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Nora manipulating torvald
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Both Nora and Torvald have made mistakes yet only Torvald gets punished by losing his wife and his family being torn apart. Indeed, it is wrong for Torvald to condemn his wife the way he does after discovering that she had lied (Ibsen, 1890, p. 37). When he realized that she had fraudulently acquired a loan, he got mad. He called her demeaning words and questioned her character as a parent. He failed to remember that all Nora did was for his wellbeing. In the same way, Nora failed to listen to her husband when he told her not to take a loan for his treatment. She went behind his back and took a loan through forging her father’s signature. She also admits to be saving money secretly to pay off the loan. Further, she misleads her husband by …show more content…
Therefore, Ibsen should have made more efforts in showing that both Nora and Trovald made mistakes which cost them their marriage instead of showing that Trovald’s mistakes led Nora to leave him and the children …show more content…
Marriage is a sacred institution ordained by God. From a Christian perspective, marriage was created for man and woman to fulfll each other and have children. From a social perspective, it is created for intimacy which is achieved through friendship, romance and attachment. Friendship entails the need for acceptance and identification (Buss, 2005, p. 259). Romance involves the need for idealization and infatuation in relationships and attachment involves the need to form bonds in relationships (Schnarch, 2009, p. 20). Together, these factors have enabled Nora and Trovald’s marriage to stand the test of challenges. Admittedly, it is important for one to understand him/her before committing to marriage because it is binding and this helps in maintaining understanding in relationships. This helps in conflict resolution and finding long-term solutions to problems (Coser, 1997, p. 199). By showing that a marriage denies one the freedom of being self, Ibsen shows that he has no value for marriage as an institution. He is also implying that one can only find self by being away from a spouse and children. Further, Ibsen portrays marriage as a burden that one can get rid of whenever he or she feels like. This may make marriages lose meaning in the society and lead to increased cases of
He attempts to convert A into an ethicist by using conjugal, or companionate love, as an example of how leading an ethical life does not mean surrendering all enjoyment and pleasure. Marriage falls under the umbrella of conjugal love. In “The Aesthetic Validity of Marriage,” Wilhelm offers an enlightening comparison of romantic love (in the aesthetic form) and conjugal love, arguing that the aestheticism of romance is not lost with long-term companionship or marriage and the challenges and responsibilities that come with it. Rather, marriage speaks to a higher form of aestheticism because it includes both love and sensuality — not just fickle lust (Kierkegaard). Those, like Johaness, who view long-term love with cynicism either marry for convenience or end up alone because they are blind to the possibility of anything
Nora is trying to keep something away from public knowledge and especially away from her husband. She hides the fact that she borrowed money to save his health. She was afraid that if Torvald knew that she had taken initiative to borrow money to help him that it would be "painful and humiliating"(Ibsen 501) for him. She knows that Torvald needs to feel in control of everything. So she hides her actions from him. & nbsp; Nora hides the fact that she has done something illegal from Torvald. She is given the opportunity to tell Torvald and maybe get his support or advise on the situation, and she lies to him to hide the truth. She claims that the reason that she does not want Torvald to fire Krogstad is that "this fellow writes in the most scurrilous newspapers.he can do [Tor could have told him, but instead she decided to hide the truth from her husband. & nbsp; She also hides her own strength. She plays the part that she has come accustomed to, being the doll. The first time in the play that Torvald refers to Nora, he calls her a "little lark"(Ibsen 493). Throughout the play, he refers to her as a cute little animal, never with any word that might her indicate that he wishes she were a little plaything of his. To fit this character, Nora hides her true strength until the end of the play. Nora says that "[she] must stand quite alone"(Ibsen 546) and leaves Torvald to be alone. Not only does Nora make the claim that she could stand alone, she follows it with an action, thus the audience knows that Nora can be stronger than she was appearing and that she must have been hiding her true & nbsp; Nora hides her ability to handle money. She does not let Torvald know that she is entirely capable of handling debt. Instead, she leads on that "[she] should not care whether [she] owed money or not"(Ibsen 493). Although she says that she would not care about being in debt, the audience learns that she is handling her own debt She leads on that she is the little doll who cannot handle anything. She hides her abilities from Torvald to be his little doll. & nbsp; The hiding and seeking of the characters in the play is reminiscent of the game that Nora plays with her children. In playing games like that with her children, Nora is also hiding from them and her job as mother. She likes to take off their warm outer clothing because "it is such fun"(Ibsen 506). She finds the job of mother fun.  507). The job of mother was no longer fun, so she abandons it. She uses the nurse to hide from the children that she gave birth to. & nbsp; Torvald also hides from his wife, Nora. He shares none of his work with Nora. They speak very little about financial matters. When they do talk, it is mostly silly talk not seriously about their financial situation. Their first conversation on stage is about money. He tries pitifully to talk to her seriously about money, but