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Media influence in society
Role of media in shaping society
Influence of media on shaping society
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For every good decision in life, for every benefit society reaps, a negative effect will always accompany it. The world ignores the harshness of these negative realities when the decision benefits the majority, relating closely to the ethical theory of utilitarianism, which determines an action is morally good if it helps the greatest amount of people. This utilitarian mentality is displayed in Ursula K Le Guin’s short story “The Ones Who Walk Away From Omelas”, where the joyful bliss of a city is reliant upon the painful suffering of a small child who is kept in a basement. The people in the city ignore the misery and abuse of the young child for the positive benefits they receive in return. Similarly in society today, the suffering of a smaller …show more content…
He describes how despite the leagues problem with domestic violence, former players having brain damage and committing suicide, their tendency to over fine players to make more money, and employment of bad people like Greg Hardy, people who like football don’t care enough to do something about it (Foster 1). Football fans continue to contribute to the success of the NFL by watching the games, playing fantasy football, and buying tickets and jerseys in record numbers. Foster implies people watch football “because it entertains us, because it brings us together, because of tradition and other fine reasons.” (Scott 1). Therefore, like the people in the omelas with the small child, NFL fans ignore the suffering of the increasing amount of domestic abuse victims and the suicides, for their own happiness. Scott concludes, “We don't change for the same reason the NFL won't change: Change is not in our best interest.” (Scott 1). No one stands up for all the people negatively affected by the NFL’s power by boycotting or not watching, because if they do they will sacrifice the happiness they get from the football …show more content…
Like the child in the story, regarding the NFL there is recognition that terrible occurrences are taking place, but barely anyone does anything about it. As Foster concludes, it “should make us uncomfortable”(1) that no one protests the NFL or speaks out because it’s not in their best interest, he is also, like Guin, drawing attention to moral questions in the utilitarian mentality. As Foster suggests, the reader should be uncomfortable with the thriving success of the corrupt NFL, which is relatable to the suffering of the child. Moreover, by presenting these morality issues, both Guin and Foster are giving the audience ethical questions to consider. The problem isn’t that the people of Omelas or the NFL supporters don’t know that the abused child or the corrupt league is wrong, it’s that wrong actions and suffering of a few are acknowledged and rationalized for the happiness and pleasure of a greater amount of people. This should be bothersome, though society seems to have developed the ability to except the exchange of suffering for happiness. Thus, Guin’s “The Ones Who Walk Away From Omelas,” works to highlight real world ethical issues in choosing happiness of the majority, like in the ongoing NFL scandals, and silently asks the reader if this is morally
Over the past years, many will say that football has become America’s new pastime, taking over our weekends for almost half of the year. Fans travel from all over the country to see their favorite college or professional teams play, and once the football season is over, the countdown clock for the first game of fall begins. There are many positive aspects to the sport, and the fans and players love it, but in John McMurtry’s “Kill ‘em, Crush ‘em, Eat ‘em Raw”, the reader is introduced to a side of football that some have not seen, and many choose to ignore. McMurtry believes that the game of football has become one of people just wanting to hurt other people and too many injuries are occurring to justify the fun
Stephanie Slade, a libertarian and a deputy managing editor for Reason magazine, wrote an article asking the question “Is watching football unethical?” She presents evidence, that we will review, that professional football players are being harmed by playing their game. She then lays out a series of analogies about, what she feels, are related topics and compares them to football players. She never answers her own question, but you do get the distinct feeling that she thinks people should stop watching professional football. She never defines ethics and assumes that everyone would see injustice in the trends she points out. I don’t agree with Ms. Slade and I don’t see injustice in the sad case of these players.
