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The relation between father son in hamlet
The role of male figures in hamlet
Ophelia and her impact on hamlet
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Ophelias Role in Hamlet by William Shakespeare
In Hamlet, one of the many things Shakespeare shows us is how the world can change a person, how certain circumstances can knock a person so out of proportion with who they used to be that they take on a new persona, a new identity. One such character is Ophelia, a young, innocent girl, who, throughout the play is torn between father and lover, accused of not being as innocent as she seems, and finally driven to insanity. In the end, she is driven to suicide, an innocent victim of the world around her.
We first meet Ophelia when she is talking with her brother Laertes, who attempting to educate her about the ways of the world. He warns her not to get too close to Hamlet, for Hamlet is "subject to his birth," (1.3, 18) he cannot choose who he loves. His caring advice for his sister, though, is lined with undertones of accusation. He warns her that even "the chariest maid is prodigal enough,"(1.3, 36) implying that even though she may seem modest, but her intentions could very well be the opposite. He attacks her virginal nature, heaving the burden of other, more crass, women upon this frail beauty. She, though a member of the more seemingly dim and weak sex, replies very wittily to this, "Do not, as some ungracious pastors do...reck not his own rede." (1.3, 47-51), advising, and possibly implying, the same things to her dear brother, showing their mutual respect for each other.
Polonius is the next to step in with words of advice to his daughter. Rather than simply giving her advice as an equal, he chastises her for her behavior. He talks down to her, tells her to "think yourself a baby" (1.3, 106), as if she does not have a mind of her own. While Ophelia has yet to p...
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...t of grief and politeness at death, but still, the irony remains. Hamlet ruins his cover and cries about how much he had loved her, yet if he had loved her so much in life why did he treat her so badly? All of the characters seem to twinge with guilt at this untimely death, as though they know that they had been responsible for this tragedy in part.
"When sorrows come, they come not single spies, but in battalions."(4.5, 79-80) For Ophelia, this statement rings true even after death. None of the events that made her go insane were because of her own faults; she had be the good, innocent, virginal young maid. She was abused, mentally and sometimes physically, by every single character in the play. Yet, by no fault of her own, she got caught up in the selfish acts of others. These selfish acts victimized this sweet maid, leading her to her untimely death.
Loyal. Betrayed. Insane. Ophelia, a character from The Tragedy of Hamlet, Prince of Denmark by William Shakespeare, goes through emotional pain and suffering, that drives her into madness. Torn between her father’s word and her love for Hamlet, she chooses to listen to her father, which spells her own demise. Hamlet betrays Ophelia, telling her that he never loved her and that she meant nothing to him. Ophelia feels abandoned, but when her father dies she is pushed over the edge. She is no longer able to move on so she takes her own life.
Often overlooked in Shakespeare’s famous play Hamlet, Shawna Maki analyzes Ophelia’s restricting role as a woman in a patriarchal society and how it essentially leads to her death being the true tragedy of the play. Maki supports this argument by stating, “Whereas Hamlet has the power and potential to change his fate, Ophelia does not and her death is tragic because the only escape she sees from her oppression is madness and death.”. The comparison between Hamlet and Ophelia is a common parallel because both characters are inevitably labeled as tragic deaths due to the quick deterioration of their state of mind.
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
“Nature is fine in love, and where ‘tis fine/It sends some precious instance of itself/ After the thing it loves.” Ophelia truly loses part of herself when her father dies, and her madness becomes visible. We can see Ophelia’s love for Polonius as the trigger for her insanity. “Polonius is a fool in his handling of Ophelia, but there is no doubt of his paternal concern, even if it can be overlaid with ulterior interests at the same time.
In Shakespeare's Hamlet, Ophelia is a multi-dimensional character whose obedience provides a view of how women were expected to act in the Elizabethan Era and demonstrate how they were treated dismissively by society. Ophelia is characterized as a young woman with little experience. Many of her actions are dictated by the men in her life which makes her obedient to her father Polonius and her brother Laertes. As a woman in Elizabethan society, she is expected act a certain way and is often objectified. Her image is largely dependent on her relationship with a man which eventually drives her to madness.
In 1600, William Shakespeare wrote one of his most famous plays, Hamlet. The tragedy follows the downfall of Prince Hamlet due to his fatal flaw of procrastination. Hamlet’s tragic flaw also hurt and caused death to others. While there are many victims within the play, the significant, and most innocent was Ophelia. Actions such as manipulation, scheming, abuse, and murder by those she trusted lead to her insanity and eventually, her death.
