It is hard to overlook the oppression that faces Palestinians living in Israeli-occupied territories. Every street is littered with garbage, and walls are covered in grafitti. For citizens there, every day is a struggle to survive and violence is a constant threat. In contrast to the modernized and prosperous cities in Israel, the occupied territories are rural and tyrannized. The helplessness that Palestinians feel as a result of this situation often serves as a justification for bombings.
Although a major component of this conflict is religion, the difference in beliefs in the Middle East is not the sole reason for Palestinian resistance and violence. Instead, each person is motivated to fight for freedom in a unique way. For some, the occupation has causes issues and deaths of family or close friends. Others simply feel that it is their duty to fight for independence. No matter the reason, each freedom fighter feels that their actions are justified by the problems that the occupation has bestowed upon them. In Hany Abu-Assad’s Paradise Now, two Palestinian men are are chosen to commit a suicide bombing in Tel Aviv, Israel. Using the two men as examples, Abu-Assad demonstrates the distinct effects that each man feels in Israeli occupied territories. Hany Abu-Assad has experienced the oppression of the Israeli occupation first hand, and in Paradise Now, he uses long shots to show the overall injustice of the situation and close-up shots to show how single people are trapped by unique circumstances.
Two of the major shots that Hany Abu-Assad uses in Paradise Now are close-up shots and long shots. A close up shot is defined as “a shot in which the subject is larger than the frame, revealing much ...
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...aradise Now" amid Israeli Rockets." Interview by Igal Avidan. Qantara.de. 2005. Web. 22 Feb. 2014. .
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Paradise Now. Dir. Hany Abu-Assad. Perf. Kais Nashef and Ali Suliman. Warner Independent Pictures, 2005. DVD.
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The fight between Israel and Palestine has been seen as an unfair battle, due to the high-tech supplies given to Israel by the US. Israel’s military is extremely strong and constantly growing, with people joining from all over the world, while Palestine’s main defense is a terrorist group called Hamas. Israel has been forced into building a wall surrounding the Gaza strip to stop these terror attacks from harming the citizens of Israel. Palestine believes that Israel’s fighting is too severe compared to Palestine’s attempts at attacking Israel. Gideon Levy wrote, “Once again, Israel’s violent responses, even if there is justification to them, exceed all proportion and cross every red line of humaneness, morality, international law, and wisdom (Document 5, Palestinian View)”. The Palestinians believe that the Israeli military is fighting too much and unfairly, and should not be allowed to take these measures against them.
Most people think Israel always belonged to the Jews but it wasn’t always a safe, holy place where Jews could roam freely. Along with Palestine, it was actually forcefully taken from the Arabs who originated there. The main purpose of this novel is to inform an audience about the conflicts that Arabs and Jews faced. Tolan’s sources are mainly from interviews, documentations and observations. He uses all this information to get his point across, and all the quotes he uses is relevant to his points. The author uses both sides to create a non-biased look at the facts at hand. The novel starts in the year 1967 when Bashir Al-Khairi and his cousins venture to their childhood home in Ramallah. After being forced out of their homes by Jewish Zionists and sent to refuge for twenty years. Bashir arrives at his home to find a Jewish woman named Dalia Eshkenazi. She invites them into her home and later the...
This marked the beginning of the Palestine armed conflict, one of its kinds to be witnessed in centuries since the fall of the Ottoman Empire and World War 1. Characterized by a chronology of endless confrontations, this conflict has since affected not only the Middle East relations, but also the gl...
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Critics have already begun a heated debate over the success of the book that has addressed both its strengths and weaknesses. The debate may rage for a few years but it will eventually fizzle out as the success of the novel sustains. The characters, plot, emotional appeal, and easily relatable situations are too strong for this book to crumble. The internal characteristics have provided a strong base to withstand the petty attacks on underdeveloped metaphors and transparent descriptions. The novel does not need confrontations with the Middle East to remain a staple in modern reading, it can hold its own based on its life lessons that anyone can use.
The beat-up Arab minivan slowed tentatively under the scrutinizing gaze of the Israeli soldier on duty. The routine was simple. About halfway between Damascus Gate in East Jerusalem and Ramallah, the West Bank commercial center, the driver, blaring Arabic music on his radio, maneuvered around the dusty slabs of concrete that composed the Beit Haninah Checkpoint. He waited for a once-over by the Hebrew-speaking 18-year-old and permission to continue. Checkpoints-usually just small tin huts with a prominent white and blue Israeli flag-have become an integral and accepted part of Palestinian existence under Israeli occupation. But for me, a silent passenger in the minivan, each time we entered the no man's land between Israeli territory and the West Bank, my hea...
In 2005, the Palestinian director and writer, Hany Abu-Assad, released his award-winning motion picture, “Paradise Now.” The film follows two Palestinian friends, over a period of two days, who are chosen by an extremist terrorist group to carry out a suicide mission in Tel-Aviv during the 2004 Intifada. The mission: to detonate a bomb strapped to their stomachs in the city. Because the film industry seldom portrays terrorists as people capable of having any sort of humanity, you would think the director of “Paradise Now” would also depict the two main characters as heartless fiends. Instead, he makes an attempt to humanize the protagonists, Khaled and Said, by providing us with a glimpse into their psyches from the time they discover they’ve been recruited for a suicide bombing operation to the very last moments before Said executes the mission.
Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..
Edward Said “States” refutes the view Western journalists, writers, and scholars have created in order to represent Eastern cultures as mysterious, dangerous, unchanging, and inferior. According to Said, who was born in Jerusalem at that time Palestine, the way westerners represent eastern people impacts the way they interact with the global community. All of this adds to, Palestinians having to endure unfair challenges such as eviction, misrepresentation, and marginalization that have forced them to spread allover the world. By narrating the story of his country Palestine, and his fellow countrymen from their own perspective Said is able to humanize Palestinians to the reader. “States” makes the reader feel the importance of having a homeland, and how detrimental having a place to call home is when trying to maintain one’s culture. Which highlights the major trait of the Palestinian culture: survival. Throughout “States”, Said presents the self-preservation struggles Palestinians are doomed to face due to eviction, and marginalization. “Just as we once were taken from one habitat to a new one we can be moved again” (Said 543).
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