On Individualization and Victimization In his essay, “On Being Black and Middle Class” (1988), writer and middle-class black American, Shelby Steele adopts a concerned tone in order to argue that because of the social conflicts that arise pertaining to black heritage and middle class wealth, individuals that fit under both of these statuses are ostracized. Steele proposes that the solution to this ostracization is for people to individualize themselves, and to ‘“move beyond the victim-focused black identity” (611). Steele supports his assertion by using evidence from his own life and incorporating social patterns to his text. To reach his intended audience of middle-class, black people, Steele’s utilizes casual yet, imperative diction. Steele This understanding marks the last shift in the essay. Steele is more sure of himself and his solution in this portion than earlier on in the text. This is perceived through diction like “we must” and “necessity” (610-611), these imperative words develop a strong opinion. This adds to the argument because an audience will tend to adhere to someone who is confident in themselves and what they are saying. Steele’s solution entails that people must begin to individualize themselves. As mentioned earlier, the black community became a singular people and although unification can be a positive idea, with unification comes division, which leads to seclusion. This is because unification is created by a group sharing a common trait, however, there will always be those that do not have this trait and that is where division occurs and eventually seclusion is created. For this reason, Steele encourages his audience to move beyond “Race-as-identity”. He explains that individualization can be beneficial because it prevents general associations from being formed and without these associations people will feel less compelled to conform to them. Moreover, he wishes to rid society of the victim-focused black identity because it “encourages the individual to feel that his advancement depends almost entirely on that of the group…[and] reimposes limitations that can have the same oppressive effect” (610). Writing “On Being Black and Middle Class” was Steele’s way to work through this issue that society has. Steele clarifies the issue and comes to the conclusion that the contradictory norms of being black and being middle class puts a strain on those who are both and the only way to lift this burden is for all of society to focus less on victimization and concentrate more on
One of the most critical observations about the state of our sociological health is observed by MacGillis of the Atlantic’s article entitled “The Original Underclass”. That is that the social breakdown of low-income whites began to reflect trends that African American’s were primary subjects of decades ago such as unemployment, and drug addiction.
The transition of being a black man in a time just after slavery was a hard one. A black man had to prove himself at the same time had to come to terms with the fact that he would never amount to much in a white dominated country. Some young black men did actually make it but it was a long and bitter road. Most young men fell into the same trappings as the narrator’s brother. Times were hard and most young boys growing up in Harlem were swept off their feet by the onslaught of change. For American blacks in the middle of the twentieth century, racism is another of the dark forces of destruction and meaninglessness which must be endured. Beauty, joy, triumph, security, suffering, and sorrow are all creations of community, especially of family and family-like groups. They are temporary havens from the world''s trouble, and they are also the meanings of human life.
...ty and their survival as a group in society because of restraint from the federal government in the ability to litigate their plight in Court. The Author transitions the past and present signatures of Jim Crow and the New Jim Crow with the suggestion that the New Jim Crow, by mass incarceration and racism as a whole, is marginalizes and relegates Blacks to residential, educational and constitutionally endowed service to Country.
Throughout Hughes’ Not Without Laughter, we see the long-term effect of generations of prejudice and abuse against blacks. Over time, this prejudice manifested itself through the development of several social classes within the black community. Hughes’, through the eyes of young Sandy, shows us how the color of one’s skin, the church they attend, the level of education an individual attained, and the type of employment someone could find impacted their standing within the community and dictated the social class they belonged to. Tragically, decades of slavery and abuse resulted in a class system within the black community that was not built around seeking happiness or fulfillment but, equality through gaining the approval of whites.
The poverty that poor black Americans experience is often different from the poverty of poor whites. It is more isolating and esoteric. It fans out of family homes and inundates the entire neighborhood; the streets, the schools, the grocery stores, the community centers. A poor black family, in short, is much more likely than a poor white family to live in a neighborhood where many other families are poor. Creating what is called the "double standard" of poverty. “The sense of privilege that he [Marks], a multi-generation white class guy has to share his wisdom with all of those ‘poor black socially-orphaned children out there in the West Phillies of the world’ is astounding” (DNLee 256). Assuming that those children have no direction is a misconception that many white privileged Americans assume. And that assumption is why the life chances and opportunities of people of color in the United States are limited as compared to whites. Place continues to be a defining characteristics of the opportunity structure. Children growing up in more privileged neighborhoods often ponder what they will do when they grow up; as were poor children ponder on if they will even have the opportunity to grow up. The privileged are so blind that even they do not realize it, and they do not see that others are not privileged. As Cinderella’s privileges and opportunities were taken from her, her chance at the ‘good life’ was too. The element of the good life, however defined, is only accessible to those who are
In the United States black Americans are disproportionately affected by the perils of poverty, such as frequent acts of violence, drugs, failing school districts, and numerous other crimes against person and property. Consequently, in order to address poverty, and the dangers associated, one has to understand the root of poverty. Mos Def examines the way American business intentionally denigrates the working class to demonstrate the exploitation and social control that continuously decimates the working poor’s hope.