Ray Rice a former NFL running back who played for the Baltimore Ravens was caught brutally smacking his fiancee over, leaving her blacked out on the floor of a casino elevator taking place in Atlantic City. The footage leaked out world wide and the public created huge controversy over the coverage that continuously played a numerous of times on major news networks. Rice who was cut from the Ravens and suspended from the NFL after the release of the show down is now an unsigned free agent, searching for hope. Through shocking evidence and a glimpse into a professional football players life, I aim to examine how media created an entertainment brand out of the countless amount of times the video was aired, how the NFL handled the scandal, and how Rice strives to regain his identity.
The Odessa football players couldn't be objective about criticisms of football. Their total self-esteem depended on how they did on Friday night. This was the glorified culmination of their football career: wearing the black MoJo uniform in the stadium under the big lights. Football was more than just a game to them; it was a religion. It "made them seem like boys going off to fight a war for the benefit of someone else, unwitting sacrifices to a strange and powerful god" (Bissinger, p.11). Because football was so meaningful in their lives, to criticize it was to criticize everything they'd worked so hard for and lived for.
The article “Leaving Omelas: Questions of Faith and Understanding,” by Jerre Collins, draws attention to the fact that the short story “The Ones Who Walk Away from Omelas,” by Ursula Le Guin, has not impacted Western thought despite its literary merit. Collins breaks his article down into three parts, the first explaining that he will “take this story as seriously as we are meant to take it” (525). Collins then goes over several highly descriptive sections of the story, which invite the reader to become part of the utopia that is Omelas. Collins states that when it comes to the state of the child and how it affects the citizens of Omelas the descriptions “may seem to be excessive and facetious” (527). But this is because Le Guin is using a
In October 1973, Ursula K. Le Guin published her award-winning work – “The Ones Who Walk Away from Omelas” – in New Dimensions 3, a short story anthology edited by Robert Silverberg. She described it as having “a long and happy career of being used by teachers to upset students and make them argue fiercely about morality.” The city of Omelas is the most magical, idyllic place anyone’s imagination could possibly conjure. The people live happily, with everything they want and need, and most importantly without pain, evil, without monarchy, slavery, the stock exchange, the advertisement, the secret police and the bomb. Yet, the people are not simple minded, but rather are “mature, intelligent, passionate adults whose lives [are] not wretched” and “their children [are], in fact, happy”.
Ursula K. Le Guin uses her story “The Ones Who Walk Away from Omelas” to exhibit her disapproval of the utilitarianism seen in modern society by contrasting the contentment of the citizens of the fictitious utopian city, Omelas, with an account of the abused child in a closet in the cellar of one of the city’s buildings. The reader is shown how, in spite of Omelas’ utopian qualities, there are some of its citizens that exit the city, never to return. Those that walk away serve to express Le Guin’s own negative view on utilitarianism, and serves to compel the reader to contemplate whether or not they could tolerate a situation such as the one detailed.
In the utopian city of Omelas, there is a small room underneath one of the buildings were a small unwanted child sits and is mistreated and slandered for existing. The child’s terrible existence allows the city to flourish and thrive with grace and beauty. Visitors come to view the miserable juvenile and say nothing, while others physically abuse the innocent child. The utopian society is aware of the child’s “abominable misery” (216), but simply do not care to acknowledge it. Le Guin states, “[T]o throw away the happiness of thousands for the chance of happiness of one: that would be to let guilt in the walls ... [T]here may not even be a kind word spoken to the child” (216). This means that since the child holds the responsibility of keeping the city beautiful, it has to go through the torture of neglect and separation from the outside
The Ones Who Walked Away from Omelas is a short story written by Ursula Le Guin. In her story, Le Guin creates a model Utilitarian society in which the majority of its citizens are devoid of suffering; allowing them to become an expressive, artistic population. Le Guin’s unrelenting pursuit of making the reader imagine a rich, happy and festival abundant society mushrooms and ultimately climaxes with the introduction of the outlet for all of Omelas’ avoided misfortune. Le Guin then introduces a coming of age ritual in which innocent adolescents of the city are made aware of the byproduct of their happiness. She advances with a scenario where most of these adolescents are extremely burdened at first but later devise a rationalization for the “wretched one’s” situation. Le Guin has imagined a possible contemporary Utilitarian society with the goal to maximize the welfare of the greatest number of people. On the contrary, Kant would argue that using the child as a mere means is wrong and argue that the living conditions of the child are not universalizable. The citizens of Omelas must face this moral dilemma for all of their lives or instead choose to silently escape the city altogether.
