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Sound in classic hollywood films academic essay
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Lab Questions:
1. Filmmakers must often establish information quickly in a film in order to give the audience context for the plot. In this film, the filmmaker establishes information about several of the main characters, including Lina and Don. What information do we as the audience learn about Don and Lina from time code 01:35 to 04:00 of the film? How does the filmmaker give us this information? Discuss at least two different ways that the filmmaker gives the audience information about these characters.
In the beginning of the film as an audience the first piece of information we receive is that Lina and Don are huge Hollywood movie stars. Don and Lina also appear to be the hottest couple to hit the red carpet. We receive this information
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The filmmakers also used streetlights, buildings, people in cars and walking around on the sidewalks. Where Don and Kathy are driving the filmmakers used a backdrop and made the car turn left and right.
5. A "talkie" picture is shown starting around time code 21:15. How does the audience in the film react to the "talkie"? What influence do audiences have on film and theater performances? How do film and theater actors influence audiences?
The audience does not really understand what is happening and think the “talkie” is completely untrue. After, the film ends people start saying ‘talkie” idea will never be successful and that it is just a waste of time. The audience has a huge influence on a film considering they are the ones watching and paying to see the film. Film and theater actors influences the audience because fans might want to act or dress like the actor.
6. In the musical scene with Cosmo (starting at time code 27:00), how does the actor use props? What is the result? Do you think the use of props effectively fulfilled the artistic vision for this musical number? Why or why
Also, in order to fully understand the meaning of this film we must answer two
target audience. At the end of the day the film has to sell and this
Even though there is a great amount of audience participation, one really has to turn your attention to the actors in the movie. It takes a special kind of person to really understand the movie they are in.
The Classical Hollywood style, according to David Bordwell remains “bound by rules that set stringent limits on individual innovation; that telling a story is the basic formal concern.” Every element of the film works in the service of the narrative, which should be ideally comprehensible and unambiguous to the audience. The typical Hollywood film revolves around a protagonist, whose struggle to achieve a specific goal or resolve a conflict becomes the foundation for the story. André Bazin, in his “On the politique des auteurs,” argues that this particular system of filmmaking, despite all its limitations and constrictions, represented a productive force creating commercial art. From the Hollywood film derived transnational and transcultural works of art that evoked spectatorial identification with its characters and emotional investment into its narrative. The Philadelphia Story, directed by George Cukor in 1940, is one of the many works of mass-produced art evolving out of the studio system. The film revolves around Tracy Lord who, on the eve of her second wedding, must confront the return of her ex-husband, two newspaper reporters entering into her home, and her own hubris. The opening sequence of The Philadelphia Story represents a microcosm of the dynamic between the two protagonists Tracy Lord and C.K. Dexter Haven, played by Katherine Hepburn and Cary Grant. Through the use of costume and music, the opening sequence operates as a means to aesthetically reveal narrative themes and character traits, while simultaneously setting up the disturbance that must be resolved.
Huxley is known for deploring talking movies, known as “talkies,” and often condemns them as part of an increasingly industrialized society. But, Frost points out that Huxley recognized “cinema’s potential
”[1] From the above quote it’s fair to suggest that when answering this. question importance lies in the discussion of Film Language. The assignment will therefore look at the various Film Languages. The text that will be used is Macbeth[2] (Shakespeare), and Roman.
In Browne’s essay, he describes what he calls the “position of the spectator”, and suggests that cinematic techniques can constitute a connection between a given character(s) and the spectator. Browne values less of what David Bordwell believes to be important in narration, the syuzhet (Bordwell 1986). Browne believes the connection between the spectator and the character(s) solidifies less through narrative techniques, the syuzhet, than through cinematic means, for instance, cinematography. The composition of a shot can allow the audience to see over the shoulder of a given character, thus positioning the spectator in the character’s approximate point of view. Likewise, action or dialogue from another character can be shown from the approximate field of vision of the character that is linked with the spectator. (Browne 1986).
