Neil Young Essay

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The Mastery of Neil Young
Neil Young’s music is impressive to me mostly because of the wide span of genres it encompasses, and as such, the large amount of emotions it conjures. What’s interesting to me is how he’s viewed so differently from person-to-person; some may think of him as a country-rock star, complete with cowboy hat and toothpick, while others think of him as a hard rock icon complete with ripped jeans and a raggedy shirt. It all likely depends on how your own musical journey developed; “Heart of Gold” and “Rockin’ in the Free World” are two of his better-known songs, yet each one is played on very different radio stations than the other. I remember diving deeper into his body of work and being amazed at how much ground it covered; there are songs that are the epitome of despair and desperation, and there are also songs that make you giddy with excitement. How can one man be such a jack-of-all-trades with his music and sound completely genuine and inspired every time? Logic would seem to dictate that such a person would only manage to be merely good at everything he tries, not great. Neil Young, however, is an exception to that thought process, always searching for his muse, thankfully documenting the journey for all to hear.
Neil Young, who grew up in Ontario, Canada, was drawn into music at a very early age, and throughout his teens he played in several bands and was a mainstay at local folk clubs (Macnie, 2001). He started to build a respectable enough reputation, but didn’t hit upon any commercial recognition until he joined Buffalo Springfield, a band that also featured Stephen Stills, who would become a well-known singer-songwriter in his own right. While perhaps not attaining the success they deserved in term...

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...ship was borne out of his own struggles, both in trying to find his voice in Buffalo Springfield (and also in the band Crosby, Stills, Nash & Young) and the feeling-out process of his early solo career. Young used this time to hone his own musical persona and voice that seemed exclusive to him and not an imitation of others before him, much as Coltrane spent time playing for Dizzy Gillespie and Miles Davis (Greene, 2012) in order to find the confidence within himself to reveal his own vision (p. 207). It is easy for listeners to determine whether someone is being genuine to who they are; it is a sensation that is hard to put into words, but it’s the difference, for instance, between listening to Nirvana and then the countless bands that tried to imitate them. The basic elements might be there, but not the passion. That is something that Neil Young never had to fake.

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