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The music of death essay
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Lindsay Sanwald transforms into a free version of a being in the form of Idgy Dean. Coming from Brooklyn, New York, Idgy Dean's latest album OMINOUS HARMINUS is an 8 track vivid journey of sounds. The Psychedelic-pop woman credits and dedicates her tracks to "all the people who couldn't stay," bringing attention to the memory of her late father. With such a heavy dedication, and inspiration, the creativity and true emotion of Dean shines on this album, and notably in the experimental sounds. "Overture" begins with a voicemail to Sanwald, from an officer in regards to her father. The drumming begins, and the true meaning of "overture" begins as a proper introduction to the substance of a memory in a grand introductory piece of harmonics for the 9 minute track. Dean's vocals are light and breezy, and fill in the cracks between drums and layering effects. The tone is a creamy dream, and addictive to say the least. Hidden between the exterior of strength, represented by sounds, lies lyrics that pinch the heart: "By the time I found my father he’d already gone away / Caught him swimmin’ in a vision, now he’s coursin’ through my veins." …show more content…
Picking up on a continued story comes "Pantheon Punk," which begins with 80s momentum and vibes, which is still intertwined with Dean's indie and experimental sound. Dean's vocals standout on this track in particular, ranging from different types of emotions heard in her tone. And that bass? Compliments her voice
Lyrically, Demons could be compared to any metalcore band, but I feel like I’m listening to The Amity Affliction. The themes of depression, anger, despair, and anxiety are present consistently through, the appropriately named, Demons. Each song touches on one of those topics, and the emotion is prevalent through front man, Nicholas Matthews’ versatile voice. His higher pitched voice may turn away some, but I do not mind it at all. His sound reminds me of Denis Stoff or Vic Fuentes. Matthews lets his screams become more evident in each song, rather than being used as background vocals. The screams also sound much better than those from their last album, Everyone is Out to Get Me. The uncleans and cleans overlap each other adding a complexity to the songs, as well as harmonies in some parts. Certain lines in the songs are screamed while others are sung, with no pattern, to add a strong emotional emphasis. My one complaint though, is that all the songs follow the same formula of a verse, chorus, and then a bridge near the end. There is not much variance in the song structure. However, the band is able to keep things interesting by adding unconventional instruments and effects. Songs such as “The Devil’s in the Details” or “Second Guessing,” features both violin and piano. The song “Addict,” even has the sound of rain in the background, which
John Cage took a simple approach to music. While Cage believed that music can merely be found anywhere and within any sound, traditionally, music remains described as the art of arranging tones or sounds in a way that produces a composition having unity and continuity (Merriam-Webster). John Cage had a Zen Buddhism philosophy of music, meaning music is everywhere and anything can be interpreted as such (House of Solitude). However, I believe music is only the intentional arrangement of sounds.
The affects of Seattle’s geographical location appears to be an ingredient of the music created by these grunge bands, whether expressed blatantly or subliminally. Seattle exists in a corner of our nation and a great distance from more prominent cities, therefore, a sense of isolationism amongst its citizens is to be expected. Seattle is also subject to an unusually high level of precipitation, most notably rain, one (1) of the few things that the city may be regarded as famous for. An abundance of gloomy days certainly plays upon the psyche of the human attitude. Musicians of grunge bands appear to express this geographical condition in the manner in which they choose their topics for lyrics and deliver their music. Isolation may be cited as an influence in their music with the respect to the style in which they deliver their product, well practiced, yet unrefined because of their lack of hope for recognition. Unrelentingly dreary weather may be responsible for depression among band members that may well be reflected in their music, possibly accounting for their extreme volume (frustration and yearning to be heard) and crude lyrics (unpolished because they expect to remain obscure).
Ludwig van Beethoven, I love to listen to his symphonies. It feels me better and refresh. The traditional objectivity of structure, amicability, shape, melodic advancement and coordination traverse into open-finished plausibility. I listened to Beethoven symphony works and have some notes for these symphonies.
On a Wednesday night I saw Texas State Theatre and Dance Department's performance of A Chorus Line. The main plot of the musical entails the audition of 17 dancers for several Broadway roles on the chorus line. However, during their auditions the director Zach asks for personal stories of each dancer's life. Though the plot of this musical is seemingly simple in its twist on the traditional audition, it explores themes that reveal the human experience, the search for individuality, and the sense of self.
Alternative rock music of the nineties successfully captured the distress of a young generation afflicted by multiple struggles. First and foremost, this music genre accurately voiced the concerns of those who could not imagine a thriving future as prosperous members of society, and for whom the American dream was nothing but a distant notion. For instance, in his song “Loser”, Beck Hansen skillfully described the apathy that overtakes an individual’s being when he is faced with life´s unavoidable grim prospects. Similarly, this kind of music resonated with all those individuals who were struggling to feel comfortable in their own skin. To illustrate, in one of its most popular songs, “Creep”, the alternative rock band Radiohead managed to convey the excruciating angst experienced ...
