Oskar Kokoschka Research Paper

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Oskar Kokoschka

Kokoschka was born in P^chlarn, a Danube town, on March 1, 1886. He studied at the Vienna School of Arts and Crafts from 1905 to 1908. As an early exponent of the avant-garde expressionist movement, he began to paint psychologically penetrating portraits of Viennese physicians, architects, and artists. Among these works are Hans Tietze and Erica
Tietze-Conrat (1909, Museum of Modern Art, New York City), August Forel
(1910, Mannheim Art Gallery, Germany), and Self-Portrait (1913, Museum of Modern Art). Kokoschka was wounded in World War I (1914-1918) and diagnosed as psychologically unstable. He taught art at the Dresden
Academy from 1919 to 1924. During this time he painted The Power of
Music (1919, Dresden Paintings …show more content…

He was hospitalized several times in both Vienna and Stockholm and was discharged from military service in
1916. In 1919, he was appointed to a professorship at the Dresden
Academy, and when he left the Academy in 1924 he traveled for a decade through Europe, North Africa and the Middle East. He then stayed a while in the artistic quarter of Paris, but he never felt at home in that environment. Eventually, he returned to Vienna, where he completed
Vienna, View From the Wilhelminberg for the Vienna Municipal Council.

In 1934, Kokoschka moved to Prague after being alarmed by political developments in Germany and Austria. There he met Olda Pavlovska, who would later become his wife, and also Thomas Masaryk, the first president of the Czech Republic. In Prague, he voiced his displeasure with the Nazi regime in Germany; and as a result, his work was considered "degenerate art" by the Nazis. When Germany annexed Austria in 1938 and occupied Czechoslovakia that same year, Kokoschka fled to
England with Olda. Kokoschka sold and donated many of his works on behalf of humanitarian causes as well as launching a poster campaign in
1945. It featured a lithographed poster that read, "In memory of

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