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Representation of women in Shakespeare
Brief analysis of OTHELLO
Brief analysis of OTHELLO
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Recommended: Representation of women in Shakespeare
Feminism is defined as the theory of the political, economic, and social equality of the sexes. In the Elizabethan era, women were viewed as inferiors and faced sexist problems. Women were only seen as property for men to dominate and critique. William Shakespeare presents an overview of women’s social conditions in the play, “Othello.” The tragedy explores issues for women in society such as confidential marriages, adultery, and the social status of the women. The two main lady characters Desdemona and Emilia undergo predicaments that justify sexism in Othello. Desdemona is subservient and Emilia is ambivalent of the story. Desdemona is the devoted wife of Othello, despite the fact that he is of another descent which is frowned upon during …show more content…
Desdemona and Emilia were labeled as “property” towards the men in Othello. In Othello, Desdemona was treated as a piece of property during the Brabantio-Othello dispute. Brabantio angrily confronts Othello accusing him of blackmailing his daughter Desdemona into marriage. Brabantio states, “O thou foul thief, where hast thou stow'd my daughter?” (1.2.64-65). Brabantio refers to Othello as a “foul thief” taking his possession and authority of his daughter from him. Desdemona further is depicted as a token of exchange by Othello’s romantic words. Othello comments, “Come, my dear love/The purchase made/ the fruits are to ensue/ that profit’s yet to come ’tween me and you.” (2.3.10-11). Othello declares that the marriage was in fact an investment and a favor for Desdemona, concluding she’s has to satisfy her husband’s fancy. Emilia is portrayed as Iago’s possession within the play. Iago is a vindictive character that has no remorse for women, especially his wife. Iago is angered, accusing Othello of the following convictions: passing him on a lieutenant position, giving it to someone unworthy and his suspicion of possible adultery between Othello and his wife, Emilia. Iago calls out Othello for supposedly sleeping with his own possession. “And it is thought abroad that ’twixt my sheets/ He’s done my office” (1.3.324-325). Iago metaphorically describes Emilia as …show more content…
Desdemona has a different view of men after the unpredicted change of Othello’s persona. She denounces, “Nay, we must think men are not gods, / Nor of them look for such observances / As fit the bridal" (3.4.148-150). Desdemona rules that men should not be look to as gods if they cannot act as they did before. Emilia feels that men and women are justified equally and are entitled to the same rights as men. She lectures, “Let husbands know, their wives have sense like them; they see and smell, and have their palates both for sweet and sour as husbands have” (4. 3.70-74). The physical traits of male and female are of no difference. In addition, she says, “And have not we affections, Desires for sport, and frailty, as men have? Then let them use us well, else let them know, the ills we do, their ills instruct us so” (4.3.78-81). How men think they have sexual desire, Emilia believes that women have the same, however men are intellectually weaker: “Is’t frailty that thus errs/ It is so too” (4.3.77-78). Though these two have very opinionated thoughts about men’s authority, they have the conversation privately because still, women are used to society’s expectations. The intimate conversation depicts the different views that Desdemona and Emilia have on men and women’s social
In the novel Othello, written by William Shakespeare, there are a variety of ways in which women are portrayed. There are strong willed women such as Emilia, who stands up to the men, especially to her husband. If he is wrong she would openly admit that he is incorrect. There are also women who are thought to be a possession as well as extremely submissive to their husbands such as Desdemona. She is the type of woman that will obey her husband to the day she dies. Desdemona believes that her husband is always right and he will never do anything that will lead her into the wrong direction. Many of the women in this time thought the same way. They are viewed as house workers, cooks, and teachers to the children. In addition to those qualities women obtain, having no authority in marriages is also added to the list. In this novel, there is judgment against women because they are “unequal” to men. They are not allowed to do the same as men for the reason that they do not possess the same qualities as men. Men were considered to be superior to women. Women were treated as their “slaves.” In contrast, today’s time women now have power. They have the right to vote, run for office, and even work outside their homes. Women now play the part as the male and female figure in the households. They are considered independent women, not relying on a male figure. Even if they are married now, they do not listen to everything that their husbands tell them to do. It states in the Bible that a male figure is the head of the households; however women today have strayed away from that view that they had back then. They want to be the dominate figure. Times have really changed from the past to the present. W...
