Othello by William Shakespeare
The name William Shakespeare is certainly one of a timeless notoriety, belonging to one of the most famous playwrights of all time. This literary genius authored numerous plays and sonnets, captivating his diverse audiences with both comedy and tragedy, although the latter category has been identified as his point of particular strength. Like those of many other authors, Shakespeare's catastrophic story lines adhered to the outline of Aristotle's classic tragedy. The play Othello, well known as one of Shakespeare's four great tragedies, proves to be an excellent example of this statement. In Aristotle's observations, he first realized that every great tragedy had a character that was larger than life. In the play Othello, the title character himself proves to follow this standard. Shakespeare required that a large actor take on the role of the Moor, making him quite intimidating. Adding to his superiority, is his high military position. It is quite clear that Shakespeare's intention was to show Othello's physical dominance over his peers. Unfortunately, his wit, in contrast, leaves much to be desired.
This leads to Aristotle's next observation: the main character in every great tragedy has a fatal flaw that will inevitably lead to his/her downfall. As previously mentioned, Othello was too easily duped by the trickery of his untrustworthy sidekick, Iago. Naivete blinded him from the deception of his inferior until, of course, it was far too late. Iago spoke of his gullible nature: "The Moor is of a free and open nature that thinks men honest that but seem so, and will as tenderly be led by th' nose as asses are." (I, iii, 442-445). Othello recognized his own folly at the conclusion to the tragic tale, left only with grief and repentance as his sole companions: "Then must you speak of one who loved not wisely, but too well." (IV, ii, 403-405).
A major turning point in the story of the misguided Moor occurs when Othello makes an important choice—the decision to believe Iago over the trust of his wife. When he accepts the rumors of Cassio and Desdemona as truth, he fulfills another aspect of Aristotle's tragedy: he makes the moment of choice that decides his ending, deplorable state. He could have chosen to ignore the conniving Iago and retain faith in his wife's truth of character, but, like the fallen hero, he makes the wrong decision, stating, "All my fond love thus I do blow to Heaven.
Northrop Frye once said, “Tragic heroes are so much the highest points in their human landscape that they seem the inevitable conductors of the power about them, great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divisive lightning.” Othello is the pillar of tragic heros, first playing the part of a loving husband with a beautiful wife, then being manipulated into believing his wife was cheating on him and killing her. Throughout the play, he played the part of the protagonist, everyone hoping he would figure out Iago was lying to him. Othello being the protagonist made the fact he was also a villain bittersweet. His apparent love for his wife Desdemona, his ‘just’ reasoning for killing her, and Iago’s deserving end all contribute to the tragic work as a whole.
Fate or choice? Choice or fate? How does one separate these ideals? Can one? Shakespeare could not. Nor can we. Fate and choice are so intertwined that our choices determine our fate, and our fate determines our choices. William Shakespeare trusts the audience to scrutinize whether it is fate or choice that rules our human life. Shakespeare aptly conveys this oxymoron (with which people have been dealing for ages) through the evidence and structure of his play, Romeo and Juliet.
Othello is the central character of the story and Shakespeare emphasizes his nobility and charisma. He has "magic" in the words he uses and the stories he tells and his ability to speak towers above other characters. He is an excellent officer and possesses the virtues of honesty and fortitude.
It is clear that the race of Othello is a factor in his downfall. A
In everyones life there is always the one person who you think you can trust, and later come to find that they have been playing you all along. This is the exact case for Othello. Iago, whom Othello thought was a person he could trust, betrayed him in many horrific ways.As you read the famous Shakespearian play, Othello, the Moor of VeniceI, you come to realise pretty quickly that Iago is the evil charecter in this play. The readers do not actually get to see a good side of Iago, if there is any, because he is constantly using and playing people. Readers will also come to learn that no matter how evil Iago may be perceived as that he is very much a coward, using other people to do most of his dirty work for him.
Othello has been described as one of William Shakespeare’s most popular plays because the play focuses on its themes of good and evil, military, politics, love and marriage, religion, racial prejudice, gender conflict, and sexuality; but the controversy and debate surrounding Othello is “Why is Othello a qualification for a tragedy?”
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
Othello, the Moor of Venice is one of the major tragedies written by William Shakespeare that follows the main character, Othello through his trials and tribulations. Othello, the Moor of Venice is similar to William Shakespeare’s other tragedies and follows a set of specific rules of drama. The requirements include, following the definition of a tragedy, definition of tragic hero, containing a reversal of fortune, and a descent from happiness. William Shakespeare fulfills Aristotle’s requirements in this famous play. Aristotle, the famous philosopher, outlined several requirements in which a play or piece of drama is to follow.
Nick Potter states: “Othello is a tragedy of incomprehension, not at the level of intrigue but at the deepest level of human dealings. No one in Othello comes to understand himself or anyone else.” Within Shakespeare’s Othello, no character fully understands themselves of one another. This is especially true in human dealings, where the intentions of characters and how others interpret them are often misaligned. Conflict, and eventually, tragedy arises in Othello due to the incomprehension between characters, as well as within the characters themselves. From the reader’s perspective, it is tragic to understand the reality behind all the incomprehension, since the characters are oblivious to what the readers are aware of.
The play “Othello” by William Shakespeare was written in 1604 during the Elizabethan era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success on the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that caused his downfall is jealousy.
The plot of a play is defined by Aristotle to be "the arrangement of incidents," and it is therefore logical that the events of Othello perform an integral part in sustaining the interest of the audience. Shakespeare was clearly well aware of the importance of a good script and captivating plot, as the tragedy of Othello, the Moor of Venice, features twists, turns and revelations, each grasping and holding the attention of the audience. For example, within only one scene of the tragedy, Act IV Scene I, the readers and viewers of Othello witness Othello's emotional breakdown, the continued manipulation of characters by Iago and the arrival of Lodovico to Cyprus. The intriguing plot maintains it's momentum throughout the play, never giving the audience a chance to focus their attention elsewhere, and thus holding their interest until the final line.
Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
One of the first impressions gained of Othello is that he is a great war hero. Before much else is said of him, tales of his skill and valor in battle are illustrated and he is shown to be a great and famed warrior. He naturally possesses many attributes typically associated with soldiers. From the beginning Othello is noble, quick to act, judicious, trusting, and gives much weight to the importance of duty. These are all traits that serve to make him great at the beginning of the play, and later, ironically become key elements in his downfall. These aspects can be considered the internal causes of Othello’s tragic flaw. “Othello's nature is all of one piece. His trust, where he trusts, is absolute…. Love, if he loves, must be to him the heaven where either he must leave or bear no life. If such a passion as jealousy seizes him, it will swell into a well-night incontrollable flood.” Othello is pure an...
Mrs. Cornwall ENG3U1 October 14 2015 A Tragic Hero’s’ Path Towards His Downfall In society there are always people who are easily manipulated and possess poor judgment. This leads them to make wrong decisions and negatively affect their lives and the lives of the people around them. The reason for Othello’s tragic downfall was because of his poor judgement, his easily manipulated conscience and his jealousy and obsession with the world. These traits displayed why Othello was responsible for the play’s tragic outcome. The first trait that led to Othello’s downfall was his easily manipulated conscience.