Paolo Veronese's Painting "Mars and Venus United by Love"
“Mars and Venus United by Love” by Paolo Veronese is done in the Renaissance style of painting. This is done in this style, because Poalo Veroneses was a Renaissance painter as well as his teacher Titan.
The painting takes place in Rome in the Mythological Era. It is not known who commissioned this work. Emperor Rudolf II in Prague owned this piece of artwork as well as four others of Veronese’s paintings.
Mars is the God of war; and Venus is the Goddess of love.(These are the Roman names for the Greek Gods; which in Greek Venus was called Aphrodite and Mars was actually called Aries.) The theme of this painting has to do with Roman mythology. Cupid is tying Mars and Venus together. There are many different explanations that people have came up with to explain this painting. There is always that tie between love and war, even the saying “make love not war”. The most common translation would be [Venus, the woman symbolizes chastity transformed by love into charity and that the horse held back by an armed cupid is an emblem of passion restrained](Metropolitan Museum of Art, pg.185)
The painting clearly shows Mars and Venus being tied together by a cupid. So I can see why this is the most popular translation of this painting. My personal response was really strong after seeing the painting for the first time. As soon as I saw this painting I knew that it had a deeper meaning to it; and not just some people being tied together by a cupid. I knew right away that it had to do with Roman mythology just from the names. After looking at this painting for a while there is still something that the artist is trying to portray, that is really tough. It feels like there is more going on than what seems. The painting has such a calm tone to it but it gives a little hint of roughness with the sword and the horse, which I think, helps to balance this painting.
Andrea Schiavone devised a strategy to distinguish himself from the master painters before him. This style is marked by a sense on incompleteness and feathery brushwork. The painting The Marriage of Cupid and Psyche shows Schiavone at his best because it is the perfect example of the harmony between Titian and Parmigianino. The sinuous lines depicted in the painting give it a lot of sex appeal, while his heavy-duty paint handling keeps it from cloying. In this work Schiavone forces you think past the accepted notions of what is right, and instead focus on the beauty that lies past right and wrong. The painting itself is of Venetian origins, dating back to 1550. It is composed of oil on wood and it was originally octagonal in shape. The corners were add...
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Because this painting was completed during the Neoclassicism art movement, Lagreneé does an excellent job of giving attention to detail in the room of Cupid and Psyche to portray the expressions of the sleeping Cupid while Psyche is about to realize who the man she has been sleeping with truly is. The bright hues utilized in this painting seem to draw the attention of the viewer to Cupid before Psyche to help portray the importance of Cupid being asleep while Psyche seeks to discover who he is. Lagreneé does an excellent job of showing the two levels of trust that the two characters have in each other by showing Cupid spread out in the bed, completely at the will of his lover, while she disobeys his one request of
The painting depicts two figures, the one of a woman and of a man. The dominating central figure is the one of the woman. We see her profile as she looks to the left. Her hands are crossed in a graceful manner. She has blonde hair and her figure is lit by what seems to be natur...
Smith, Marilyn. "Giovanni di Paolo." The Oxford Companion to Western Art. Ed. Hugh Brigstocke. Oxford Art Online. 17 Nov. 2009. .
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