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
The Shakespearean drama Othello renders less to the female gender than it does to the male gender. All the women characters are victims – unjustly so. Let’s talk about the obvious sexism throughout the play.
During this time period, the men would work to support their family. Additionally, the woman would stay at home and care for her husband and children. This society thought of women as weaker than men. They were often treated as possessions of their husbands, “This concurs with Othello 's own insight when he describes murderous jealousy as innate in the husband-wife relationship which posits the wife as the exclusive possession of the husband and is thus at odds with the human condition wherein one can never know another person 's inmost thoughts and desires” (Vanita 342).The language Shakespeare uses in the play supports that men seemed freer than women. When Brabantio speaks of his daughter he describes her as obedient. Likewise, Desdemona obeyed Othello’s orders and stated she is indeed obedient to him. When Othello was convinced Desdemona was cheating on him he proceeded to murder
Emilia, while lying next to her best friend on her deathbed, began to suppress her passive nature and attempts persecute the murderer. Nonetheless, the only woman who stood up for herself got killed in the end by her own husband. Othello and Iago’s wives were thought to be disloyal to their husband, while only one of them was correct in this accusation, Desdemona and Emilia were both murdered by the people they pledged their allegiance to. But, Emilia was the only woman who denounced the authority men had over women and compares the qualities of both men and women. She is fully aware of the gender
Shakespeare’s tragic play Othello is an unfortunate example of gender bias, of sexism which takes advantage of women. The three women characters in the drama are all, in their own ways, victims of men’s skewed attitudes regarding women. Let us delve into this topic in this essay.
Within Shakespeare’s Othello there is an analysis into the context of the female. Brabantio’s rhyming couplet “Look to her, Moor, If thou hast eyes to see/ She has deceived her father, and may thee,” demonstrates his domineering and patronising attitude, as the Elizabethan era was a patriarchal society and the role of the female was to be ‘obedient’ to their father or husband. Brabantio also endeavours into placing a seed of doubt in Othello’s mind as a result of his jealousy. Consequentially Brabantio objectifies Desdemona when he states, “Where has thou stow’d my daughter?” exemplifying how he deems her as a possession, which can be stolen like any other. Othello prolongs this objectification through asserting that he “won his daughter” portraying Desdemona as a prize to be won, and a possession to be owned and argued over by husband and father. Desdemona is depicted early on in the play as the “angel” wi...
In Othello men see women as objects to control, first by their father, and then by their husband. When Iago yells to Brabantio, telling him his daughter has gone off to marry Othello, he yells "Thieves, thieves! / Look to your house, your daughter, and your bags! / Thieves, thieves!" (Othello I.i.79-80). Othello has taken away Brabantio's property, his daughter, and is called a thief because of it. Desdemona refuses to be treated like property, however and makes "A gross revolt, / tying her duty, beauty, wit and fortunes" (Othello I.i.134-135) to Othello. Her marriage to Othello is not an act of a free woman, but a revolt by Brabantio's property. Desdemona is also incapable of independent feelings or thoughts. Othello must have "Enchanted her" (Othello I.ii.63), "In chains of magic" (Othello I.ii.65), because she could never make such a choice on her own. In Brabantio's mind, only he can know what is in Desdemona's best interest and then choose it for her. Brabantio tries to guard her, but Desdemona has "Run from her guardage" (Othello I.ii.70). In Othello the culture of the time treats women as objects to be guarded and watched over, too tender and gentle to fend for themselves in a dang...
