Paradise Lost: The Child Murders At Robin Hood Hill

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Some people may think that filmmaking is about the big picture, not small details. The movie Paradise Lost:The Child Murders at Robin Hood Hill directed by Joe Berlinger and Bruce Sinofsky captures the big picture and exposes raw footage, interviews, court room conferences, and personal family gatherings. The filmmakers use a plethora of rhetorical devices to show the audience their perception of the court cases, whether they perceive the defendants guilty or innocent. Berlinger and Sinofsky communicate their thoughts about their subjects to the viewers. In such a way that is not blunt yet still appeals to the immense audiences with emotion, credibility, and reasoning. In the film, Berlinger and Sinofsky first set the stage by revealing footage of where the police first discovered the three mutilated boys. They provide viewers with a glimpse of the secluded patch of woods with a lake located beside a busy freeway. In addition, police officers and investigators also quietly roam the area, surveying the crime scene where the remains of three children lie. Viewers can almost feel that this scene went on longer than it should have because of its slow transitions. Berlinger and Sinofsky solidify their credibility by giving viewers a moment to collect their feelings, building questions they would soon answer for viewers in the following scenes of …show more content…

This grand reveal is also accompanied by the Metallica soundtrack that appears to be in a minor key. Perhaps Berlinger and Sinofsky wanted to appeal to viewers’ emotion, this time through heightening music. The speed of the music welcomes the emotions we associate it with. That is, sadness and seriousness. The film makers almost want viewers to be dismal, connoting the severity of the situation and leading them to wonder who was responsible for the death of these young boys and what consequences will

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