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Gender roles in the Victorian era: men and women
Literature and gender equality
Literature and gender issues
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Recommended: Gender roles in the Victorian era: men and women
Feminism, a controversial topic, is defined as the belief that women should have equal rights and opportunities as men. Throughout history, the dominance of the male gender, otherwise known as patriarchy, exists. Male dominance is particularly present in many works of literature during the Victorian . Dracula, by Bram Stoker, is a patriarchal novel due to the use of Dracula being the dominant figure, the distinction of “good” vs “bad” women, and how the women are weaker overall.
Dracula, the male figure in this novel, has all the power and is dominant. The count, being the only one that can create more of his kind, transforms Mina and Lucy into vampires. Although Lucy and Dracula’s three brides feed on the blood of children “...saw the wounds
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Lucy and Dracula’s three brides represent the “bad” women due to their sexual desires. Lucy was one of the Count’s victim due to her weakness, sleepwalking. “She (Lucy) was bitten by the vampire when she was in a trance, sleep-walking…” (Stoker 172). Her fate could have been a result of her sexual desires, in which she indicated by wanting to marry all three men that proposed instead of one. “Why can't they let a girl marry three men, or as many as want her…” (Stoker 50). However, during the Victorian era (and today), women were subjected to be dedicated to one man only, and the thought of any more would be considered immoral. A critique argued that, “A woman...is better dead than sexual” (Craft 88). Children were also important in the Victorian era. Lucy’s transformation from an innocent and beautiful girl to a child-harming monster shows how looked down upon women who were disloyal to their husbands …show more content…
Mina displays as a different kind of woman. She states that she has been “working very hard lately...to keep up with Jonathan’s studies” (Stoker 46). As an assistant school mistress, Bram Stoker shows that she is not the stereotypical woman in the Victorian era. Women during this period of time were expected to stay at home all day to cook, clean, and take care of their children, while men were the ones who typically had occupations. Men were also considered to be smarter than women. “Male intelligence was greater than female, men had greater independence and courage than women, and men were able to expend energy in sustained bursts of physical or cerebral activity.” (Geddes 53). However, Stoker proves Mina to be intelligent because of her ability of using a stenograph, typewriter, shorthanding, and being able to memorize train schedules. In addition, Van Helsing states that she has a man’s brain “Ah, that wonderful Madam Mina! She has man’s brain, a brain that a man should have were he much gifted, and a woman’s heart.” (Stoker 201). This show that her mind is different and more complex, to the point where she reaches the level of a man’s intelligence. Through Mina’s character, Stoker implies that futuristic women can be seen as more than just maternal figures, suggesting progressive ideas toward
Science has proven that anatomically, women’s physical strength is generally less in comparison to men’s enhanced muscularity. This anatomic disadvantage that women suffer has led to negative stereotypes of gender. Women are considered weaker, or less intelligent than men based on an impression that women are minuscule in comparison to men. In the novel Dracula, Bram Stoker sheds light on gender inequality, establishing that not all women are inferior to men, in fact, they should be seen as equals. Notably, Stoker reveals society’s ambivalence to women’s fortitude by providing an abundance of Victorian gender stereotypes and their inaccuracies throughout the novel. In addition, Stoker downplays female cliché’s, disclosing that women
Bram Stoker’s “Dracula,” came to print in 1897, at the height of Nineteenth century Victorian life in Europe, a progressively modern era that saw much medical and technological advancement. This era brought with it the contentious idea of an empowered woman, the “New Woman,” a woman who aspires to be educated as well as sexually and economically independent. Stoker gives a contrasting view of this notion in “Dracula.” While the main characters, Lucy and Mina, are clearly opposite in personality, they are both portrayed as unequal, defenseless objects that are to be protected and desired. However, one woman’s fate is determined by her weakness, while the other is determined by her strength.
Stoker has rendered the reader to see the Count as physically strong and powerful, through Jonathan Harker and his confinement and Lucy Westenra and her failing health. Although the reader does not understand all the omniscient powers and control that Count Dracula possesses over people, they are brought to light through Dr Steward’s accounts of his patient R.M. Renfield. The ‘strange and sudden change’ (Stoker, 86), that has happened in Renfield evokes the reader to contemplate the Count’s influence over people. Dr Steward suggests it is as though a ‘religious mania has seized’ Renfield (Stoker, 87), and is controlling him. The reader is aware that Renfield can feel the Counts presence and that there is a connection between them. This eventually leads Van Helsing to recognize the bond between Mina Harker and the Count, which helps them to find Dracula and ...
For the most part he carried the same views of women from the 19th century, but by giving Mina such an important role he also saw that maybe the?New Women? would not be such a threat to a male-dominated society. I really did enjoy reading this novel. I was surprised to find out how many words and meanings I did not understand until clarified, that Victorians understood. For example, giving someone your blood through a transfusion was considered so intimate that you were then seen as married. I would like to have spent more time learning about science during this particular era and how patients like Renfield were treated.
“Dracula, in one aspect, is a novel about the types of Victorian women and the representation of them in Victorian English society” (Humphrey). Through Mina, Lucy and the daughters of Dracula, Stoker symbolizes three different types of woman: the pure, the tempted and the impure. “Although Mina and Lucy possess similar qualities there is striking difference between the two” (Humphrey). Mina is the ideal 19th century Victorian woman; she is chaste, loyal and intelligent. On the other hand, Lucy’s ideal Victorian characteristics began to fade as she transformed from human to vampire and eventually those characteristics disappeared altogether. Lucy no longer embodied the Victorian woman and instead, “the swe...