The definition of Renaissance women is fundamentally important in William Shakespeare's play Othello. One of the major causes of Othello's tragedy is his belief that Desdemona is not chaste. According to the men of the Renaissance, chastity, silence, and obedience are three attributes that define Renaissance women. Although Othello takes place during the Renaissance, the women in the play, Bianca, Desdemona and Emilia, defy traditional norms by lacking at least one of the major attributes defining women; Bianca's lack of chastity is clearly displayed when she unlawfully sleeps with Cassio; Desdemona's lack of silence is clearly displayed when she constantly urges Othello to give Cassio's position back. However, in the last two acts, Emilia displays the strongest challenge to the definition of Renaissance women as silent, chaste, and obedient, mainly to defend Desdemona.
Throughout the play, the sweet and old-fashioned Desdemona shows to be a satisfying wife and a great friend, and she also denotes unquestionable ignorance to her surroundings. On the other hand, the open minded and slightly cynical Emilia supplies a huge contrast to her mistresses’ persona; a feminist way ahead of her time. Despite coming from different social backgrounds and having different personalities, both women find the same faith by dying at the hands of their own husbands. But still, even when they do share a handful of similarities, it is their perception of life that makes them react in different ways. However, Desdemona is the one that is least aware of what is happening due to her undoubtedly naiveness.
When Othello summons Desdemona and dismisses Emilia, “Leave procreants alone . . .; / Cough or cry hem if anybody come. / Your mystery, your mystery! . . .” (IV.2.28-30), he not only dismisses Emilia, accuses Desdemona of infidelity, and betrays his own insane bitterness, but he converts the marriage into a brothel arrangement in which all three are involved, and by so doing establishes imaginative lines of connection with the role of Bianca and particularly with the Iago philosophy of sexual conduct. (331)
While there have been a great number of changes in the world since Shakespeare wrote Othello, there are a few truths about humanity and society that remain true. Othello is notorious for it’s examination of race, but is not given enough credit for its observations of gender. Iago embodies masculine gender roles in a severe and exaggerated way, allowing his desire for proving his masculinity to corrupt him morally. Iago then turns and uses his own fears of inadequacy against Othello as the root of his revenge and to improve his own self-image. Desdemona is hurt most by the need for gender roles, which ultimately ends up in her death. The characters in Othello are severely harmed by the gender roles they feel the need to adhere to.
...of Elizabethan England and put women in their place. Men view women as possessions, who are to remain obedient and submissive all the time. The only power over men women have is their sexuality, which is seen as evil and is to be resisted my men. Men are free to call women whores and accuse them of lewd acts with no substantial evidence. However there is a suggestion that women are starting to question the male authority society has set, this is evident when Desdemona is conversing with Emilia: 'Nay, we must think men are not gods" (III.4.144). This suggests that Desdemona had viewed men as god like in the past, but perhaps her experiences with Othello have changed her mind. The language and actions of the three women in Othello, while they seem to follow the expectations and standards of society, also seems to take a big step towards a more egalitarian society.
During the Shakespearean time women were treated as inferiors. The three women in Othello, Desdemona, Emilia, and Bianca encountered many degrading and unfortunate situations. They were to be obedient. The women had to comply with the commands, orders, and the instructions of the men. Women were made to believe that they had no rights. The men would publicly humiliate the three women. It was difficult for the women to stand up for themselves due to that time in society. In Shakespeare’s play Othello, he portrayed the three women to be viewed as obedient, loyal, and submissive to their husbands.
Desdemona is portrayed as the highest class a female could accomplish. She is elegant, honest and loyal to her husband as any other good Elizabethan married woman would be. She is presented as the ideal woman. Desdemona symbolizes innocence and helplessness against men. Shakespeare presents Desdemona as a mature and knowledgeable woman for her age as she defends her love for Othello to her father, Brabantio. However this is seen differently in the eye's of the society. Brabantio declares her as "Against all rules of nature"(scene.. line...). This statement reveals what the society believes what is natural and what is unnatural. To the society, "natural" is when a women complies to their husbands and fathers wishes, but it's unnatural for a women to do anything else. Women are referred to as property, clearly stated when Desdemona's father angrily calls Othello a "theif" (scene...line..). Here, Brabantio addresses Desde...