“Yesterday, she was just a little girl pretending she was queen. She didn't know it would change her world, didn't know what this would mean. Which mask will you wear today? How about the one with the pretty smile? To you it's just another day in a life you haven't lived in quite a while. Everybody knows your name, but they don't know who you are. But to them it's just a game, and I think it's gone too far.” In these lyrics from Lifehouse’s “Just Another Name,” the viewers can easily see the heart of Lifehouse. From 1999 to now, Lifehouse has changed its band members, its genre, and its sound; however, Lifehouse has always stuck with meaningful lyrics, whether it be from fictional song-stories that Jason Wade, lead singer and songwriter, made up or from events that Lifehouse has went through. They are one of my favorite bands, and I’m thrilled that I get the chance to write about them and their success. My rock band, Lifehouse, plays alternative rock rooted in grunge and Christian music.
From the very beginning, Lifehouse have always been unique. They did not start off as what we know them as today, Lifehouse, but they started out as a Christian band called Blyss. However, in 2000, the band changed up their genre to alternative rock. Then, they started working with a major record label and finally recorded their first official Lifehouse album called No Name Face (Leahey). One of the most important tracks on the album was “Hanging by a Moment.” ‘“Hanging by a Moment’ was the single most played radio track of 2001” (Leahey). In 2002, Lifehouse released Stanley Climbfall, and in 2005, they released Lifehouse. At that time, members had changed immensely, and Wade was the only founding member who had stayed on. Their ...
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... is, and even though some people do not like the band and their style, Lifehouse should be respected for going by the beat of a different drummer and not being “just another name” in music history.
Works Cited
Covach, John and Andrew Flory. What’s That Sound? 3rd ed. New York: W. W. Norton and Company, 2012. Print.
Graff, Gary. “Lifehouse on New Album ‘Almeria’: ‘Our Sound Needed to Evolve Sound.’”
Billboard. 19 October 2012. Web. 29 March 2014.
Leahey, Rovi Andrew. “Lifehouse Biography.” Artist Direct. 1997-2014. Web. 9 April 2014.
Ross, Matt. “Q & A: Jason Wade.” Rolling Stone. 11 February 2011. Web. 9 April 2014.
Lead singer/rhythm guitarist Sonny Remlinger makes the cool clubs warm with the lyrics he belts out one reverberation at a time. Joseph finds songwriting sessions useful to the process and is crafts distinctive songs people enjoy seeing play out in live forum. “As f...
11. Kim-Cohen, S. 2009. In the Blink of an Ear: Toward a Non-Cochlear Sonic Art
Alternative rock music of the nineties successfully captured the distress of a young generation afflicted by multiple struggles. First and foremost, this music genre accurately voiced the concerns of those who could not imagine a thriving future as prosperous members of society, and for whom the American dream was nothing but a distant notion. For instance, in his song “Loser”, Beck Hansen skillfully described the apathy that overtakes an individual’s being when he is faced with life´s unavoidable grim prospects. Similarly, this kind of music resonated with all those individuals who were struggling to feel comfortable in their own skin. To illustrate, in one of its most popular songs, “Creep”, the alternative rock band Radiohead managed to convey the excruciating angst experienced ...
The following case is a review of Juwan Howard, a star basketball player playing for the Washington Bullets. The case study details the ins and outs of the high stakes world of professional basketball and the deals and huge money that is the main focus of owners, agents, players, the players union, managers, and the NBA league every year during draft and free agency.
Ripin, Edwin M., John Barnes, Alfons Huber, Beryl Kenyon de Pascual, and Barry Kernfeld. "Clavichord." Grove Music Online. 2014.
The disc player drones on as I recline peacefully on the pure white sands of my very own desert island. I am the only human being on this island. Ah, peace at last, but as the days turn into weeks and the weeks to months and the months to years I wonder; why have I not gone completely insane? Sentenced indefinitely to solitary confinement on my paradise prison. Yes, it has been a struggle to maintain my sanity, but I have one very special companion; the Violent Femmes album Add it up. Every time I listen to this album I am reminded of the last time I ever saw all my friends together; before we all went our separate ways in life.
In today’s society, people are taught to conform to the masses in order to fit in; however, it is imperative that one’s individuality is maintained, as it preserves their identity and encourages uniqueness. For example, in the song, “Outside of a Small Circle of Friends”, Phil Ochs discusses the social norm where people are too afraid to stand out, often times, leading them to pay little to no attention to the wellbeing of others. Instead of adhering to their own judgment and moral values, the person in the song continues to abide by the notions of the rest of the group. In addition, in “The Dying Girl that No One Helped”, Loudon Wainright describes the brutal murder of a young 28 year old women, while over 38 of
I had a feeling that the night I saw them live for the first time would be a phenomenal one. I had all of these issues bothering me at once and it was the night for me to forget about it all. The moment I knew that my life had really changed because of this band was during their encore. The song was “I Just Want to Sell Out My Funeral”. It was a collaboration of every song on their newest album along with the true message of the whole album at the very end. As I was standing in the crowd, singing my lungs off, the end of the song came with the lyrics, “I’m staring up at the sky, but the bombs keep fucking falling. But I wont’ let him in. No, I won’t let him in.” I was staring up at the ceiling singing these lyrics so loud and I began to cry. I had all of these problems coming after me and they were the devil on my front porch. No matter how hard it was, I never let him in and it was all because of music. After that night, my life only
While it may be odd for a musician to publicly release his home address through his album, Canadian singer/songwriter Mac DeMarco did exactly that in “Another One,” his new mini-LP. At the end of “My House by the Water,” he gave a warm welcome to his home by reciting his address, and as if he was not hospitable enough, he also offered visitors a cup of coffee. DeMarco’s nonconformist and eccentric personality does not stop there, however, as “Another One” explores the realm of romance through warped indie rock.
Covach, John. What's That Sound? An Intoduction to Rock and its History . New York: W.W. Norton & Company, 2009.
Rosand, Ellen. "Barbara Strozzi, virtuissima cantaprice: The Composer's Voice." Journal of the American Musicological Society 31:2 (1978): 241-281.
Arnold, Denis, ed. The New Oxford Companion to Music. Vol. 2. Oxford: Oxford UP, 1983.
The artist I've chosen to discuss in this paper is the band Daft Punk. Daft Punk consists of Thomas Bangalter and Guy-Manuel de Homem-Christo who became friends 1987 in secondary school, and are from Paris, France. The band formed in 1992 under the name “Darlin'” with a third member, Laurent Brancowitz, who later left the group and formed the band Phoenix. Daft Punk was a large part in the growing popularity of the “house” genre of music in France in the late 1990's.
Pollack, Alan W.. “Notes on "Revolution" and "Revolution 1".” soundscapes.info. 1997. 3 October 2009 .
...11). Sound Upon Sound: The Conversation. [Online] Available from Sound on Sight: http://www.soundonsight.org/sound-upon-sound-the-conversation/ [Accessed 05 February 2012]