In Sophocles' Antigone, the dilemma between nomos of the city and nomos of the home divides blood relatives and causes an inevitable conflict. Kreon, Thebes’ ruler, supports nomos of the states and honors polis before oikos. In contrast, Antigone promotes blood ties of oikos and divine laws that govern the dead. Kreon punishes Antigone for carrying out her duty to Polyneikes, and in doing so, he presents a different perspective and reversed order of priorities. In Antigone, polis and oikos depend on one another and share a symbiotic relationship. Since both are unstable, they cannot exist by themselves without problems. This, in turn with Kreon's stubbornness, leads to an untenable encounter.
Antigone respects her blood relations, and she is driven by this to oppose the laws created by Kreon. Even though she recognizes the sin in which Oidipous bequeaths upon his kin, she refuses to abandon her brother is determined to "not be caught betraying him" (Sophocles, 58). Kreon's man made laws cannot "keep [her] from [her] own," and in this she accepts the blood line of her doomed oikos. Furthermore, Antigone justifies herself by honoring her brother above other relationships that she is capable of producing. Antigone states that she "would never have assumed this burden...if it had been [her] children or [her] husband who had died...no more brothers could ever be born- This was the law by which [she] honored [Polyneikes] above all others" (966-77). Using this reasoning, the death of Antigone’s brother means extinction of the blood line and proper burial is still needed, even if it the traitor was Eteokles. Antigone's breach of nomos is a necessary one, for the dead cannot be revived and must be honored, especially those that en...
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In Antigone, oikos and polis are dependent on each other. However, the nature of both are conflicting, so that problems will arise, and even more so when there is an unyielding ruler who vehemently honors one and close-mindedly severs the other. The clash between Antigone’s priority to oikos and Kreon’s opposing priority to polis affected nomos, while producing a locus of catastrophe. Due to Kreon’s stubbornness and consequent neglect of the oikos, his household is destroyed and his city is left in chaos. As a ruler, he was insecure about his throne, and this led him to disbelieve Antigone and Haimon. Kreon prioritized polis above oikos, but in the end, oikos emerges as the factor in determining the fate of the city. Kreon’s intention was to protect the city, but in the aftermath, he only continued the tainted blood that runs deeply in the oikos of Oedipus.
The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to the state because he attacked his brother. Creon's first speech, which is dominated by words such as "authority” and "law”, shows the extent to which Creon fixates on government and law as the supreme authority. Between Antigone and Creon there can be no compromise—they both find absolute validity in the respective loyalties they uphold.
Antigone decides to betray Kreon’s law in order to honor the gods and their greater law. She says “you [Kreon], who are human/to violate the lawful traditions/the gods have not written merely, but made infallible,” defending her decision to bury the out-casted Polyneices because the law that prohibits it was not proclaimed by Zeus. When Kreon asks Antigone why she honors Eteokles (her other brother who also dies in the battle in Thebes) and Polyneices equally, she responds “Death is a god/who wants his laws obeyed,” corroborating the motive of why she upheld divine law over Kreon’s law (Sophocles 41). Even Haimon, Kreon’s own son and Antigone’s betrothed, supports Antigone by saying “the gods implant intelligence in humans/…that is the supreme one” (Sophocles 48). However, Antigone’s superior motive in giving Polyneices an honorable death is love. While conferring her plan with her sister, Ismene, Antigone tells her “He’s my brother an yours too/ and whether you will or not, I’ll stand by him,” indicating her love to her brother (Sophocles 22). In addition, Antigone is most direct with her intentions when she says “I am different. I love my brother/and I’m going to go bury him, now” (Sophocles 24). After Kreon asks Antigone why she dared to break his law, knowing the repercussions, she expresses that “if I had left my own brother stay unburied/I would have suffered all the pain I do not feel now,” further denoting her unwavering devotion to Polyneices even during her own conviction. Richard Emil Braun, an highly praised writer, also believes Antigone’s primary motive to bury her brother was love, as he says “The second burial of Polyneices shows that Antigone…did the deed, and not for money, but for love…Antigone was prompted by her love to fulfill a religious duty.” Civil disobedience to Antigone is
Oedipus accidentally killed his father and married his mother. Because of that act, Oedipus ended up cursing his family and died a horrible death. After his death, his sons inherited his kingdom and in a power struggle ended up killing each other. One of the sons, Polynices attacked the city to try and claim power from his brother. But since both of the brothers died and the city was not taken Polynices was labeled as a traitor whereas the other brother who died defending the city was celebrated as a hero. Creon decreed at the beginning of the play Antigone that no one was to bury the body of traitorous Polynices. Antigone felt that it was here responsibility to bury the body because he was still a member of her family. This led to a huge argument with Creon who felt he shouldn’t be crossed because he was the leader of the state. Eventually both Creon and Antigone are destroyed by the gods (and by each other) through their own actions.