This essay explores the blurring of gender roles within Bram Stoker’s Dracula and Angela Carter’s The Lady of the House of Love, focusing on the presentation of a sexually assertive female and its threat to the patriarchal society, and the duality of the female characters as they are presented as enticing and thrilling, but also dangerous and somewhat repulsive.
One of the major themes of Bram Stoker’s Dracula is the triumph of the masculine over the feminine, but also the slowly rising influence of female involvement within society. Victorian society had certain expectations of different genders, which were fundamentally different. The traditional
Stevenson, John Allen. A Vampire in the Mirror: The Sexuality of Dracula. 2nd ed. Vol. 103. N.p.: Modern Language Association, 1988. JSTOR. Web. 6 Jan. 2014. .
In Victorian society, according to Dr.William Acton, a doctor during the Victorian period argued that a woman was either labelled as innocent and pure, or a wife and mother. If a woman was unable to fit in these precincts, as a result she would be disdained and unfit for society and be classified as a whore (Acton, 180). The categorizing of woman is projected through the “uses the characters of Lucy and Mina as examples of the Victorian ideal of a proper woman, and the “weird sisters” as an example of women who are as bold as to ignore cultural boundaries of sexuality and societal constraints” according to Andrew Crockett from the UC Santa Barbara department of English (Andrew Crockett, 1).... ... middle of paper ...
Similar to almost every piece of literature ever created, Dracula by Bram Stoker has been interpreted many different ways, being torn at from every angle possible. Just as one might find interest in interpreting novels differently, he or she might also find interest in the plot, prose, or theme, all of which ultimately lead to the novels overall tone. Throughout the novel, it becomes blatant that the novel contains an underlying theme of female incompetence and inferiority. Through a true feminist’s eyes, this analysis can clearly be understood by highlighting the actions of Mina and Lucy, the obvious inferior females in the book. Through Stoker’s complete and utter manipulation of Mina and Lucy, he practically forces the reader to analyze the co-existence of dominant males and inferior females in society and to simultaneously accept the fact that the actual text of Dracula is reinforcing the typical female stereotypes that have developed throughout the ages.
...sitive depiction of their sexual relationship. For Mina, however, renunciation of Dracula's evil must include the renunciation of her own physical needs and desires. The roles played by social mores and conceptions of gender and sexuality are, in the end, more than incidental. Indeed, the difference between Victorian England and 1990s America causes the subtle -- but significant -- valuation of the connections between good and evil and women and sexuality in two in many ways similar texts.
The Victorian England setting and culture of “Dracula” by: Bram Stoker attributes to many stylistic components and character behaviours in the novel. One of which is the behaviour and actions characters express that are a result of sexual repression. In Dracula, sexual repression is best expressed by the character’s desire to create. This desire is exemplified by the way Dracula creates other vampires, Lucy’s sexual desires, and the men’s expression of aggression. The creation of other Vampires is evident through events including Dracula’s aggressive encounters with Lucy and Mina, and the fact the Dracula is building up a Vampire army. Lucy’s sexual desires are exemplified through her longing to have sex with multiple men and how she compares
Despite popular culture today with shows like The Vampire Diaries where vampires are often continuing their daily lives as if they are human and being the heroes to their friends and/or family, Dracula is a depiction of how vampires have, for centuries, been exposed as bloodthirsty, supernatural beings with sexual appeal. The way women are portrayed in Bram Stoker’s, Dracula, is a result of the Victorian ideals. Once Dracula begins to feed on the women, they become bloodthirsty temptresses which are exactly what society fears and try to prevent. In Dracula, Stoker makes sexuality directly linked to the vampirism in the novel. This is seen through the change of Lucy’s somewhat modest behavior into a temptress, the blood-sharing between characters in the novel, and the description of the way Lucy was killed.
Bram Stoker's novel Dracula, published in 1897, explores various sexual erotic possibilities in the vampire's embrace, as discussed by Leonard Wolf. The novel confronts Victorian fears of homosexuality; that were current at the time due to the trial of playwright Oscar Wilde. The vampire's embrace could also be interpreted as an illustration of Victorian fears of the changing role of women. Therefore it is important to consider: the historical context of the novel; the Victorian notion of the `New Woman' specifically the character of Lucy Westenra; the inversion of gender roles; notions of sexuality; and the emasculation of men, by lessening their power over women; in the novel Dracula. In doing this I will be able to explore the effects of the vampire's embrace in depth, and achieve a wider understanding of the variety of erotic undercurrents Stoker incorporated into the novel.
As the saying goes, “Women can do everything Men can do.” In the Gothic Novel Dracula by Bram Stoker, there is a constant theme of sexuality, from both male and females in society. In the Victorian era, the roles of male and females have caused a lot of tension. After reading Dracula, some would argue the roles men and women hold in society. As mentioned in Dr. Seward’s Dairy from Val Halsing., “Ah, that wonderful Madam Mina! She has man’s brain—a brain that a man should have were he much gifted—and a woman’s heart. The good God fashioned her for a purpose, believe me, when He made that so good combination” (Stoker and Hindle, 2003 250). A women’s mind is not the always the first thing on a males mind. Some would overlook what a woman really has to offer.