More handpicked essays just for you.
Shakespeare’s influence on modern texts/films/ plays
Comparing and contrasting characters in shakespeare
Literary analysis of shakespeare
Don’t take our word for it - see why 10 million students trust us with their essay needs.
English 20
Personal Response to Othello Essay by Gina
Essay Question: Kyle MacLachlan says that he would love to play Iago because he looks “benign.” Explain using lines from the play, images from the film, and using the method used in class why benign, and evil at the same time creates such an interesting prospect for the actor.
In the image there is a picture of an American actor Kyle MacLachlan with a quote beside the picture. It says I’d like to do more Shakespeare. I’d like to do Iago in Othello. I look so benign. It would be interesting to see that black evil come out of my soul. Benign means gentle, kindly; and in the photo Kyle MacLachlan is smiling genuinely and he looks like a friendly and gentle person. In the play Othello written by William Shakespeare, Iago is considered the villain with a two-faced personality. It would be really interesting if Kyle MacLachlan were to play Iago because he looks benign and he would have to play the evil antagonist role which is the polar opposite of what gentle and kind is. He also had previous roles in movies where he was the antagonist, although
…show more content…
The actor is trying to show that looks don’t always depend on the person’s personality and traits. Exodus 3:14, I am what I am. I speak only truth; this was said when God spoke to Moses. In Othello, Act 1 scene 1, Iago says I am not what I am; this is the reversal of what God had said in Exodus 3:14.sic[3][4] This indicates that Iago is the devil and antagonist of the play. From Exodus 3:14 I speak only truth is something Iago does as well; although he is the devil, Iago still speaks the truth but guides people to hate and kill people. Although he is honest, he is not someone who should be trusted as he is the devil speaking with a manipulative truth. The reason why looks can be deceiving succeeds as a metaphor for this image is because in the image the actor talks about looking benign who reveals their true
However, this is contradicted. when he makes his appearance in Act 1 Scene 2. We see a sincere nobleman with cool-headedness, quite the contradiction to how we see. him later on in the day. Othello's perception of Iago emphasizes his tragic stature at first in the play.
When Shakespeare composed the tragedy Othello televisions were not. Along with no televisions, life in the late 1500s had many different qualities than it does today. This time period had no war on drugs and no high school shootings. Peer pressure was not an issue. The audiences of Othello in the 1500s did not face the circumstances that we, American high school students, face today. With these significant differences in daily life, come the attempts of movie creators to help prevent our modern day tragedies.
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Analysis of Othello’s Soliloquy. During Othello’s soliloquy in Scene 3, ll. 299-318, Shakespeare uses the literary devices of imagery, symbolism, and antithesis to develop the state of mind of Othello during this strenuous time in his life. Othello, who seems to intrinsically believe that as a public figure he is fated to be unsuccessful at marriage, is torn between his love for Desdemona and the possibility that she is having an affair with Michael Cassio. This particular passage comes at a juncture after he denies that this could be true, and before he is finally convinced of his wife's infidelity.
Fred West addresses the fact of Iago misrepresentation, “It is not sufficient to simply drape Iago in allegorical trappings and proclaim him Mister Evil or a Machiavel or a Vice. Such a limited view of Iago is an injustice to the complexity of his character, since Shakespeare’s studies in personality are acclaimed by psychologists for their accuracy and profundity” (27). West seems to be reminding us that just seeing Iago as the representation of evil within the play of “Othello” is the wrong way to paint him. Iago is a man wronged by Othello in the fact that he was not chosen to be Othello’s lieutenant, which is what put the dastardly idea into Iago’s head to trick them all and bring them to their knees. As Iago tells Roderigo within the first act and scene of “Othello”,
Geoffrey Sax's interpretation of William Shakespeare's wicked villain Iago is extraordinary. While reading the play, I envisioned Iago precisely as Christopher Eccleston portrayed him--diabolical and amoral--the pathetic antagonist of Othello, bursting with frustration and dominance throughout the text and film. Iago, or Ben Jago--the characters name in the film--is the backbone of both works, moving the plot along with his deceit and mendacity, progressively leading the audience to the tragic climax.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
William Shakespeare has yet again created a world of good and evil. In his work Othello, the ideals and principles of this world are just like any other with a twist brought upon by two characters, Othello and Iago. These two characters along with many others employ the central idea of what good and evil entails. However, neither Othello nor Iago possess just one of these traits. Othello is not just the pure perfect guy he is perceived to be and Iago is not just the evil vindictive character he is believed to be but rather both of these men are far more interesting than that. They both have the necessary qualities that get them through life and potentially threaten their lives. Through their actions and interactions with the other characters that they really are is shown.