Ursula Le Guin’s “The Ones Who Walk Away From Omelas” is a short story that captures racism directly towards blacks in America. In the story, the people of Omelas are celebrating the summer festival which song and dance. They decorated the streets; children are running around playing while the whole city attends. The people of Omelas don’t have a care in the world. They don’t use weapons, aren’t reckless people, but they aren’t simple people. They seem to be living in a utopia, a place where everything is perfect, granted by some type of devil or person. For a utopia to come true there has to be a sacrifice or arrangement. For the people of Omelas, they believe that to achieve a utopian society means someone has to suffer. The story portrays slavery in the United States. In the story, the sufferer, or the kid, symbolizes
The roaring of the crowd on November 17 at Bank of America Stadium in Charlotte, NC finally fell silent late in the fourth quarter after star linebacker Luke Kuechly was slow to get off the field after a huge hit to the head. American’s live to be entertained, and the football field is one of the main sources of enjoyment for many. Immediately after Kuechly’s hit, it was quiet in the stadium for the first time that day. The fans watched in fear, waiting to see if their star player could finish the game and bring out the win. However, they all became disappointed as Kuechly shed tears while being carted off the field, not because they were worried about the player and his head but because they feared about losing the game. Americans want excitement,
In order to live their “perfect” lives, the citizens of Omelas must accept the suffering of the child. Making the right ethical decision is difficult, but necessary to end the injustice of the society. Failing to overcome the ethical issues in the city of Omelas is displayed through three different characters in the story. There are those who choose to ignore the situation, those who observe the child in misery, and those who feel that they must walk away. In the story “The Ones Who Walk Away from Omelas” characters fail to overcome the ethical issues in their society, and the reader is taught the importance of moral responsibility and the implications of the difficult task of making the right ethical decision.
Charles Kenny starts the article with an easily acceptable example. The example that is given is about the Super Bowl and how they “donate the losing team’s shirts to a charity” (Kenny 58). By using football, Charles Kenny is able to pull in a large and preferred audience. He aims towards Americans to read his article and the Super Bowl is a common subject talked between Americans. The placement of the example is also very important.
Ursula K. Le Guin’s “The Ones Who Walk Away from Omelas” is a story about Omelas, a utopian city where people lead happy lives. Unlike the other people in Omelas who lead happy lives, a nameless child living beneath the city knows only darkness and suffering. The child is chosen from the population to act as a sacrifice to enable the rest of the people in Omelas to lead fulfilled lives. The child stays in a tiny, windowless room without any amenities and is completely cut off from the rest of society except for short visits from those that want to see the child. After learning about the existence of the child, some people overcome the guilt of knowing about the horrible living conditions of the child and live their lives to the fullest.
In the book entitled Out of Their League, David Meggyesy describes his life as a football player from high school through his days with the St. Louis Cardinals of the National Football League (NFL). Born in 1941, Meggyesy was raised in a low-income household in Solon, Ohio. Like many athletes from impoverished backgrounds, he was able to use the game of football to better himself though both a full scholarship to Syracuse University and financial stability with the Cardinals. During his career, however, Meggyesy became increasingly disillusioned with the game of football and how its athletes were subject to tremendous physical and psychological turmoil from those in power—namely the coaches and the NFL team owners. He began to see the game of football from a conflict theorist point of view. This is the belief that sport is an opiate used to benefit those in power through the exploitation of athletes which enables those such as coaches and team owners to maintain their power and privilege in society. (Coakley, 1998) Meggyesy's growing disenchantment with football and adoption of a conflict theorist point of view led him to retire from the Cardinals in 1969.