At the start of Antigone, the new king Creon has declared the law that while Antigone’s brother Eteocles will be buried with honor for his defense of Thebes, however the other brother, Polynices will be left to rot in the field of battle for helping lead the siege of the city. Antigone discusses with her sister Ismene that she shall go and pay respects to her now dead brother, and give him the burial that she feels that he deserves. Her sister tries to persuade her otherwise, but Antigone claims she is going to follow her determined fate, not the law of ...
Sophocles’ play Oedipus and Antigone have many parallel themes and conflicts. Certain characters and events are mirrored and go through similar sequences in both plays. One conflict that is prevalent in both plays is the idea of loyalty. In Oedipus, many are loyal to Oedipus, including the city of Thebes itself. In Antigone, there is much strife in the relationships as well, and the idea of loyalty arises.
One decisions changes your entire life and the lives of others. One decision can create a major difference, but one decision can create major conflict. One decision affects all other decisions. The effects of one decision are present in Antigone by the greek author, Sophocles. The setting of Antigone is the ancient city of Thebes after a battle between Polyneices and Eteocles. During the battle, a great tragedy occurs when Eteocles and Polyneices kill each other. The battle is a result of one decision by Polyneices to conquer Thebes, and his attempt is a utter failure. Polyneices' decision to attack Thebes dramatically alters the future course of Thebes. Polyneices's attack removes Eteocles from power and promotes Creon to power. Creon believes he is acting in the best interest of the state by establishing his power as king of Thebes. Creon's decree preventing any citizen from mourning or burying Polyneices is establishing his authority. Creon creates this edict because of Polyneices' traitorous acts against Thebes. Creon feels this action helps Thebes work to become a better city. The citizens of Thebes are not entirely content with Creon's ruling. One brave person dares to do the right thing, and this person is Antigone, brother of Polyneices. Antigone valiantly acts to see morality prevails over what Creon considers right for the state with the looming possibility of death. Antigone acts courageously, but Creon murders Antigone for her deeds. Antigone puts others and her beliefs above herself. Antigone experiences true tragedy. In Antigone, Antigone garners more sympathy and fear than Creon because of her devotion to divine law, loyalty to family, and defiance of Creon in the face of death.
In Sophocles' most famous Theban play consisting of two parts, "Oedipus the King" and "Antigone", both parts are necessary in understanding some of the things that happened around them, and what type of man had raised Antigone. She is the main character in the play of “Antigone”.
