle cars were born from these competitions as factory made race cars. Because of this, the muscle car quickly moved from a low quantity specialty item to the image of the American automotive scene. Each brand had to have one and each one needed better performance and personality than the next. The Golden Age began in the 1960s with the introduction of more performance models such as the Chevy SS Impala and the Ford Galaxy Starliner (Auto Editors).
Purpose Statement: The purpose of this paper is to divulge in the glorious history of Ferrari.
When we look at the classic Car image, it reminds us of the experiences that surround our daily lives. The Classic Car image is in black and white which reminds us of the picture realities that held sway some decades ago. I do not readily understand all that transpired in the wreck of this car. However, some points are quite easy to note. It shows that the beauty of every vehicle is not just in its outward design but in its safety features. This shot was taken from one of the vehicles parked in the Alaska Car Museum. There are so many stories that surround the cars in this iconic location.
The short novel takes place in a speeding elegant sports car. The driver, who is the narrator, refers to himself as Papa. Papa is driving his daughter and a poet and family "friend," Henri. While driving, Papa informs them that he is aware of Henri's affair with both Papa's daughter and wife, and he is going to crash the car and all of its passengers into the stone wall of a desolate farmhouse. His purpose for this violent action is not, as would be easily concluded, to get revenge--that would simply be a bonus; his real purpose is to produce art. Papa is somewhat of an artist, and he has decided that the ultimate aesthetic is produced by the melding of the automobile into a new complex array according to his mental blueprint:
(68). The use of the symbolic automobile can be seen as a demonstration of how a...
...wer in reality will be driving a newer model vehicle and attached this dream life to this particular vehicle. The car itself is almost like any other new car in the lot, but with the careful use of new modern manipulation the viewer will desire this car over any other. That is until a new commercial replaces the Kia commercial in the viewer’s mind.
The world of technology is ever changing and advancing. With the automotive industry in play technology is constantly surpassing what is available today with what can be done for tomorrow. Technology and the automotive industry go hand in hand with constant improvement to components of cars. Due to technology advancement there is competition within the car industry, especially between American car companies and European car companies. European car companies provide their buyers with innovative variety and revolutionary luxuries. European car technology is superior to American car technology due to their safety, entertainment, and luxury features.
In the essay “Bel Air: The Automobile As Art Object;” Daniel L Guillory uses a combination of narrative and expository writing as a way of showing his audience the connection between an icon, which in his case is a 1958 Chevy Bel Air, and the effect that it can have on a person.
The New Jersey setting is in specific detail. Automobiles are important in the novel they are used through the entire novel. Also almost every car touch...
For my recitation I chose the poem, “Monstrance Man," by Ricardo Pau-Llosa. I selected this poem from the Poetry Out Loud archive because I liked the way it was structured and written. As I first skimmed the poem my understanding of it was shallow, but as I began to practice it I gained a deeper knowledge of its story and meaning. I realized the depth of the protagonist and how greatly I empathized with him. Specifically, I learned the definition of the term “Monstrance” and that
William W. Botorff, “What was the first car? A quick history of the Automobile for young people”,
As a contrast to the humanity portrayed by Mr. Mead, Bradbury has mirrored the characteristics of progress in the police car. The car, as well as Mr. Mead, is associated with light. The light of the car, however, displays the absence of humanity. Rather than the "warm" light of Mr. Mead, the car possesses a "fierce" and "fiery" light that holds humanity "fixed" like a "museum specimen"--something from the past that should be looked at behind an impersonal plate of glass (105-06). When not holding humanity captive, the car's lights revert to "flashing ... dim lights," showing the absence of any real soul (106). The car is representative of several modern inventions, thereby embodying mankind's advancement. It is itself a robot, and it speaks in a "phonograph voice" through a "radio throat" (105-06).
Automobiles symbolize the good and bad, people often look at the make of the car. It represents what, and who you are. Driving a Hyundai people will assume you aren't wealthy rather it means you are rather on a budget in comparison when you see someone drive a Range Rover you think of the person as being wealthy. For example, there is a video on YouTube where these guys rent Ferraris in Las Vegas. To show those women want guys for...