shillings-a pound-two pounds"(Ibsen 493). He gives her more money to make her happy instead of trying to work out their financial situation. Torvald hides business about money from Nora just like she hides from him. & nbsp; Torvald also hides information about his job from her. Nora barely knows what he does at his job at the bank. Nora asks Dr. Rank if "all the people who are employed in the bank dependant of Torvald now"(Ibsen 504). Nora knows that Torvald has had a promotion, but does not even know really what & nbsp; Nora knows that they are hiding from each other. She knows that she must hide from those around her to protect her way of life. Although she is talking to her children at the time, Nora's words can be applied to her actions throughout the play. Nora says, "Must I hide? Very well, I'll hide first"(Ibs hiding. The snares are hidden. & nbsp; Nora and Torvald both hide from each other. Although she hides from her husband, Nora starts seeking truth. She is playing the game on both sides. She hides and she seeks. She is trying to learn about life. Nora wants to find that there can be a life where she does not have to hide from the of another and inferior species, Woman"(Shaw 143). Nora wants to be able to stop hiding. To be able to do that, she must be treated like an equal. That is something that Torvald will not do for her. He will not "sacrifice his honor for the one he loves"(Ibsen 548). Torvald will not bear all of Nora's weight, even though him, and when that did not happen and she was abandoned, she must seek another life. She seeks a life where her sacred duties are "to [herself]"(Ibsen 546) before her husband and children. M. C. Bradbook acknowledges that "in leaving her husband Nora is seeking a fuller life as a human being"(87). Nora is leaving a life in hiding to find a life that is richer and more full & nbsp; The hiding and seeking that goes on in the play is far from over when Nora ends the game with the children. It started before then and finished only when Nora walked out on Torvald and her marriage. Nora hides her strength, knowledge and abilities from her husband. She does this because he could not handle having a peer as a wife. He given to the nurse and Nora is only left with playing with her children. The job of wife to Torvald is filled only with a hidden personality. He wishes something that he can call his own and protect with ease. Nora becomes a seeker when she realizes what kind of life she is leading with her husband. When she realizes what he seeks as a wife, she also realizes that she needs to find another life. The a sense of individuality. With leaving her husband, Nora gives the indication that she will no longer tolerate a way of life that forces her to hide.
Human beings are not isolated individuals. We do not wander through a landscape of trees and dunes alone, reveling in our own thoughts. Rather, we need relationships with other human beings to give us a sense of support and guidance. We are social beings, who need talk and company almost as much as we need food and sleep. We need others so much, that we have developed a custom that will insure company: marriage. Marriage assures each of us of company and association, even if it is not always positive and helpful. Unfortunately, the great majority of marriages are not paragons of support. Instead, they hold danger and barbs for both members. Only the best marriages improve both partners. So when we look at all three of Janie’s marriages, only her marriage to Teacake shows the support, guidance, and love.
Not only does she lie about eating the macaroons to her husband, but she also once told Dr. Rank. The most serious deception is that of the loan she took out in order to save her husband’s life. While this is an extravagant lie, we can find it in ourselves to forgive Nora because her actions were selfless. Perhaps if Torvald could accept his wife instead of constantly feeling the need to control her, she would not have lied to him.
Brockmeier’s short story represents a damaged marriage between a husband and a wife simply due to a different set of values and interests. Brockmeier reveals that there is a limit to love; husbands and wives will only go so far to continually show love for each other. Furthermore, he reveals that love can change as everything in this ever changing world does. More importantly, Brockmeier exposes the harshness and truth behind marriage and the detrimental effects on the people in the family that are involved. In the end, loving people forever seems too good to be true as affairs and divorces continually occur in the lives of numerous couples in society. However, Brockmeier encourages couples to face problems head on and to keep moving forward in a relationship. In the end, marriage is not a necessity needed to live life fully.
Is marriage really important? There is a lot of controversy over marriage and whether it is eminent. Some people believe it is and some people believe it is not. These opposing opinions cause this controversy. “On Not Saying ‘I do’” by Dorian Solot explains that marriage is not needed to sustain a relationship or a necessity to keep it healthy and happy. Solot believes that when a couple gets married things change. In “For Better, For Worse”, Stephanie Coontz expresses that marriage is not what is traditional in society because it has changed and is no longer considered as a dictator for people’s lives. The differences between these two essays are the author’s writing style and ideas.
Since the beginning of time, marriage exists as a large part of life. The values of marriage change on a year to year basis and as trends continue to change so will marriage. There have been numerous reasons for marriage throughout time such as arranged, wealth, love or many others. In the 18th century, many marriages were based on one’s class and wealth and not true love. Today, many marriages do not take wealth or class into account they focus on that person’s inner self and love. Marriage exists as an overlying theme throughout Pride and Prejudice and every marriage appears for a different reason.