Antigone is loyal to her family readers can see that when she says “ Their it is, and now you can prove what you are: A true sister , or a traitor to your family” ( PR. 26-27). This quote shows that Antigone is loyal to her family because she wants her sister to be a true sister like her because she is going the break the law for her brother. Antigone is also seen as loyal to the gods when she says “ That final justice, that rules the world below makes no such laws” ( 2. 57-58). Antigone is seen as loyal because she says the final justice of her being killed doesn’t matter because she did something good for the gods, so they will be loyal back to her. In the greek tragedy Antigone, Antigone has the tragic flaw of loyalty to her family and to the gods, which leads to her
Elizabeth Bobrick’s Sophocles’ Antigone and the Self-Isolation of the Tragic Hero declares “the heroic code may be summarized as follows: I protect my philoi—a term that includes family, kin, loved ones, and loyal community members—and they honor me. To hate my friend is to hate me. To help my enemy is to harm me. Being dishonored by my philoi is the equivalent of death. I will either kill them, or myself, or both.” This can explain Antigone’s excessive desire to bury her brother and even further be supported in lines 25-28 when Antigone challenges her sister’s loyalty. Aristotle himself said that a tragic hero should be neither better nor worse normally than a normal person. With that being said Antigone’s sister, Ismene, was in the same position as her. Originally invoking a sense of naturalism this changes with Ismene’s refusal to help bury their brother. The lack of support for Antigone’s plan leaves her no choice, but distances herself from her sister who obviously doesn’t share the same family loyalty beliefs as her (Lines 77-81). Ismene later in the play tries to claim some guilt in order to help Antigone’s cause. Yet again, Antigone refused to allow her sister to assume any punishment for her crime. Sophocles, Peter Meineck, Paul Woodruff’s Theban plays acknowledges Antigone would rather be dead with her brother than alive with a husband (Line 55-58). This is
Sophocles play titled Antigone, embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of state. Sophocles explores the depths of Antigone’s morality and the duty based on consequence throughout the play, as well as the practical consequences of Creon who is passionate and close-minded. Although Antigone’s moral decisions appear to be more logical and favorable than Creon’s, a personal argument would be that both characters’ decisions in society can be equally justified.
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
Antigone firmly believed that Divine law was far more superior to Civil Law in all respects. To her, the gods determined her fate completely. Obeying the gods was more crucial to obeying the government. "I know I am pleasing those I should please most." (Line 103) She chose to bury her brother Polynieces, though she knew that in doing so she would face her own certain death because King Creon forbid it. According to the Divine law, the dead need to have a proper burial in order to make the journey to the underworld. Antigone would not let her brother go without it. Antigone said of Creon, "It is not for him to keep me from my own." (Line 54) Antigone is proud of her acti...
You shall leave him without burial...” (222). Opposing the king, she neglects the decree and is now to die at the orders of the law for being disobedient; yet Antigone proudly states her crime. There is no sign of remorse shown by Creon as he states: “No; though she were my sister’s child or closer in blood than all that my hearth god acknowledges as mine, neither she nor her sister should escape the utmost sentence-death” (530-33). Bobrick, explains that Creon values the love for his land more than he values family and this becomes a struggle for Antigone as it becomes a fight between obeying the laws of man and the laws of the god’s. The second struggle Antigone faces comes when she realizes she is alone. Antigone confides in her sister Ismene with her plans to disobey Creon; but Ismene, a clear example of how a lady was obliged to be in this time, urges Antigone not to commit the act. Antigone rejects her advice and declares that Ismene is an enemy to her now (41): “If you talk like this I will loathe you, and you will be adjudged an enemy…” (109-10). Antigone must fight on her own. Thirdly, per Bobrick, Antigone
Sophocles’ tragic play, “Oedipus the King”, or “Oedipus Rex” as it’s known by its Latin name, is the Athenian drama that revolves around the events which lead to the demise of Oedipus Rex. The King Oedipus is forced down a preordained path that throws his entire world into a spiral of tragic providence, in this trilogy of a Theban play. Sophocles assigns the tragic hero to a downfall with the impossibility of changing the written fate; perhaps the views of today’s society would feel sympathy for the predicament that Oedipus is forced into, however, the publics of ancient Greece would accept that the path laid before them was a creation of the Gods. “Oedipus the King” reflects the ancient Greek credence in the belief that a person can do nothing to avoid their destiny, an idea that contrasts with what society believes today.