The first reason why I chose to go to the Seattle Symphony production on February 17th, 1998 was that the resources of the featured artists and the conductor Maximiano Valdes were quite plentiful. It was quite easy to find information on the conductor using the library and even the Internet. In fact, Valdes current place of employment, that being the music director of Buffalo Philharmonic has a detailed web page and history of Valdes, including his place of birth and significant accomplishments up to present. With all this information available, the writing of this paper would be significantly easier. Upon arriving at the production, there was an announcement that Maximiano Valdes would in fact not be conducting the Seattle Symphony that night, but a replacement by the name of Jorge Mester would. The announcement was surprising, but the biggest shock was after the concert when the information sought on Mr. Mester was very limited. The information that could be found on Mr. Mester was that the man was quite accomplished, and winner of various awards. Some of the major accomplishments were that of being the current Artistic Director of the National Orchestral Association's New Music Project and winner of the prestigious Naumberg Prize.
The Philadelphia Orchestra is an American symphony orchestra in Philadelphia, Pennsylvania. Their concert hall is at the Kimmel Center for Performing Arts, where they perform for their patrons during their main season, September to May, in Verizon Hall. This has become the orchestra’s performance hall since 2001, since they also own the Academy of Music, which is the oldest operating opera house in the nation since 1957. The orchestra also performs for its Philadelphia audiences during the summer at the Mann Center for the Performing Arts. The orchestra was founded in 1900 by Fritz Scheel, who also acted as the first conductor. The current and eighth music director is Yannick Nezet-Seguin, who was appointed in 2012 (The Philadelphia Orchestra, 2016).
Many people would argue that the most important, most significant part of any piece of literary, artistic, or vocal work is the title. The title often times resonates through the minds of an audience; simultaneously, this essential feature of any piece of work imprints specific emotions and thoughts in the psyche of an author’s captivators. In Lawrence Levine’s “The Quest for Certainty”, the title is used to address the motivation enslaved African-Americans of generations ago possessed that ultimately was utilized to create sacred music. Validation in one’s identity is not something everyone in this world can attribute to owning. Individuals from the inception of time to now have always questioned their existence and purpose, and the lives
Mozart’s Requiem is “one of the most performed and studied pieces of music in history” (Stango, n.d.). The story behind the start of this piece begins with Count Franz von Walsegg, who commissioned a requiem mass for his wife Anna (who had passed away). Throughout his work on this piece, Mozart began to get so emotionally involved with the piece that he believed that he was writing a death mass for himself. Mozart died December 5, 1791, with only half of the Requiem finished (through Lacrimosa). Franz Xaver Süssmayr finished the Requiem based on Mozart’s specifications from notes and what he had already written. The completed work is dated 1792 by Süssmayr and was performed for the first time on January 2, 1793. Mozart’s intent for this mass was specifically for church ceremony, but recently, the Requiem has been used and performed at concerts to showcase Mozart’s musical brilliance (Stango, n.d.).
The Symphony Orchestra concert was preformed by The OU School of Music with Jonathan Shames as a conductor and they presented Sutton Concert Series. In addition, the Orchestra concert performed at Paul F. Sharp Concert Hall in October 12, 2015.There were like forty-one performers on the stage including the conductor using different types of instruments and and all of them were wearing a nice black clothes. The stage was a quite large with wooden floor and there were two floors for the audience with a comfortable seating. However, all the performers were on round shape and against the conductor.
The Beethoven Symphony #9 in D minor is being announced during the 4th movement of the symphony. Typically, in symphonies, the 4th movements take part in the term of Allegro, which means it is played quickly or fast. However, in Beethoven Symphony, the 4th movement opens with a flurry sound and then is introduced by an instrumental recitative. A recitative is a style of music alternating between speaking and singing words on the same note. In a recitative, the music lines are not repeated even though formally composed songs do.
To ignore the Emperor concerto and its heroic sublimity when discussing the early developments of the Romantic era and the ending of classicism, would be to altogether ignore a fundamental transitive step in the passage of classicism to romanticism
On Sunday, April 19 2015 at 2:00 pm in Carnegie hall, the American Symphony Orchestra performed five pieces by various composers. The pieces performed at the American Symphony Orchestra include Alleluia, Dream-king and his love, Symphony NO.2, Music for Cello and Orchestra, and Cantares. Various well-known composers such as Randall Thompson, Horatio Parker, George Rochberg, Leon Kirchner, and Roberto Sierra composed the pieces included. All of which have an amazing skill and talent in composing music, which has been demonstrated by the American Symphony Orchestra.
Ludwig van Beethoven once said “Music should strike fire from the heart of man, and bring tears from the eyes of woman.” Beethoven is known as one of the greatest composers of the classical era who was not afraid to push the boundaries of the music world. But who was the man behind the music? Beethoven’s life was filled with many obstacles beginning at a young age. This can be heard throughout all of the music he writes. One piece in particular is Symphony No. 3 also known as Sinfonia Eroica.