The twentieth century was a time of tremendous change that commenced with WWI and the Great Depression. While WWI brought countless deaths, the Great Depression affected both urban and rural Americans. Yet, underlying these devastating events was the abuse of black Americans. Both whites and blacks had to cope with the major occurrences of the time, but blacks also faced strife from whites themselves. During the early part of the twentieth century, white Americans Russell Baker and Mildred Armstrong Kalish gained kindred attributes from their families, especially in comparison to that of Richard Wright, a black American. The key differences between the experience of whites and blacks can be found within the mentality of the family, the extent to which they were influenced by their families in their respective lives, and the shielding from the outside world, or lack thereof, by their families. Through the compelling narrations of these three authors, readers can glimpse into this racially divided world from the perspective of individuals who actually lived through it.
Price, Hugh B. ³The Black Middle Class: Past, Present, Future.² The State of Black America 1995. Eds. Paulette J. Robinson, and Billy J. Tidwell. New York: National Urban League, 1995. 181-197.
On Being Young-A Woman-and Colored an essay by Marita Bonner addresses what it means to be black women in a world of white privilege. Bonner reflects about a time when she was younger, how simple her life was, but as she grows older she is forced to work hard to live a life better than those around her. Ultimately, she is a woman living with the roles that women of all colors have been constrained to. Critics, within the last 20 years, believe that Marita Bonners’ essay primarily focuses on the double consciousness ; while others believe that she is focusing on gender , class , “economic hardships, and discrimination” . I argue that Bonner is writing her essay about the historical context of oppression forcing women into intersectional oppression by explaining the naturality of racial discrimination between black and white, how time and money equate to the American Dream, and lastly how gender discrimination silences women, specifically black women.
My objective for writing this essay on the black family was to examine and interrogate a myriad of stereotypes surrounding this family structure. Slavery and its inception need to be explored because it enables one to acquire a better understanding of the modern day black family. It is my hope that once we achieve this level of understanding, if not acceptance, that we may be able to start the healing process that is so necessary.
In 1960, the American sociologist Paul Goodman published his seminal work, Growing Up Absurd: Problems of Youth in the Organized Society. Having observed that, since World War II, there had been an increasing rise in juvenile delinquency – especially amongst white, middle-class, educated males – Goodman set out to study both the source and forms of delinquency. Simply put, he wanted to understand why and how young men were rebelling not just from the previous generation but from society as a whole. Goodman ultimately posited that having been frustrated by an increasingly bureaucratic and corporate culture, the only way for these young men to begin forging their personal identities was to reject the very middle-class culture and values from which they had emerged. Goodman then discovered that many of these young men began to find solace and freedom, to quote Allen Ginsberg, “by dragging themselves through negro hipster streets.” These middle-class young men – or what Goodman would ultimately label as “the white negroes” – found for themselves an entirely new cultural frontier by embracing what they felt to be the only free space available: within the bosom of black culture. The fact middle-class, white males listening to “black music” would hardly raise an eyebrow today only serves as a testament to the enduring power of blackness as a cultural trope. Whether it be jazz in the 1950s or hip-hop at the turn of the century, white youth have continued to find avenues of self-expression and self-formation through what Toni Morrison calls an Africanist presence.
Brent Staples focuses on his own experiences, which center around his perspective of racism and inequality. This perspective uniquely encapsulates the life of a black man with an outer image that directly affects how others perceive him as a person. Many readers, including myself, have never experienced the fear that Staples encounters so frequently. The severity of his experiences was highlighted for me when he wrote, “It also made it clear that I was indistinguishable from the muggers who occasionally seeped into the area from the surrounding ghetto.” (135) Having to accept that fact as a reality is something that many people will never understand. It is monumentally important that Staples was able to share this perspective of the world so others could begin to comprehend society from a viewpoint different from their
What is position do Black American hold in society today? If Black Americans were to just disappear without a trace, would it effect America economically, politically, and socially? The answer is yes, but we would not have the power to survive on our own. The only power that we truly have is buying power in America. Black Americans are infamous for putting their money into things that are materialistic rather than things that will turn their money over. Things that will build up the community such as black owned establishments. Despite the economic set backs we place ourselves in, politically we have no strong voices and our social leaders do not seem to understand how to elevate the problems that continue to plaque our society. Who can we turn to? I am convinced that if we trace back to learn theories of past African America leaders on these issues then we can eventually come to new heights. This paper will identify the primary economic, political, and social needs of African Americans at the turn of the century and determine if the philosophies of Booker T. Washington, WEB DuBois, Martin Luther King and Malcolm X can eliminate some of these issues.
Toni Cade Bambara, a well known author and social activist, uses language and experience to incite change in a warped society that marginalizes its people based on language, race, and class. With the utilization of African American English (AAE), Bambara sheds light on some questionable prejudices and problems with capitalism in American society. Bambara’s works are noted for their use of traditional AAE and its support in teaching the overall “lesson” and the underlying message to the public. The majority of Bambara’s works were inspired by and written in response to her experiences of growing up a black woman, of lower class status, in Harlem. Her short story, “The Lesson,” is no exception. Bambara uses first person narrative, omission of tense markers, and African American English to prove her point that even with education, wealth and prosperity are unevenly distributed throughout the United States.
Wright, R. (2001). The ethics of living Jim Crow: An autobiographical sketch. In P. Rothenberg (Ed.). Race, class, and gender in the United States: An integrated study. (5th ed. pp. 21-30). New York: Worth Publishers.