Ophelia Has confined choices as a woman in a patriarchal society and this is what separates her from Hamlet, who has the liberty to alter his own fate. Ophelia wishes to be obedient and is not allowed to precise herself and her real emotions. What occurs in her existence is dependent upon the whims of the guys who control her. She is obedient to her father and brother and in addition to the king, and even though she tries to do what's correct, she has normally pulled alongside by using these men. Unlike Hamlet, who can act according to his own will and communicate his intellect as he desires, Ophelia ought to find a replacement to precise herself. The one out that she sees is in madness and ultimately death. As a mad lady, Ophelia would not be bound via the societal restrictions of ladies; she would voice herself, even in madness she isn't free. Despite the fact that she is able to have a voice, she nonetheless has no freedom of alternative and she or he is finally viewed as nonsensical and her words are taken to be without problems mad-speak. Whereas Hamlet has the vigor and abilities to varying his fate, Ophelia does no longer and
Ophelia is conditioned to obey Polonius and Laertes’ commands, thinly veiled as guidance for her “own good.” She is never trusted to have a mind of her own, often having her intelligence openly insulted, causing her to be dependent on the men in her life. These men exercise authority over her, patronize, and degrade her, lowering her self-esteem to a non-existent level, and leaving her a...
Polonius immediately calls to question Ophelia’s ability to reason with his opening remark, “I must tell you / You do not understand yourself so clearly.” (1.3.104-105). This statement along with his suggestion to, “Think yourself a baby” (1.3.114) in regards to how she feels about Hamlet show his commanding nature and instant mistrust of how Ophelia could possibly behave in the best way. Ophelia, to her credit, responds with a curt, “I shall obey, my lord” (1.3.145), which shows her maturity and respect by avoiding conflict through a calm demeanor. However, given how she responded to Laertes, this response also comes across as snide and mocking showing her independence through a resilient, almost defiant, statement. Ophelia, for the second time, faces immediate threats to her power over herself and deals with both calmly and intelligently by not provoking a reaction while still showing abject
In Hamlet Ophelia is controlled by her father Polonius who is trying to igain more insight into Hamlet’s behavior. Polonius uses Ophelia as a pawn in his schemes to involving his investigation Hamlet’s craziness. She has no opinions or say in his plans. Polonius uses the advantage of having a daughter to try to investigate Hamlet. He tells Claudius the king about his plan “I have a daughter- have while she is mine-Who in her duty and obedience, mark” (Scene 2 Act 2). Polonius suggests to the king that they should use her to try to learn more about Hamlet’s crazy behavior. Polonius does not consult Ophelia about his plan because he is the head of the family and it is her duty to obey her father. Polonius shows his dominance over her, she cannot argue with him about being involved because she is inferior to him. Polonius asserts himself as a dominant male figure in her life. He controls, and manipulates her for his own personal gain. Polonius formulates Ophelia’s behavior and her opinions through his manipulation and his dominance over her. She becomes a pawn in the king and his schemes and is not able to assert herself as a character with opinions ...
With the men’s constant abuse, they each start telling her different things. Unsure of whom to listen to, she starts to get confused and starts losing herself. When finally there was no one there to tell her anymore she goes mad, and on the brink of her madness she ends up killing herself. Throughout all these events, no one stops to think of her as an actual person, but instead like a rag doll they could just toss around. The play Hamlet itself was discussed without any bother of Ophelia for nearly four hundred years before scholars started to think of her and read the play with a Feminist viewpoint.
Ophelia loves Hamlet; her emotions drive her to perform her actions. Some would say that Ophelia’s emotions could have actually been what ended her young
In Elizabethan times, Ophelia is restricted as a woman. She is obedient to the commands of the men in her life although she often attempts to do the right thing. Polonius, Laertes, and Hamlet all have a grasp on Ophelia and who she is. She does not have the freedom to change her fate as Hamlet does. Shawna Maki states, “Ophelia’s life is determined by the whims of men who control her” (1). Polonius takes advantage of his relationship with Ophelia by using her to achieve a better relationship with Claudius. Polonius and Laertes teach Ophelia how to behave, therefore, abusing their power in allowing Ophelia to become who she wants to be (Brown 2).
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.