Response to William Shakespeare's Othello. Following this mingled conversation in which Desdemona playfully reverses Othello's insinuating diagnosis; Desdemona informs her. husband that she has sent for Cassio to speak to Othello. However, Othello ignores this piece of information and claims a cold in the head, asks for her handkerchief.
Shakespeare's Othello is a novel that depicts on the intense relationship between Othello, Cassio, and Iago. One charter may see the other as a dear friend and a comrade, but the second one may see the first as an inferior person that he/she is envious of due to something they have. Othello is a tragedy of trust, if you learn to trust then you live in happiness, but the power of distrust is enough to make a man attempt evil and corrupt actions. During the course of the book some of the characters relations become strong, but then at the last possible moment most of those relations revert and a few increase. It is a difficult thing to explain, but I'll break it down for you. Each character had his own relation towards another, Othello had a strong friendship towards Iago, as if he were his brother. Othello sees Cassio as a fine young soldier, but as the story goes on he begins to despise Cassio because he was fed false information about Cassio that upset the war hero greatly. Iago hates Othello, because he gave what he thought was an underqualified soldier a promotion, so he is out for revenge. Iago is also jealous of Cassio for the reason just given, he thinks he deserves the promotion and is very envious that Cassio beat him to it. Why did these people's relation change? What role does trust play in the entire play? When do we know when to trust and when not to trust? These are all questions that wonder in your heads because in some cases it is bad to trust, but in others trust is what keeps relationships and friendships alive, don't be confused its just a matter of knowing when to trust and when not to trust.
The satanic character of Iago is depicted well though different types or imagery. His sadist intend is depicted through suffocating imagery “I’ll pour pestilence into his(Othello’s) ear” (II iii 356) says Iago in a soliloquy in as he is outlining his malicious intent and nature. This continues throughout the play with lines such as “The Moor already changes with my poison” (III iii 322) and “Not poppy nor mandragora, | Nor all the drowsy syrups of the world shall medicine thee to that sweet sleep | Which thou did owdest yesterday” (III iii 327-30). His malicious character is likened to a snake through this imagery of poisons like a snake has and then Lodovico calls him a “Viper” (V ii 281) which indicates how Iago’s character is that of a snake, and in those times a snake was considered a creature of pure evil. The Machiavellian persona of Iago can also be seen through his use of reputation imagery to Cassio and Othello. To Cassio he says “Reputation is an idle and most false imposition” (II iii 267-8) and as a paradox, to Othello, he says reputation is everything to a man and he is nothing with out it. Iago is also likened very much, though imagery, to the Devil.
Iago, the evil villain of Shakespeare's Othello, is more than just a villain. In many ways he is the most intelligent and appealing character in the play. Iago shows superiority over the rest of the characters in the play. He has the ability to manipulate the characters in the play, therefore controlling the play with every sequence of events. His intelligence shines through his ability to deceive, his ability to strategize, and his ability to twist the truth. Iago is appealing to the characters of the pay because he gives them what they want. Iago is appealing to the reader as well. His character is totally unconflicted about being evil, making him known to some authors as the villain of all villains. Iago is, in many ways, the most intelligent and appealing character in the play.
The Feelings or the Mind The dramatic work "Othello" can rightly be called a tragedy of feelings. The problem of the opposition of the mind and the feelings is the basis of the work. Each character is punished by death for what blindly went on about his desires and emotions. First of all, let’s start with a basic understanding of what is the difference between the feelings and the mind?