Many of the first film elements that can be found in this movie work as an introduction to the two main characters of the story. These elements are meant to force the spectator- even one who had never heard speak of, or seen the two Hollywood stars shown on screen- to focus their attention on them.
Silent film, a nearly extinct cinema genre, has been brought back to life to live out its final moments in the modern age. This art is the original form of cinema that first used the techniques of cinematography and acting to construct a base platform that made the film industry into the success it is today. The Artist is of the romance genre, as it tells the story of a silent film actor trying to survive the progressing technology with the film industry and the invention of the “Talkies” or films with dialog that can be heard and eventually finding his place in the end. In this film, lighting, soundtracks and character body language are utilized to communicate with the audience, that storytelling through
For the next three hours, we follow snatches of conversation from Sam (Matthew Maher), Rose (Louisa Krause) and newcomer Avery (Jaygann Ayeh), three of the cinema’s employees, as they clean up dropped popcorn from between the aisles. They discuss their wages, their taste in movies, their star signs, and even – occasionally – heavier topics like their families or mental health. The three actors develop that particular silent intimacy that comes from spending many hours with someone, without actually sharing much about each other’s lives. The drama that unfolds seems both trivial and profound: from Avery’s dilemma over whether to join in with an illegal activity, to his letter to their boss asking that he keep using one of the state’s only remaining 35mm projectors. (Sam: “It’s like something someone would write in a movie.”)
The characters are a crucial element in developing the narrative of a film. The characters in Breathless do not act the way one expects those of Hollywood cinema to act. The woman who distracts the police officer in the opening scene seems as if she may be important, but is in fact never seen again. This happens again in a subsequent ...
When I think of theatre, I think of it as a form of expression. This idea was supported by all three clips. This can be said because, in “The Playboy of the Western World,” we saw the use of an older form of dialogue to tell a story. In “Nightwalk”, the use of facial expressions, body movement, and noise was used to depict excitement, show curiosity, or aid in narration. Furthermore, with “The Rockaby” a poetic and metaphoric narration was used. And with “Beijing Opera Performance,” props and bells were used to tell a story. All of this to show how versatile and creative theatre truly is. It can range from simple to abstract. With that being said, one this that was discussed in the “Three Actor- Audience Relationships” was the interaction
A keen observation of fiction and films simultaneously leads one to realise that there is a vast difference in the subtle elements that cause the forms of the two to differ. To expand this point let us take a look at the techniques of the narrative in both. While in the works of fiction, the narrator is almost always present. Often we come to know what the characters feel and think not through their own dialogues but through the active narration. Whereas in the films many times the narrator altogether disappears. The film one may go as far as to say has
As said by Thornton Wilder, “I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with one another the sense of what it is to be a human being,” the theatre is one of the greatest art forms. An audience collectively gathers to watch and enjoy the show of their choice, taking in the storyline, characters, and emotions portrayed by actors. Such an experience can often be described as a whirlwind of different emotions and connections, but the storm stifles to dead air once interrupted. The world of theatre is a beautiful place; however, it is easily disrupted by nuisances backstage, onstage, and in the house.
Going to the movies is probably one of the most enjoyable pastimes throughout the world. From western society to the Asian countries, watching movies is pleasant for nearly anybody. I currently work at the local cinema. Therefore I have decided to study the culture of moviegoers. I looked at many different aspects within the past months. I took time for myself in small, little, breaks to study and document the actions of the people. From their attitudes entering and leaving the cinemas, to the way they behaved and even the way they clothed themselves. I will be going into the field with a general question in mind of what I wish to learn. “How do individuals respond to each other in a moving going experience?” I will also look into how families communicate to each other compared to how a group of friends interact. In contrast to that outsider or etic outlook at our moviegoers, I will take an insider or emic perspective of the site and actually go out on my days off work and watch a movie portraying an actual moviegoer while no one in this culture within Stars will suspect a thing.