Nora is the beloved, adored wife of Torvald Helmer. He is well respected, and has just received a promotion to the bank manager. Torvald also obtains high moral standards but he is very controlling and materialistic. During the first scene the couple is discussing the issue of borrowing money. Torvald says to Nora "…you know what I think about that. No debts! Never borrow! Something of freedom’s lost-and something of beauty, too- from a home that’s founded on borrowings and debt. We’ve made a brave stand up to now, the two of us, and we’ll go right on like that the little way we have to."
In the play A Doll House, by Henrik Ibsen, Nora and Torvald’s marriage seems to have been torn apart by Krogstad’s extortion plot, but in reality their marriage would have ended even without the events in the play. Torvald’s obsession with his public appearance will eventually cause him to break the marriage. Nora’s need for an identity will ultimately cause her to leave Torvald even without Krogstad’s plot. Lastly the amount of deception and dishonesty between Torvald and Nora would have resulted in the same conclusion sooner or later. In this essay I will argue that Nora and Torvald’s relationship would have ended even without Krogstad’s extortion plot.
In order to successfully borrow the money, Nora had to illegally sign for her father to receive the loan. Behind Torvald 's back, Nora forged the signature to ensure that the money would arrive before her husband became too ill. Mrs. Linde cautioned Nora that "a wife cannot borrow [money] without her husband 's consent" (Ibsen Act 1). Despite Nora being aware of this law, she pursued the illegal act anyway. This revealed that Nora was willing to anything out of the best interest for her husband. Nora reminds Mrs. Linde that it would be "painful and humiliating...if Torvald [knew] that he owed [her] anything. It would upset [their] mutual relations together" (Ibsen Act 1). Nora 's main focus is to make sure her husband maintains his male dominance within their marriage. This is the turning point in which the audience realizes that Nora is not solely abusing her marriage with Torvald for his money, but rather she is a driven wife is willing to risks to protect her
Nora and Torvald lack one of the key elements needed to make a marriage work. Good communication allows you to better understand your partners needs and to unite as a team to solve problems or comply. When Torvald got sick and the only thing to save his life was to move to the south; Nora found a way to procure the money and forged her father’s signature to obtain the loan. The most heroic action of her life is an unforgivable crime in the eyes of society. Nora has kept this a secret from Torvald. “A man who has such strong opinions about these things! And besides, how painfully and humiliating it would be for Torvald, with his manly independence, to know that he owed me anything! It would upset our mutual relations altogether; our beautiful happy home would no longer be what it is now.”(12) To pay back the loan, Nora has worked without her husband’s consent, staying up late nights copying, to earn money and saving a bit from what Torvald gives her. “Whenever Torvald has given me money for new dresses and such things I have never spent more than half of it; I have always bought the simplest and cheapest things.”(13) Without trust, honesty can never be obtained. There was poor communication throughout their entire marriage and only at the end, after eight years of being married d...
...a that an idealistic lifestyle based off of lies and falsehood is in fact, not an idealistic lifestyle at all. At every opportunity Ibsen suggests that behind the façade of marriage, what exists is nothing close to what a marriage should be, and this is exactly what Nora comes to realize nearing the end of the play. The one miracle she had hopped to occur, was that their “Living together could be a true marriage.” It is undeniable that the ideas Ibsen develops that truth plays a crucial role in idealistic living; and when such idealistic lifestyles are built on deceit an individual will eventually undergo an epiphany resulting in a radical understanding of reality. In the case of this play, Nora and Torvald’s relationship disintegrates and she leaves him to find herself and to find a true idealistic lifestyle. As for Nora and Torvald, their marriage is destroyed.
Torvald does act criminally toward Nora after reading the letter. He calls her horrible and degrading names and insulted her father. Torvald states that Nora may, at his whim, continue to live in the house, but can longer be trusted to raise the children. Basically, he is removing a mothers rights to her children. Although, the times allowed for such actions, it would still be considered criminal to treat a human being that way.
Nora takes great measures to save Torvald’s life causing her to secretly take immoral actions that changes her future sense. Nora had no choice but to seek a loan behind her husband’s back in o...
As the play goes on, Nora seems to transform from her delicate little character into something much more. At the end of act one, Krogstad goes to Nora for the recollection of the money she had borrowed from him. "You don?t mean that you will tell my husband that I owe you money?" (21). Since Nora was wrong in doing so socially, she could not tell Torvald or anyone else about her problem. Not only would that affect their social standard but also Torvald's ego, which inevitably would happen anyway. After Krogstad threatens to expose Nora for forging her father's signature, she realizes that no matter what she does Torvald was going to know the truth. The flaw with...